Crusader Figural Sculpture in the Holy Land
Author | : Moshe Barasch |
Publisher | : |
Total Pages | : 250 |
Release | : 1971 |
Genre | : Art, Romanesque |
ISBN | : |
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Author | : Moshe Barasch |
Publisher | : |
Total Pages | : 250 |
Release | : 1971 |
Genre | : Art, Romanesque |
ISBN | : |
Author | : Jaroslav Folda |
Publisher | : Cambridge University Press |
Total Pages | : 804 |
Release | : 2005-09-05 |
Genre | : Art |
ISBN | : 0521835836 |
Publisher Description
Author | : Jaroslav Folda |
Publisher | : Cambridge University Press |
Total Pages | : 704 |
Release | : 1995-08-25 |
Genre | : Art |
ISBN | : 9780521453837 |
The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the Crusaders in Syria-Palestine during the first century of their quest to recapture Jerusalem. Commissioned by kings and queens, patriarchs and bishops, knights and merchants, who came as pilgrims or settlers to the Holy Land, it is an art of manuscript illumination, fresco painting, mosaics, stone sculpture, metalwork, ivory carving, coins and seals by artists trained in the Latin West, and the Byzantine and Islamic East. Combining the stylistic and iconographic traditions of these regions, Crusader art defies easy categorization: indeed, it is a unique phenomenon within the spectrum of medieval art.
Author | : Jaroslav Folda |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 184 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
This work tells the story of Crusader art, focusing on the full range of Crusader painting (manuscript illumination, frescos, mosaics and icon painting) as providing the most significant continuous surviving evidence for the development of Crusader art.
Author | : Jaroslav Folda |
Publisher | : |
Total Pages | : 714 |
Release | : 2006 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Gil Fishhof |
Publisher | : Taylor & Francis |
Total Pages | : 374 |
Release | : 2023-12-21 |
Genre | : History |
ISBN | : 1003850588 |
In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic, and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation, and the Church of the Nativity), this book offers a broad perspective of Crusader art and architecture. Among the many aspects discussed are competition among pilgrimage sites, crusader manipulation of biblical models, the image of the Muslim, and others. Building on recent developments in the fields of patronage studies and reception theory, the book offers a study of the complex ways in which Crusader art addressed its diverse audiences (Franks, indigenous eastern Christians, pilgrims) while serving the intentions of its patrons. Of particular interest to scholars and students of the Crusades and of Crusader art, as well as scholars and students of medieval art in general, this book will appeal to all those engaging with intercultural encounters, acculturation, Christian-Muslim relations, pilgrimage, the Holy Land, medieval devotion and theology, Byzantine art, reception theory and medieval patronage.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : Jaroslav Folda |
Publisher | : British Archaeological Reports Oxford Limited |
Total Pages | : 269 |
Release | : 1982 |
Genre | : Architecture, Gothic |
ISBN | : 9780860541943 |
Author | : Roberta Engleman |
Publisher | : |
Total Pages | : |
Release | : 2006 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Moshe Barasch |
Publisher | : NYU Press |
Total Pages | : 400 |
Release | : 1990 |
Genre | : Art |
ISBN | : 0814712738 |
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.