Creating Local Arts Together

Creating Local Arts Together
Author: Brian Schrag
Publisher: William Carey Publishing
Total Pages: 470
Release: 2013-06-01
Genre: Religion
ISBN: 1645080528

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Creating Local Arts Together is a manual designed to guide an individual or group into a local community’s efforts at integrating its arts with the values and purposes of God’s kingdom. The practical, playful text reduces experience-based scholarly insights gained from multiple decades of incarnational ministry around the world into a flexible seven-step process. This manual is the second book in a two-volume set on the principles and practices of ethnodoxology. The first volume, entitled Worship and Mission for the Global Church: An Ethnodoxology Handbook, presents in textbook format the central “Foundations,” “Stories,” and “Tools” designed to equip readers in exploring more fully this important new field of research and ministry.

Community Arts for God's Purposes:

Community Arts for God's Purposes:
Author: Brian Schrag
Publisher: William Carey Publishing
Total Pages: 167
Release: 2020-01-01
Genre: Religion
ISBN: 1645081834

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People communicate by speaking words in over seven thousand languages around the world. They also sing, dance, paint, preach, dramatize, and design communication that enlivens heart, soul, mind, and strength. God gave every community unique gifts of artistic expression to enable its members to proclaim the Truth and to bring healing, hope, and joy to others in the fallen world in which we live. Community Arts for God's Purposes highlights the CLAT (Creating Local Arts Together) method, a seven-step process that inspires artistic creativity and collaboration with local musicians, dancers, storytellers, actors, and visual artists. In this manual, the arts are treated as special kinds of communication systems, connected to specific times, places, and social contexts. As local communities use the creative gifts developed in their particular culture to worship God and extend his kingdom, a beautiful example of the Lord’s complex artistry emerges. This book helps communities draw on examples and insights from over two thousand years of church history to understand and improve the present. It motivates people by painting a vivid picture of a better future: the kingdom of Heaven. Contributors also apply expertise from multiple academic disciplines, such as ethnomusicology, performance studies, anthropology, biblical studies, and missiology. Experiment with this manual. Adapt it to your setting. Let it be an aid in creating astounding bits of artistry on earth that you’ll recognize in Heaven.

Let Us Draw Near

Let Us Draw Near
Author: Ron Man
Publisher: Wipf and Stock Publishers
Total Pages: 605
Release: 2023-09-28
Genre: Religion
ISBN: 1666762776

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Drawing upon his experience in teaching this material over the past twenty-five years in forty countries, Ron Man provides a rich and deep examination of biblical worship, drawing principles out of a rigorous study of the text of Scripture. He also writes as a practitioner, from the perspective of one who served as a church worship pastor for twenty-two years. Features distinguishing this book from other similar studies include: 1) a tracing of the foundational Revelation and Response pattern through the Scriptures; 2) a more thorough treatment of New Testament texts than is often found; 3) a comprehensive treatment of the crucial role of Jesus Christ as the true Leader of our worship; 4) a consideration of worship as it relates to world missions; and 5) a concluding summary of twelve “Biblical Principles of Worship,” synthesizing the results of the study.

Worship and Mission for the Global Church

Worship and Mission for the Global Church
Author: James Krabill
Publisher: William Carey Publishing
Total Pages: 864
Release: 2013-01-15
Genre: Religion
ISBN: 1645080501

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Worship and Mission for the Global Church offers theological reflection, case studies, practical tools, and audiovisual resources to help the global church appreciate and generate culturally appropriate arts in worship and witness. Drawing on the expertise and experience of over one hundred writers from twenty countries, the volume integrates insights from the fields of ethnomusicology, biblical research, worship studies, missiology, and the arts. This book is the first in a two-volume set on the principles and practices of ethnodoxology. The second volume, entitled Creating Local Arts Together, guides the practitioner through a detailed seven-step process of assisting a local community’s efforts at integrating its arts with the values and purposes of God’s kingdom.

Authenticity in Fusion Music

Authenticity in Fusion Music
Author: Elsen Portugal
Publisher: Wipf and Stock Publishers
Total Pages: 249
Release: 2024-02-26
Genre: Music
ISBN: 166676955X

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Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh- ́ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices.

De-Colonization, Heritage, and Advocacy

De-Colonization, Heritage, and Advocacy
Author: Svanibor Pettan
Publisher: Oxford University Press
Total Pages: 320
Release: 2019-02-20
Genre: Music
ISBN: 0190885742

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The nine ethnomusicologists who contributed to this volume present a diverse range of views, approaches, and methodologies that address indigenous peoples, immigrants, and marginalized communities. Discussing participatory action research, social justice, empowerment, and critical race theory in relation to ethnomusicology, De-Colonization, Heritage, and Advocacy is the second of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

Make Arts for a Better Life

Make Arts for a Better Life
Author: Kathleen Van Buren
Publisher: Oxford University Press
Total Pages: 472
Release: 2018-09-04
Genre: Music
ISBN: 0190878304

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Make Arts for a Better Life: A Guide for Working with Communities provides a ground-breaking model for arts advocacy. Drawing upon methods and theories from disciplines such as ethnomusicology, anthropology, folklore, community development, and communication studies, the Guide presents an in-depth approach to researching artistic practices within communities and to developing arts-based projects that address locally-defined needs. Through clear methodology, case studies from around the world, and sample activities, the Guide helps move readers from arts research to project development to project evaluation. Woven into the discussions are critical reflections on the concept of a "better life" and ethical issues in arts advocacy. Accessible writing and visual cues ensure that readers can easily locate sections which may be particularly pertinent to their work, whether based on types of arts (music, drama, dance, oral verbal arts, visual arts) or professional positions (educators, scholars, project leaders). For additional resources, readers can access an accompanying website offering methodology "cheat sheets," sample research documents, and suggestions for educators, scholars, and project leaders.

Global Arts and Christian Witness (Mission in Global Community)

Global Arts and Christian Witness (Mission in Global Community)
Author: Roberta R. King
Publisher: Baker Academic
Total Pages: 288
Release: 2019-07-16
Genre: Religion
ISBN: 1493418106

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Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.

Performing Faith

Performing Faith
Author: Marzanna Poplawska
Publisher: Routledge
Total Pages: 341
Release: 2020-02-10
Genre: Music
ISBN: 0429996292

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This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.

Making Congregational Music Local in Christian Communities Worldwide

Making Congregational Music Local in Christian Communities Worldwide
Author: Monique M. Ingalls
Publisher: Routledge
Total Pages: 267
Release: 2018-04-09
Genre: Music
ISBN: 1351391682

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What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.