Reading Dido

Reading Dido
Author: Marilynn Desmond
Publisher: U of Minnesota Press
Total Pages: 318
Release: 1994
Genre: Carthage (Extinct city)
ISBN: 9781452900742

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Medieval Christian Literary Imagery

Medieval Christian Literary Imagery
Author: Robert Earl Kaske
Publisher: University of Toronto Press
Total Pages: 276
Release: 1988-01-01
Genre: Literary Criticism
ISBN: 9780802066633

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If a reader of Chaucer suspects that an echo of a biblical verse may somehow depend for its meaning on traditional commentary on that verse, how does he or she go about finding the relevant commentaries? If one finds the word 'fire' in a context that suggests resonances beyond the literal, how does that reader go about learning what the traditional figurative meanings of fire were? It was to the solution of such difficulties that R.E. Kaske addressed himself in this volume setting out and analyzing the major repositories of traditional material: biblical exegesis, the liturgy, hymns and sequences, sermons and homilies, the pictorial arts, mythography, commentaries on individual authors, and a number of miscellaneous themes. An appendix deals with medieval encyclopedias. Kaske created a tool that will revolutionize research in its designated field: the discovery and interpretation of the traditional meanings reflected in medieval Christian imagery.

The Understanding of Ornament in the Italian Renaissance

The Understanding of Ornament in the Italian Renaissance
Author: Clare Lapraik Guest
Publisher: BRILL
Total Pages: 708
Release: 2015-11-16
Genre: History
ISBN: 9004302085

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In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.

Pietas from Vergil to Dryden

Pietas from Vergil to Dryden
Author: James D. Garrison
Publisher: Penn State Press
Total Pages: 357
Release: 2010-11-01
Genre: Literary Criticism
ISBN: 0271042842

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Composing the World

Composing the World
Author: Andrew James Hicks
Publisher: Oxford University Press
Total Pages: 345
Release: 2017
Genre: Music
ISBN: 0190658207

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Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.

Medieval Venuses and Cupids

Medieval Venuses and Cupids
Author: Theresa Tinkle
Publisher: Stanford University Press
Total Pages: 312
Release: 1996-06-01
Genre: Poetry
ISBN: 0804764808

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Medieval Venuses and Cupids analyses the transformations of the love deities in later Middle English Chaucerian poetry, academic Latin discourses on classical myth (including astrology, natural philosophy, and commentaries on classical Roman literature), and French conventions that associate Venus and Cupid with Ovidian arts of love. Whereas existing studies of Venus and Cupid contend that they always and everywhere represent two loves (good and evil), the author argues that medieval discourses actually promulgate diverse, multiple, and often contradictory meanings for the deities. The book establishes the range of meanings bestowed on the deities through the later Middle Ages, and draws on feminist and cultural theories to offer new models for interpreting both academic Latin discourses and vernacular poetry.