Composing Software

Composing Software
Author: Eric Elliott
Publisher:
Total Pages: 246
Release: 2018-12-27
Genre:
ISBN: 9781661212568
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All software design is composition: the act of breaking complex problems down into smaller problems and composing those solutions. Most developers have a limited understanding of compositional techniques. It's time for that to change.In "Composing Software", Eric Elliott shares the fundamentals of composition, including both function composition and object composition, and explores them in the context of JavaScript. The book covers the foundations of both functional programming and object oriented programming to help the reader better understand how to build and structure complex applications using simple building blocks.You'll learn: Functional programmingObject compositionHow to work with composite data structuresClosuresHigher order functionsFunctors (e.g., array.map)Monads (e.g., promises)TransducersLensesAll of this in the context of JavaScript, the most used programming language in the world. But the learning doesn't stop at JavaScript. You'll be able to apply these lessons to any language. This book is about the timeless principles of software composition and its lessons will outlast the hot languages and frameworks of today. Unlike most programming books, this one may still be relevant 20 years from now.This book began life as a popular blog post series that attracted hundreds of thousands of readers and influenced the way software is built at many high growth tech startups and fortune 500 companies

Composing Software Components

Composing Software Components
Author: Dick Hamlet
Publisher: Springer Science & Business Media
Total Pages: 366
Release: 2010-08-13
Genre: Computers
ISBN: 1441971483
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Software components and component-based software development (CBSD) are acknowledged as the best approach for constructing quality software at reasonable cost. Composing Software Components: A Software-testing Perspective describes a 10-year investigation into the underlying principles of CBSD. By restricting attention to the simplest cases, startling results are obtained: • Components are tested using only executable code. Their behavior is recorded and presented graphically. • Functional and non-functional behavior of systems synthesized from components are calculated from component tests alone. No access to components themselves is required. • Fast, accurate tools support every aspect of CBSD from design through debugging. Case studies of CBSD also illuminate software testing in general, particularly an expanded role for unit testing and the treatment of non-functional software properties. This unique book: • Contains more than a dozen case studies of fully worked-out component synthesis, with revealing insights into fundamental testing issues. • Presents an original, fundamental theory of component composition that includes persistent state and concurrency, based on functional software testing rather than proof-of-programs. • Comes with free supporting software with tutorial examples and data for replication of examples. The Perl software has been tested on Linux, Macintosh, and Windows platforms. Full documentation is provided. • Includes anecdotes and insights from the author’s 50-year career in computing as systems programmer, manager, researcher, and teacher. Composing Software Components: A Software-testing Perspective will help software researchers and practitioners to understand the underlying principles of component testing. Advanced students in computer science, engineering, and mathematics can also benefit from the book as a supplemental text and reference.

Structure and Interpretation of Computer Programs

Structure and Interpretation of Computer Programs
Author: Harold Abelson
Publisher: MIT Press
Total Pages: 642
Release: 2022-05-03
Genre: Computers
ISBN: 0262367629
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A new version of the classic and widely used text adapted for the JavaScript programming language. Since the publication of its first edition in 1984 and its second edition in 1996, Structure and Interpretation of Computer Programs (SICP) has influenced computer science curricula around the world. Widely adopted as a textbook, the book has its origins in a popular entry-level computer science course taught by Harold Abelson and Gerald Jay Sussman at MIT. SICP introduces the reader to central ideas of computation by establishing a series of mental models for computation. Earlier editions used the programming language Scheme in their program examples. This new version of the second edition has been adapted for JavaScript. The first three chapters of SICP cover programming concepts that are common to all modern high-level programming languages. Chapters four and five, which used Scheme to formulate language processors for Scheme, required significant revision. Chapter four offers new material, in particular an introduction to the notion of program parsing. The evaluator and compiler in chapter five introduce a subtle stack discipline to support return statements (a prominent feature of statement-oriented languages) without sacrificing tail recursion. The JavaScript programs included in the book run in any implementation of the language that complies with the ECMAScript 2020 specification, using the JavaScript package sicp provided by the MIT Press website.

Composing Interactive Music

Composing Interactive Music
Author: Todd Winkler
Publisher: MIT Press
Total Pages: 372
Release: 2001-01-26
Genre: Music
ISBN: 9780262731393
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Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book. The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.

