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| Author | : Sarah Kember |
| Publisher | : Psychology Press |
| Total Pages | : 276 |
| Release | : 2003 |
| Genre | : Artificial life |
| ISBN | : 9780415240277 |
Examining the construction, manipulation and re-definition of life in contemporary technoscientific culture, this book aims to re-focus concern on the ethics rather than on the 'nature' of artificial life.
| Author | : Susan Hawthorne |
| Publisher | : Spinifex Press |
| Total Pages | : 452 |
| Release | : 1999 |
| Genre | : Computers |
| ISBN | : 9781875559688 |
An international anthology by feminists working in the field of electronic publishing, electronic activism, electronic data delivery, multimedia production, virtual reality creation, developing programs or products electronically, as well as those developing critiques of electronic culture. This collection explores what the possibilities are for feminists and for feminism. It also grapples with the pitfalls of the medium. The book, however, does not assume that the technology in itself is negative, but rather how it is used is open to critique. This leaves open the possibility of feminists having an impact on the way the technologies develop. The book includes connecting HTML with poetry, developing resources for Women's Studies and libraries, on-line, CD-ROM and VRML developments. The book has markets across trade and educational sectors and could be used at secondary and tertiary levels.
| Author | : Caroline Bassett |
| Publisher | : Digital Barricades |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Cyberfeminism |
| ISBN | : 9780745340500 |
A major work of feminist critical theory challenging the masculinist politics of digital media forms, practices and study.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 262 |
| Release | : 2024-01-08 |
| Genre | : Social Science |
| ISBN | : 9004690867 |
This book investigates how digitalization has affected entrepreneurship, labour markets, financial markets, and women's empowerment, underlining the opportunity it presents for a more inclusive and equal society. It explores how technology changes and creates gender, and the transformational potential it has for questioning conventional concepts of gender, drawing on the theories and critiques of cyberfeminism. The contributors discuss how women's agency and power in establishing emancipated cyberspaces are critically impacted by cyberfeminist conceptions of technical growth. Therefore, the volume sheds light on how technology may be a tool for women's empowerment and emancipation as well as how it might sustain current power imbalances and gender inequities by exploring cyberfeminism. The nexus of gender and technology is explored in depth by examining the connections between gendered, classed, and digital activities. In addition, this book looks at how technology may either support current power relations or provide disadvantaged people with a chance to question and disrupt them. Contributors are: Yarkın Çelik, Gözde Ersöz, Oktay Hekimler, Meltem İnce Yenilmez, Ayşe Mine İşler, Eylül Kabakçi Günay, Gökmen Kantar, Miray Özden, Kürşad Özkaynar, Fatma Pelin Erel, Mehtap Polat, Sedat Polat, and Gamze Yıldız Şeren.
| Author | : Alison Adam |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2006-07-13 |
| Genre | : Philosophy |
| ISBN | : 1134793561 |
Artificial Knowing challenges the masculine slant in the Artificial Intelligence (AI) view of the world. Alison Adam admirably fills the large gap in science and technology studies by showing us that gender bias is inscribed in AI-based computer systems. Her treatment of feminist epistemology, focusing on the ideas of the knowing subject, the nature of knowledge, rationality and language, are bound to make a significant and powerful contribution to AI studies. Drawing from theories by Donna Haraway and Sherry Turkle, and using tools of feminist epistemology, Adam provides a sustained critique of AI which interestingly re-enforces many of the traditional criticisms of the AI project. Artificial Knowing is an esential read for those interested in gender studies, science and technology studies, and philosophical debates in AI.
| Author | : Radhika Gajjala |
| Publisher | : Rowman Altamira |
| Total Pages | : 171 |
| Release | : 2004-11-23 |
| Genre | : Social Science |
| ISBN | : 0759115133 |
In her new book Gajjala examines online community formations and subjectivities that are produced at the intersection of technologies and globalization. She describes the process of designing and building cyberfeminist webs for South Asian women's communities, the generation of feminist cyber(auto)ethnographies, and offers a third-world critique of cyberfeminism. She ultimately views virtual communities as imbedded in real life communities and contexts, with human costs. The online discussions are visible, textual records of the discourses that circulate within real life communities. Her methodology involves a form of 'cyberethnography,' which explores the dialogic and disruptive possibilities of the virtual medium and of hypertext. Gajjala's work addresses the political, economic, and cultural ramifications of the Internet communication explosion. This book will be a valuable reference for those with an interest in cultural studies, feminist studies, and new technologies.
| Author | : M. Merck |
| Publisher | : Springer |
| Total Pages | : 467 |
| Release | : 2010-09-13 |
| Genre | : Social Science |
| ISBN | : 0230109993 |
In these eleven essays scholars from diverse disciplines address the argument, reception, and implications of The Dialectic of Sex and make a compelling, critical case for its contemporary salience.
| Author | : Tama Leaver |
| Publisher | : Routledge |
| Total Pages | : 396 |
| Release | : 2011-12-22 |
| Genre | : Social Science |
| ISBN | : 1136481230 |
Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve. Building on the rich foundational work on the figures of the cyborg and posthuman, this book situates the artificial in similar terms, but from a nevertheless distinctly different viewpoint. After examining ideas of the artificial as deployed in film, novels and other digital contexts, this study concludes that we are now part of an artificial culture entailing a matrix which, rather than separating minds and bodies, or humanity and the digital, reinforces the symbiotic connection between identities, bodies, and technologies.
| Author | : Sabine Heller |
| Publisher | : GRIN Verlag |
| Total Pages | : 25 |
| Release | : 2009-10 |
| Genre | : Computers |
| ISBN | : 3640435060 |
Master's Thesis from the year 2005 in the subject Art - Computer Art / Graphics / Art in Media, grade: A, School of visual arts (MFA Computer Art), language: English, abstract: What are Artificial Life and Artificial Intelligence and what is the difference between these two topics? My thesis paper deals with these questions and explores the differences and the thoughts Artificial Life and Artificial Intelligence have in common. It is a short research of the history of Artificial Life and its connected philosophical, moral and ethical questions.
| Author | : Marie-Laure Ryan |
| Publisher | : JHU Press |
| Total Pages | : 553 |
| Release | : 2014-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 142141225X |
The first systematic, comprehensive reference covering the ideas, genres, and concepts behind digital media. The study of what is collectively labeled “New Media”—the cultural and artistic practices made possible by digital technology—has become one of the most vibrant areas of scholarly activity and is rapidly turning into an established academic field, with many universities now offering it as a major. The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. The contributors present entries on nearly 150 ideas, genres, and theoretical concepts that have allowed digital media to produce some of the most innovative intellectual, artistic, and social practices of our time. The result is an easy-to-consult reference for digital media scholars or anyone wishing to become familiar with this fast-developing field.
