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| Author | : Glenn Weiser |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 84 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780769296807 |
Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.
| Author | : Rob MacKillop |
| Publisher | : Mel Bay Publications |
| Total Pages | : 89 |
| Release | : 2016-03-11 |
| Genre | : Music |
| ISBN | : 1619116189 |
This book contains thirty of the most requested Celtic session tunes, arranged for DADGAD tuning. Accompanying audio is available as an online download, whichincludes performances by Rob MacKillop. To assist playing these tunes, a technique primer and specific exercises are included. With the use of a capo youwill be able to play these tunes in their traditional keys. The tunes can be played fingerstyle or with a pick. The repertoire includes classic tunes such as DrowsyMaggie, Soldier's Joy, St. Patrick's Day In the Morning, The Kesh, The Rights ofMan and The Wind That Shakes The Barley. A bonus twenty-five traditional Scottish lute pieces are included, also arranged for DADGAD tuning! Includes access to online audio
| Author | : Stefan Grossman |
| Publisher | : Grossman Guitar Workshop |
| Total Pages | : 0 |
| Release | : 2012-05-02 |
| Genre | : Celtic music |
| ISBN | : 9780786683925 |
This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.
| Author | : |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 292 |
| Release | : 2008 |
| Genre | : Guitar |
| ISBN | : 9780739055632 |
| Author | : Brent Robitaille |
| Publisher | : Kalymi Music |
| Total Pages | : 125 |
| Release | : 2021-03-26 |
| Genre | : Music |
| ISBN | : 177701025X |
Celtic Flatpicking in Open D Guitar Tuning Tuning your guitar to DADF#AD or "Open D" compliments Celtic music brilliantly. The open tuning allows the strings to vibrate easily, creating drones and overlapped notes that sound reminiscent of a harp or bagpipe. The 30+ tunes represent a good selection of well-known Celtic session tunes including, jigs, reels, hornpipes, waltzes and songs. Each tune shows notation, tablature and chords. Some of the tunes are arranged with chords added in with the melody, while the faster tunes just have the melody line. Go to my website (KalymiMusic.com) to play along with the accompaniment tracks to help learn the tunes quickly. If you are new to this style, then check out my twelve useful tips for Flatpicking. There are also some examples of how to use ornamentation to further embellish the tunes. For further study in Open D, I have included a series of chord and arpeggio charts with fingerboard diagrams. These charts will help you learn the DADF#AD fingerboard and allow you to accompany in Open D with Major, Minor and Dominant 7th chords. Campanella (overlapping) scales in Major and Minor are given plus Mixolydian and Dorian modal scales, which are common in this style. Use these scales as a technical practice to help master the fingerboard and to help achieve a flowing legato-sound to authentically play the tunes. There is also a small selection of common chords in Open D, some Celtic strumming patterns in 4/4 and 6/8, and note charts and DADF#AD fingerboard charts. If you are new to reading tablature, there is a page on how to read tablature and how to read rhythms. Some audio tracks are available here: Celtic Flatpicking Open D Guitar Tuning - Kalymi Music (brentrobitaille.com)
| Author | : Steve Baughman |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-08-15 |
| Genre | : |
| ISBN | : 9781936604418 |
17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes
| Author | : Luke Edwards |
| Publisher | : Mel Bay Publications |
| Total Pages | : 96 |
| Release | : 2021-12-17 |
| Genre | : Music |
| ISBN | : 151345935X |
In this unique solo fingerstyle guitar collection, Luke Edwards presents 17 melodies from the Celtic nation of Wales, The Land of Song, sheep and dragons and birthplace of Merlin the wizard. With arrangements derived from ancient to more modern traditional tunes, this book provides a glimpse into a fascinating musical culture. Often overlooked in comparison to neighboring Scotland and Ireland, the music of Wales is rich and multifaceted. This book covers a variety of traditional Welsh genres including hymns, lullabies, hornpipes, fiddle tunes, and even a selection from The Robert Ap Huw Manuscript of 1340, the oldest known example of harp music in the world. As all of the arrangements were made in guitar-friendly keys in either standard or drop-D tuning, they can be readily combined into sets for performance. Written in both standard notation and tablature, historical notes and complete right and left-hand fingerings are provided throughout. Recommended for the intermediate to advanced guitarist, the collection includes access to online audio.
| Author | : Hal Leonard Corp. |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 70 |
| Release | : 2010-01-01 |
| Genre | : Music |
| ISBN | : 1458444309 |
(Guitar Solo). A beautiful collection of 15 Celtic arrangements: The Ash Grove * Birniebouzle * Carrickfergus * Danny Boy * Loch Lomond * Mist Covered Mountains of Home * O My Love Is like a Red, Red Rose * Ned of the Hill * O'Carolan's Journey to Cashel * Scarborough Fair * Sheebeg and Sheemore (Si Bheag, Si Mhor) * The Skye Boat Song * Tarboulton Reel * Wild Mountain Thyme * Ye Banks and Braes O' Bonnie Doon.
| Author | : John Roberts |
| Publisher | : Mel Bay Publications |
| Total Pages | : 73 |
| Release | : 2011-02-24 |
| Genre | : Music |
| ISBN | : 1609745221 |
World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; the Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.
| Author | : Chris Smith |
| Publisher | : Mel Bay Publications |
| Total Pages | : 103 |
| Release | : 2016-04-27 |
| Genre | : Music |
| ISBN | : 1610656199 |
This book teaches the most crucial function of a chord instrument in the Celtic seisún (session)- that of playing tasteful, interesting, imaginative, and supportive improvised accompaniment. Celtic Back-Up presents accurate and directly applicable information on the theory, conception, stylistic considerations, procedures, and resources for accompaniment. Every facet of seisún accompaniment is thoroughly explored. with this book you will come to understand why many of our Celtic authors are reluctant to suggest chord accompaniment with their melodies in the first place; the idea is to be open to fresh ideas and improvise the accompaniment as you go.
