Coins and Costume in Late Antiquity

Coins and Costume in Late Antiquity
Author: Jutta-Annette Bruhn
Publisher: Dumbarton Oaks
Total Pages: 76
Release: 1993
Genre: Antiques & Collectibles
ISBN: 9780884022190

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This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.

The Coins of Late Antiquity

The Coins of Late Antiquity
Author: Andrew Burnett
Publisher:
Total Pages:
Release: 1979-11-01
Genre:
ISBN: 9780374861100

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Late Antiquity Weights

Late Antiquity Weights
Author: Klaus Weber
Publisher:
Total Pages:
Release: 2017
Genre:
ISBN:

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A Cultural History of Money in Antiquity

A Cultural History of Money in Antiquity
Author: Stefan Krmnicek
Publisher: Bloomsbury Publishing
Total Pages: 326
Release: 2021-03-11
Genre: History
ISBN: 1350253464

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The origins of the modern, Western concept of money can be traced back to the earliest electrum coins that were produced in Asia Minor in the seventh century BCE. While other forms of currency (shells, jewelry, silver ingots) were in widespread use long before this, the introduction of coinage aided and accelerated momentous economic, political, and social developments such as long-distance trade, wealth creation (and the social differentiation that followed from that), and the financing of military and political power. Coinage, though adopted inconsistently across different ancient societies, became a significant marker of identity and became embedded in practices of religion and superstition. And this period also witnessed the emergence of the problems of money - inflation, monetary instability, and the breakup of monetary unions - which have surfaced repeatedly in succeeding centuries. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in Antiquity presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

Lost World of the Golden King

Lost World of the Golden King
Author: Frank L. Holt
Publisher: Univ of California Press
Total Pages: 367
Release: 2012-10-18
Genre: Antiques & Collectibles
ISBN: 0520273427

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"Delightful and learned, and written in a crisp and vigorous style, this book will be read with great interest and profit by both scholars and general readers." —Stanley Burstein, author of The Reign of Cleopatra

A Companion to Roman Religion

A Companion to Roman Religion
Author: Jörg Rüpke
Publisher: John Wiley & Sons
Total Pages: 578
Release: 2011-04-18
Genre: Religion
ISBN: 1444339249

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A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. An innovative introduction to Roman religion Approaches the field with a focus on the human-figures instead of the gods Analyzes religious changes from the eighth century BC to the fourth century AD Offers the first history of religious motifs on coins and household/everyday utensils Presents Roman religion within its cultural, social, and historical contexts

Byzantine Religious Culture

Byzantine Religious Culture
Author: Alice-Mary Maffry Talbot
Publisher: BRILL
Total Pages: 527
Release: 2011-10-28
Genre: History
ISBN: 9004212442

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Twenty-five articles in art history, social history, literature, epigraphy, numismatics and sigillography pay tribute to Alice-Mary Talbot in a coherent volume related to her abiding interest in the study of Byzantine religious practices in their social context.

Image and Imagination in Byzantine Art

Image and Imagination in Byzantine Art
Author: Henry Maguire
Publisher: Taylor & Francis
Total Pages: 442
Release: 2023-05-31
Genre: Music
ISBN: 1000949893

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The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.