Women art workers and the Arts and Crafts movement

Women art workers and the Arts and Crafts movement
Author: Zoë Thomas
Publisher: Manchester University Press
Total Pages: 276
Release: 2020-05-15
Genre: History
ISBN: 1526140454

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This book constitutes the first comprehensive history of the network of women who worked at the heart of the English Arts and Crafts movement from the 1870s to the 1930s. Challenging the long-standing assumption that the Arts and Crafts simply revolved around celebrated male designers like William Morris, it instead offers a new social and cultural account of the movement, which simultaneously reveals the breadth of the imprint of women art workers upon the making of modern society. Thomas provides unprecedented insight into how women navigated authoritative roles as 'art workers' by asserting expertise across a range of interconnected cultures: from the artistic to the professional, intellectual, entrepreneurial and domestic. Through examination of newly discovered institutional archives and private papers, Thomas elucidates the critical importance of the spaces around which women conceptualised alternative creative and professional lifestyles.

Käthe Kollwitz and the Women of War

Käthe Kollwitz and the Women of War
Author: Henriëtte Kets de Vries
Publisher: Yale University Press
Total Pages: 148
Release: 2016-01-01
Genre: History
ISBN: 0300219997

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This insightful book examines the genesis, impact, and legacy of Käthe Kollwitz's work against the backdrop of World Wars I and II.

American Watercolor in the Age of Homer and Sargent

American Watercolor in the Age of Homer and Sargent
Author: Kathleen A. Foster
Publisher: Yale University Press
Total Pages: 497
Release: 2017-01-01
Genre: Art
ISBN: 030022589X

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The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.

Corcoran Gallery of Art

Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
Total Pages: 0
Release: 2011
Genre: Painting
ISBN: 9781555953614

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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Max Liebermann and International Modernism

Max Liebermann and International Modernism
Author: Marion Deshmukh
Publisher: Berghahn Books
Total Pages: 266
Release: 2011-05
Genre: Art
ISBN: 1845456629

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Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.