Comic Book Century

Comic Book Century
Author: Stephen Krensky
Publisher: Twenty-First Century Books
Total Pages: 116
Release: 2008-01-01
Genre: Juvenile Nonfiction
ISBN: 0822566540

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Uses newspaper articles, historical overviews, and personal interviews to explain the history of American comic books and graphic novels.

Comic Book Culture

Comic Book Culture
Author: Ron Goulart
Publisher: Collectors Press, Inc.
Total Pages: 216
Release: 2000
Genre: Comic book covers
ISBN: 1888054387

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A history of American comic books told almost entirely through reprinted comic book covers.

Projections

Projections
Author: Jared Gardner
Publisher: Stanford University Press
Total Pages: 241
Release: 2012-01-11
Genre: Literary Criticism
ISBN: 0804781788

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“A fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form.” —Midwest Book Review When Art Spiegelman’s Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural. “Provocative . . . examine[s] the progress of the form from a variety of surprising angles.” —Jonathan Barnes, Times Literary Supplement “A landmark study.” —Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature “A succinct and savvy cultural history of American comics.” —Hillary Chute, University of Chicago

Comic Book History of Comics

Comic Book History of Comics
Author: Fred Van Lente
Publisher: IDW Publishing
Total Pages: 226
Release: 2012-06-20
Genre: Comics & Graphic Novels
ISBN: 1613774540

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For the first time ever, the inspiring, infuriating, and utterly insane story of comics, graphic novels, and manga is presented in comic book form! The award-winning Action Philosophers team of Fred Van Lente and Ryan Dunlavey turn their irreverent-but-accurate eye to the stories of Jack Kirby, R. Crumb, Harvey Kurtzman, Alan Moore, Stan Lee, Will Eisner, Fredric Wertham, Roy Lichtenstein, Art Spiegelman, Herge, Osamu Tezuka - and more! Collects Comic Book Comics #1-6.

Pulp Empire

Pulp Empire
Author: Paul S. Hirsch
Publisher: University of Chicago Press
Total Pages: 346
Release: 2024-06-05
Genre: Comics & Graphic Novels
ISBN: 0226829464

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Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.

Comic Book Nation

Comic Book Nation
Author: Bradford W. Wright
Publisher: JHU Press
Total Pages: 364
Release: 2003-10-17
Genre: Art
ISBN: 9780801874505

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A history of comic books from the 1930s to 9/11.

The Superhero Multiverse

The Superhero Multiverse
Author: Lorna Piatti-Farnell
Publisher: Rowman & Littlefield
Total Pages: 323
Release: 2021-11-01
Genre: Social Science
ISBN: 1793624607

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The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative—including the relationship between ‘superhero comics’ and ‘superhero films’, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.

Comic Books Incorporated

Comic Books Incorporated
Author: Shawna Kidman
Publisher: University of California Press
Total Pages: 328
Release: 2019-04-30
Genre: Performing Arts
ISBN: 0520297555

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Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.

Comic Books and American Cultural History

Comic Books and American Cultural History
Author: Matthew Pustz
Publisher: A&C Black
Total Pages: 297
Release: 2012-02-23
Genre: Comics & Graphic Novels
ISBN: 1441172629

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A highly original collection of essays, demonstrating how comic books can be used as primary sources in the teaching and understanding of American history.

Of Comics and Men

Of Comics and Men
Author: Jean-Paul Gabilliet
Publisher: Univ. Press of Mississippi
Total Pages: 595
Release: 2013-03-25
Genre: Literary Criticism
ISBN: 1628469994

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Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.