Cubism and Abstract Art

Cubism and Abstract Art
Author: Alfred H. Barr, Jr.
Publisher: Routledge
Total Pages: 393
Release: 2019-04-01
Genre: Art
ISBN: 0429602448

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Originally published in 1936, in this classic account of the development of abstract art Alfred Barr analyses the many diverse abstract movements which emerged with bewildering rapidity in the early years of the twentieth century, and which had an impact on every major form of art. Barr traces the history of nonrepresentational art from its antecedents in late nineteenth-century painting in France – Seurat and Neo-Impressionism, Gauguin and Synthetism, and Cézanne – through abstract tendencies in Dada and Surrealism. He distinguishes two main trends in abstract art: the geometrical, structural current as it developed in Cubism and later in Constructivism and Mondrian, and the intuitional, decorative current running from Matisse and Fauvism through Kandinskt and, later, Surrealism. He shows how individual movements influenced one another, and how many artists experimented with more than one style. Barr also discusses the involvement of a number of abstract movements in architecture and the practical arts – the Bauhaus in Germany, de Stijl in Holland, Purism in France, and Suprematism and Constructivism in Russia.

Cubism and Abstract Art

Cubism and Abstract Art
Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York : Published for the Museum of Modern Art by Arno Press, 1966 [c1936]
Total Pages: 262
Release: 1966
Genre: Art
ISBN:

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Cubism and abstract art, by A.H. Barr, Jr.Catalog, by Dorothy C. Miller and Ernestine M. Fantl.Bibliography, by Beaumont Newhall (p. 234-249). Also contains a catalogue, compiled by Dorothy C. Miller and Ernestine M. Fantl, of an exhibition held at the Museum of Modern Art, New York, and a bibliography by Beaumont Newhall.

Primitivism, Cubism, Abstraction

Primitivism, Cubism, Abstraction
Author: Charles Harrison
Publisher: Yale University Press
Total Pages: 280
Release: 1993-01-01
Genre: Art
ISBN: 9780300055160

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On art in the early 20th century

Abstract Art

Abstract Art
Author: Pepe Karmel
Publisher: National Geographic Books
Total Pages: 0
Release: 2020-11-17
Genre: Art
ISBN: 0500239584

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A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.

Inventing Abstraction, 1910-1925

Inventing Abstraction, 1910-1925
Author: Leah Dickerman
Publisher: The Museum of Modern Art
Total Pages: 378
Release: 2012
Genre: Art
ISBN: 0870708287

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This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Cubism and Abstract Art

Cubism and Abstract Art
Author: Alfred Hamilton Barr
Publisher:
Total Pages: 249
Release: 1964
Genre: Art, Abstract
ISBN:

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Cubism and Culture

Cubism and Culture
Author: Mark Antliff
Publisher: New York : Thames & Hudson
Total Pages: 224
Release: 2001
Genre: Art
ISBN: 9780500203422

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"This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art"

Cubism and Abstract Art

Cubism and Abstract Art
Author: Alfred H. Barr
Publisher:
Total Pages: 249
Release: 1966
Genre:
ISBN:

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The Park Avenue Cubists

The Park Avenue Cubists
Author: Robert S. Lubar
Publisher: Routledge
Total Pages: 248
Release: 2018-02-05
Genre: Art
ISBN: 1351764039

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This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.