Contemporary One-act Plays
Author | : Benjamin Roland Lewis |
Publisher | : |
Total Pages | : 428 |
Release | : 1922 |
Genre | : Drama |
ISBN | : |
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Author | : Benjamin Roland Lewis |
Publisher | : |
Total Pages | : 428 |
Release | : 1922 |
Genre | : Drama |
ISBN | : |
Author | : Frank Shay |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781016759311 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Michael Schulman |
Publisher | : Macmillan |
Total Pages | : 340 |
Release | : 2004-12-07 |
Genre | : Drama |
ISBN | : 9780312318796 |
A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners.
Author | : Norman A. Bert |
Publisher | : Meriwether Publishing |
Total Pages | : 292 |
Release | : 1987 |
Genre | : Drama |
ISBN | : 9780916260477 |
23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.
Author | : Jason Pizzarello |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Drama |
ISBN | : 9780981909974 |
Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
Author | : Frank Shay |
Publisher | : |
Total Pages | : 640 |
Release | : 1922 |
Genre | : African Americans |
ISBN | : |
Author | : Various Authors |
Publisher | : Library of Alexandria |
Total Pages | : 539 |
Release | : |
Genre | : Fiction |
ISBN | : 1465520252 |
Author | : Frank Shay |
Publisher | : |
Total Pages | : 602 |
Release | : 1920 |
Genre | : Drama |
ISBN | : |
Author | : Frank Shay |
Publisher | : |
Total Pages | : 552 |
Release | : 1935 |
Genre | : Drama |
ISBN | : |
Author | : B. Roland Lewis |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 408 |
Release | : 2016-04-09 |
Genre | : |
ISBN | : 9781530967469 |
Excerpt from the Preface: "This collection of one-act plays appears because of an increasingly large demand for such a volume. The plays have been selected and the Introduction prepared to meet the need of the student or teacher who desires to acquaint himself with the one-act play as a specific dramatic form. The plays included have been selected with this need in mind. Accordingly, emphasis has been placed upon the wholesome and uplifting rather than upon the sordid and the ultra-realistic. The unduly sentimental, the strikingly melodramatic, and the play of questionable moral problems, has been consciously avoided. Comedies, tragedies, farces, and melodramas have been included; but the chief concern has been that each play should be good, dramatic art."