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| Author | : Alison Smithson |
| Publisher | : Ellipsis London PressLtd |
| Total Pages | : 156 |
| Release | : 1994 |
| Genre | : Architecture |
| ISBN | : 9781874056379 |
"Contains edited essays and notes, both published and unpublished, under three titles - Mies' pieces, Eames' dreams, The Smithsons - thus spanning three genrations of modern architects whose thinking and work have changed our art of inhabitation".
| Author | : Alison Smithson |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 168 |
| Release | : 1994 |
| Genre | : Technology & Engineering |
| ISBN | : |
| Author | : Hilary French |
| Publisher | : Yale University Press |
| Total Pages | : 203 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 0300115784 |
A timely investigation of the most innovative recent urban housing constructions The design of high-density housing is inextricably linked to the growth of towns and cities: as urban centers have increased in both geographical size and density, housing has had to be provided to accommodate the numbers and needs of the population. Whether highly visible or merged with the existing cityscape, a vast proportion of the fabric of any city is made up of residential space. New Urban Housing looks at a selection of some of the most inventive contemporary projects built in countries around the world. Author Hilary French provides a comprehensive introduction to this building type, from its industrial beginnings in London and Paris to New York City's Lower East Side and the 20th-century designs of Le Corbusier, Antonio Sant'Elia, and Mies van der Rohe. Lavishly illustrated, the book examines different formal typologies of urban housing: terrace and row houses, quadrangles and courtyards, city blocks and infill (or renovated and reused sites), and towers and slab blocks. Thirty-six case studies from fourteen countries are presented by architects including Steven Holl, Richard Meier, KoningEizenbergArchitecture, Eduardo Souto de Moura, and Renzo Piano. Each is illustrated in full color and is accompanied by detailed plans and sections that discuss the needs of the site and place the project in its surrounding context. New Urban Housing features these buildings and more: - Contemporaine, Chicago - Donnybrook Quarter, London - Harold Way Apartments, Hollywood - Mondrian Apartments, Sydney - Simmons Hall, MIT, Cambridge, MA - Yerba Buena Lofts, San Francisco
| Author | : Alison Margaret Smithson |
| Publisher | : 010 Publishers |
| Total Pages | : 276 |
| Release | : 2004 |
| Genre | : Architects |
| ISBN | : 9064505284 |
Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward
| Author | : Mark Swenarton |
| Publisher | : Routledge |
| Total Pages | : 394 |
| Release | : 2013-04-15 |
| Genre | : Architecture |
| ISBN | : 1134709455 |
A unique collection of contemporary writings, this book explores the politics involved in the making and experiencing of architecture and cities from a cross-cultural and global perspective Taking a broad view of the word ‘politics’, the essays address a range of questions, including: What is the relationship between politics and the making of space? What role has theory played in reinforcing or resisting political power? What are the political difficulties associated with working relationships? Do the products of our making construct our identity or liberate us? A timely volume, focusing on an interdisciplinary debate on the politics of making, this is valuable reading for all students, professionals and academics interested or working in architectural theory.
| Author | : Jonathan Hill |
| Publisher | : Routledge |
| Total Pages | : 378 |
| Release | : 2013-06-17 |
| Genre | : Architecture |
| ISBN | : 1135746044 |
Weather Architecture further extends Jonathan Hill’s investigation of authorship by recognising the creativity of the weather. At a time when environmental awareness is of growing relevance, the overriding aim is to understand a history of architecture as a history of weather and thus to consider the weather as an architectural author that affects design, construction and use in a creative dialogue with other authors such as the architect and user. Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture’s relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather’s effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, leading to a critical re-evaluation of contemporary responses to climate change.
| Author | : Marianna Charitonidou |
| Publisher | : Taylor & Francis |
| Total Pages | : 312 |
| Release | : 2023-07-10 |
| Genre | : Architecture |
| ISBN | : 1000896625 |
Architectural Drawings as Investigating Devices explores how the changing modes of representation in architecture and urbanism relate to the transformation of how the addressees of architecture and urbanism are conceived. The book diagnoses the dominant epistemological debates in architecture and urbanism during the 20th and 21st centuries. It traces their transformations, paying special attention to Le Corbusier and Ludwig Mies van der Rohe’s preference for perspective representation, to the diagrams of Team 10 architects, to the critiques of functionalism, and the upgrade of the artefactual value of architectural drawings in Aldo Rossi, John Hejduk, Peter Eisenman, and Oswald Mathias Ungers, and, finally, to the reinvention of architectural programme through the event in Bernard Tschumi and the Office for Metropolitan Architecture (OMA). Particular emphasis is placed on the spirit of truth and clarity in modernist architecture, the relationship between the individual and the community in post-war era architecture, the decodification of design process as syntactic analogy and the paradigm of autonomy in the 1970s and 1980s architecture, the concern about the dynamic character of urban conditions and the potentialities hidden in architectural programme in the post-autonomy era. This book is based on extensive archival research in Canada, the USA and Europe, and will be of interest to architects, artists, researchers and students in architecture, architectural history, theory, cultural theory, philosophy and aesthetics.
| Author | : Gerald Adler |
| Publisher | : Routledge |
| Total Pages | : 319 |
| Release | : 2013-01-11 |
| Genre | : Architecture |
| ISBN | : 1135749752 |
Scale is a word which underlies much of architectural and urban design practice, its history and theory, and its technology. Its connotations have traditionally been linked with the humanities, in the sense of relating to human societies and to human form. ‘To build in scale’ is an aspiration that is usually taken for granted by most of those involved in architectural production, as well as by members of the public; yet in a world where value systems of all kinds are being questioned, the term has come under renewed scrutiny. The older, more particular, meanings in the humanities, pertaining to classical Western culture, are where the sense of scale often resides in cultural production. Scale may be traced back, ultimately, to the discovery of musical harmonies, and in the arithmetic proportional relationship of the building to its parts. One might question the continued relevance of this understanding of scale in the global world of today. What, in other words, is culturally specific about scale? And what does scale mean in a world where an intuitive, visual understanding is often undermined or superseded by other senses, or by hyper-reality? Structured thematically in three parts, this book addresses various issues of scale. The book includes an introduction which sets the scene in terms of current architectural discourse and also contains a visual essay in each section. It is of interest to undergraduate and postgraduate students, academics and practitioners in architecture and architectural theory as well as to students in a range of other disciplines including art history and theory, geography, anthropology and landscape architecture.
| Author | : Ricardo Devesa |
| Publisher | : Actar D, Inc. |
| Total Pages | : 329 |
| Release | : 2022-02-04 |
| Genre | : Architecture |
| ISBN | : 1638408343 |
Trees have been deliberately connected with houses since they were introduced as a prominent part of architectural design. The relationships of contiguity between houses and trees have existed since ancient times. However, at the end of the 19th century those links became explicit in the design process, as the house emerged as one of the fundamental architectural programs, and as the result of an increasing sensibility towards environmental aspects and the landscape. The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with pre-existing trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book contributes three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing. One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project. Finally, the establishment of these connections between architecture and trees enlarges the idea of the house: the tree serves to draw the surrounding environment into the house and, as a result, becomes an intrinsic part of the house itself.
| Author | : Francisco Gonzalez de Canales |
| Publisher | : Actar D, Inc. |
| Total Pages | : 178 |
| Release | : 2013-01-15 |
| Genre | : Architecture |
| ISBN | : 0989331717 |
Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.