Composing Digital Music For Dummies

Composing Digital Music For Dummies
Author: Russell Dean Vines
Publisher: John Wiley & Sons
Total Pages: 384
Release: 2011-05-04
Genre: Music
ISBN: 1118068351
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Yes, you can turn those great melodies and smokin’ grooves in your head into stunning digital music! And you don’t have to be a musical genius or a computer geek to do it! Composing Digital Music For Dummies shows you everything you need to know to compose great tunes using the hottest digital tools. This friendly, plain-English guide explains all of the digital music basics, including how to work with the latest hardware and software, use templates from the companion CD-ROM to make a quick start, build your first tune, and save it in different formats. You’ll also find out how to add instruments to your score, set tempos and keys, create chord symbols and show fretboards, add lyrics to your tune, and much more. Discover how to: Write and arrange digital music Determine what — if any — equipment you need Create your own ringtones and mp3s Compose with a MIDI controller, or a mouse Work with notation software Use keyboard shortcuts Publish your creations on the Internet Build your own tune from scratch Extract parts from your score for each instrument The companion CD-Rom also includes a demo of Sebelius 5, the most popular music notation software, as well as audio files for all music examples in the book. With this step-by-step guide and your computer, you’ll have everything you need to start writing, arranging, and publishing your own digital music — immediately! Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

Software Composition

Software Composition
Author: Alexandre Bergel
Publisher: Springer Science & Business Media
Total Pages: 186
Release: 2009-06-22
Genre: Computers
ISBN: 3642026540
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This book constitutes the refereed proceedings of the 8th International Symposium on Software Composition, SC 2009, held in Zurich, Switzerland, in July 2009. The workshop has been organized as an event co-located with the TOOLS Europe 2009 conference. The 10 revised full papers presented together with 2 invited lectures were carefully reviewed and selected from 34 submissions. The papers reflect current research in software composition to foster developing of composition models and techniques by using aspect- and service-oriented programming, specification of component contracts and protocols, methods of correct components composition, as well as verification, validation and testing techniques - even in pervasive computing environments and for the Web.

Composing Music with Computers

Composing Music with Computers
Author: Eduardo Miranda
Publisher: CRC Press
Total Pages: 228
Release: 2001-04-27
Genre: Technology & Engineering
ISBN: 1136120939
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Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centres world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike.

Pattern-oriented Analysis and Design

Pattern-oriented Analysis and Design
Author: Sherif M. Yacoub
Publisher: Addison-Wesley Professional
Total Pages: 416
Release: 2004
Genre: Computers
ISBN: 9780201776409
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- Exploit the significant power of design patterns and make better design decisions with the proven POAD methodology - Improve software quality and reliability while reducing costs and maintenance efforts - Practical case studies and illustrative examples help the reader manage the complexity of software development

Behind Bars

Behind Bars
Author: Elaine Gould
Publisher: Faber Music Ltd
Total Pages: 694
Release: 2016-08-17
Genre: Music
ISBN: 0571590039
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Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.

Composing Model-Based Analysis Tools

Composing Model-Based Analysis Tools
Author: Robert Heinrich
Publisher: Springer Nature
Total Pages: 311
Release: 2021-12-02
Genre: Computers
ISBN: 3030819159
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This book presents joint works of members of the software engineering and formal methods communities with representatives from industry, with the goal of establishing the foundations for a common understanding of the needs for more flexibility in model-driven engineering. It is based on the Dagstuhl Seminar 19481 „Composing Model-Based Analysis Tools“, which was held November 24 to 29, 2019, at Schloss Dagstuhl, Germany, where current challenges, their background and concepts to address them were discussed. The book is structured in two parts, and organized around five fundamental core aspects of the subject: (1) the composition of languages, models and analyses; (2) the integration and orchestration of analysis tools; (3) the continual analysis of models; (4) the exploitation of results; and (5) the way to handle uncertainty in model-based developments. After a chapter on foundations and common terminology and a chapter on challenges in the field, one chapter is devoted to each of the above five core aspects in the first part of the book. These core chapters are accompanied by additional case studies in the second part of the book, in which specific tools and experiences are presented in more detail to illustrate the concepts and ideas previously introduced. The book mainly targets researchers in the fields of software engineering and formal methods as well as software engineers from industry with basic familiarity with quality properties, model-driven engineering and analysis tools. From reading the book, researchers will receive an overview of the state-of-the-art and current challenges, research directions, and recent concepts, while practitioners will be interested to learn about concrete tools and practical applications in the context of case studies.