Contemporary Art Market : the Artprice Annual Report
Author | : |
Publisher | : |
Total Pages | : 135 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9782907129589 |
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Author | : |
Publisher | : |
Total Pages | : 135 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9782907129589 |
Author | : Artprice (Lyon). |
Publisher | : |
Total Pages | : 181 |
Release | : 2008 |
Genre | : |
ISBN | : 9782907129602 |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2015 |
Genre | : |
ISBN | : 9782907129732 |
Annual report, based on the analysis of Contemporary Art auction sales from July 2014 to early July 2015. 9th edition.
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Total Pages | : |
Release | : 2014 |
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Author | : Maria Lind |
Publisher | : |
Total Pages | : 270 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9781934105993 |
Author | : Noah Horowitz |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780691148328 |
Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. --Book Jacket.
Author | : Olav Velthuis |
Publisher | : OUP Oxford |
Total Pages | : 314 |
Release | : 2015-03-12 |
Genre | : Art |
ISBN | : 0191027545 |
Since the late 1990s, contemporary art markets have emerged rapidly outside of Europe and the United States. China is r s1the world's second largest art market. In counties as diverse as Brazil, Turkey and India, modern and contemporary art has been recognized as a source of status, or a potential investment tool among the new middle classes. At art auctions in the US, London and Hong Kong, new buyers from emerging economies have driven up prices to record levels. The result of these changes has been an increase in complexity, interconnectedness, stratification and differentiation of contemporary art markets. Our understanding of them is still in its early stages and empirical research in the field of globalization of high arts is still scarce. This book brings together recent, multidisciplinary, cutting edge research on the globalization of art markets. Focusing on different regions, including China, Russia, India and Japan, as well as different institutions and organizations, the chapters in this volume study the extent to which art markets indeed become global. They show the various barriers to, and the effects of, globalization on the art market's organizational dynamics and the everyday narratives of people working within the art industry. In doing so, they recognize the coexistence of various ecologies of contemporary art exchange, and sketch the presence of resilient local networks of actors and organizations. Some chapters show Europe and the US continue to dominate, especially when taking art market rankings and the most powerful events such as Art Basel into account. However, other chapters argue that things such as art fairs are truly global events and that the 'architecture of the art market' which has originally been developed in Europe and the US from the 19th century onwards, is increasingly adopted across the world.
Author | : Thierry Ehrmann |
Publisher | : |
Total Pages | : 134 |
Release | : 2010 |
Genre | : |
ISBN | : 9782907129626 |
Author | : Robert B. Ekelund Jr. |
Publisher | : Oxford University Press |
Total Pages | : 385 |
Release | : 2017-07-03 |
Genre | : Business & Economics |
ISBN | : 0190657901 |
The rapidly changing and evolving art market might appear to be chaotic to the casual observer, with new highs, potential lows, and tastes and fashions changing season to season. Economists, however, view the actions of buyers and sellers as constituting an identifiable market. They have, for some decades, studied such issues as artistic productivity and "death effects" on prices, investment returns, and on the basis of the behavior and estimated prices in auction markets. The Economics of American Art analyzes the most pervasive economic issues facing the art world, applied to the whole spectrum of American art. The book begins by looking at how a market for American art developed, how the politics of the post-war era shaped, at least in large part, the direction of American art, and how this legacy continues into contemporary art today. The book then tackles several salient, integral questions animating the American art world: Are age and "type" of artist (i.e. traditional or "innovative") related and, if so, how might they be related to productivity? Is investment in American art a remunerative endeavor compared to other investment possibilities? Do economic insights provide understanding of fakes, fraud and theft of art, particularly American art, and is it possible to prevent art crime? Is there is a boom (or a bust) in the market for contemporary American art as might be found in other markets? The ongoing evolution of American art is attended by a massive number of influences, and the economic concepts employed in this volume will complement other critical and important cultural studies of art. Both practical and accessible, The Economics of American Art will be essential for collectors, auction houses, American art experts of all kinds, museums, gallery owners and, not least, by economists with continuing scholarly interests in these matters.
Author | : Alessia Zorloni |
Publisher | : Springer Science & Business Media |
Total Pages | : 195 |
Release | : 2013-04-16 |
Genre | : Business & Economics |
ISBN | : 3642324053 |
The book examines the contemporary art system with a broad and systematic approach, through the application of models of microeconomics and industrial organizations. By breaking down the traditional barriers between different academic disciplines such as art and economics, this book offers a unique opportunity to grasp the complexities of the contemporary art world and provides the tools to conduct a structural analysis of that market. The result is an in-depth analysis of the contemporary art market from an interdisciplinary perspective. While it is not a textbook in the strictest sense, the book offers a concise and effective overview of all actors in the art system, and provides supporting data and valuable information, both conceptual and practical. It is therefore a text that can be used by students wishing to better understand the complex dynamics that govern the contemporary art market, but also by cultural managers, collectors, potential art investors or simply art lovers who need a quick reference.