Cinéma & Cie. International Film Studies Journal
Author | : |
Publisher | : |
Total Pages | : 168 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 9788843056170 |
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Author | : |
Publisher | : |
Total Pages | : 168 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 9788843056170 |
Author | : Aa. Vv. |
Publisher | : Mimesis |
Total Pages | : 183 |
Release | : 2016-01-19T00:00:00+01:00 |
Genre | : Performing Arts |
ISBN | : 8869770486 |
The images of atrocity, either analog or digital, are always the trace of an encounter between the gaze of a photographer or a cameraman and a human being sufferingfrom the painful effects of man-made violence. The archive images resulting from such an encounter raise some inevitable questions: who took them and for what purpose? Is it possible to retrace the process that led to these shots? What do they hide behind what the eye can see? This special issue of Cinéma & Cie will not only focus on the production of such images, but also on their persistence on the synchronic level (in the media: newspapers, magazines, cinema, television, the Internet, museums...) as well as on the diachronic level (across time: mutation, re-editing, inversion...). From propaganda to counter-propaganda, from purposes of memory to artistic aims, the circulation of these images proves that repetition always implies difference.
Author | : Francesco Casetti |
Publisher | : Vita e Pensiero |
Total Pages | : 84 |
Release | : 2002 |
Genre | : Language Arts & Disciplines |
ISBN | : 9788834309766 |
Author | : Philippe Dubois |
Publisher | : |
Total Pages | : 159 |
Release | : 2009-11-25 |
Genre | : |
ISBN | : 9782912868831 |
Summary: Textes en français et en anglais. Contributions issues de l'université de printemps tenue à Paris en 2008 et regroupées autour de trois axes : le premier revient sur l'exposition Voyage(s) en utopie présentée par J.-L. Godard au Centre Pompidou en 2006 ; le deuxième s'attache à la notion d'exposition du cinéma et l'utilisation du cinéma dans l'art contemporain ; la dernière traite de la démarche de Victor Burgin et de Ernie Gehr.
Author | : Aa. Vv. |
Publisher | : Mimesis |
Total Pages | : 227 |
Release | : 2015-03-11T00:00:00+01:00 |
Genre | : Performing Arts |
ISBN | : 8857529983 |
As Jacques Derrida wrote in 1995, while considering Archive Fever, nothing is less reliable or less clear today than the word “archive”. Nevertheless, the historic-cultural dimension of the contemporary discursive practices in cinema and art develops in the semantic openendedness of the term, in the repositioning of the idea of archive.The individual disciplines involved in one such field – history of cinema and art, theory of cinema and art, aesthetics, semiotics, philology, etc. – begin to open up to questioning the notion of archive even ‘in negative’: in other words what – after Michel Foucault – the “archive” is not, or does not seem to be. The “archive” is not the ‘library of libraries’ or ‘encyclopedia’, it is not ‘memory’, it is not museum, it is not a ‘database’.In recent years, the attention focused on such ideas has not so much highlighted the ‘impulses’, ‘turns’ and specific forms of art (“art archive”) as it has revealed in many ways how the “archive” concerns us in the interrelation of aesthetic, political, ethical and legal levels among various disciplinary fields.
Author | : Aa. Vv. |
Publisher | : Mimesis |
Total Pages | : 258 |
Release | : 2015-08-03T00:00:00+02:00 |
Genre | : Art |
ISBN | : 8857532097 |
Over the last two decades, discoveries made in the field of cognitive neuroscience have begun to permeate humanities and social sciences. This special issue of Cinéma & Cie focuses on major conceptual and epistemological arguments arising from the dialogue between audiovisual studies and neurosciences. In the context of this intersection, Neurofilmology is an interdisciplinary research program that arises at the encounter between two models of viewer: theviewer-as-mind (deriving from a cognitive/analytical approach) and the viewer-as-body (typical of the phenomenological/continental approach). Accordingly, Neurofilmology focuses on the viewer-as-organism, by investigating with both empirical and speculative epistemological tools the subject of audiovisual experience, postulated as embodied, embedded, enacted, extended, emerging, affective, and relational.
Author | : Laura Mee |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 295 |
Release | : 2014-10-16 |
Genre | : Performing Arts |
ISBN | : 1443868876 |
Including essays from established and up-and-coming scholars, Cinema, Television and History: New Approaches rethinks, recontextualises and reviews the relationship between cinema, television and history. This volume incorporates a wide range of methods to a variety of topics, welcoming both empirical and theoretical approaches, as well as studies which merge the two. It is a book about how historical events are interpreted and adapted across cinema and television as the basis of a story, as much as it is about the endeavours of the practising historian through the exploration of the archive. Divided into five parts—“New meanings, new methods”, “Re-contextualising cinema and television history”, “Rethinking histories of cinema and television”, “Rethinking history through cinema and television”, and “The impact of new technologies”—the book is knowingly broad and diverse in terms of the case studies featured within it, and the means through which these examples are examined, explored, and utilised in their respective chapters.
Author | : Miriam De Rosa |
Publisher | : Cinéma&cie: International Film |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Performing Arts |
ISBN | : 9788869770555 |
Cinéma&Cie. International Film Studies Journal, vol. XVI, no. 26, Spring 2016 This special issue of Cinéma & Cie focuses the topic of post-cinema taking for granted the background of this notion that animated the recent debate revolving around it. The aim of the volume is thus rather to ask which ontologies, if any can, do the moving image justice in a situation in which the cinema is merely one of many configurations of film, which other theoretical frameworks may be appropriate and which modes of temporality, and of historiography and analysis can account for the steady transformation of film's varying configurations. While the most productive accounts of post-cinema rarely trace this filiation in an explicit fashion, the label is closely related to the concept of post-media as developed by Félix Guattari in the early 1990s, later adapted into art, media theory, new and screen media. Highlighting the importance of bridging post-cinema and post-media, the volume addresses the post-what and post-when of post-cinema providing original arguments and categories enabling to envisage the next step to be taken in film theory.
Author | : Rob Stone |
Publisher | : Routledge |
Total Pages | : 522 |
Release | : 2017-09-27 |
Genre | : Social Science |
ISBN | : 1317420586 |
The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.
Author | : Elena Di Giovanni |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 367 |
Release | : 2018-06-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027263930 |
The coming of age of audiovisual translation studies has brought about a much-needed surge of studies focusing on the audience, their comprehension, appreciation or rejection of what reaches them through the medium of translation. Although complex to perform, studies on the reception of translated audiovisual texts offer a uniquely thorough picture of the life and afterlife of these texts. This volume provides a detailed and comprehensive overview of reception studies related to audiovisual translation and accessibility, from a diachronic and synchronic perspective. Focusing on all audiovisual translation techniques and encompassing theoretical and methodological approaches from translation, media and film studies, it aims to become a reference for students and scholars across these fields.