Catalogue of Persian Manuscripts in the Library of the India Office: no. 859. B. Poetry: nos. 860-2148. C. The sciences, mental, moral, and physical: nos. 2149-2817. D. Parsee literature: nos. 2818-2827. Additional mss.: nos. 2828-2988. Appendix: nos. 2989-3003. v. 2. Preface. Additional Persian mss. Conspectus of the manuscripts. Index

Catalogue of Persian Manuscripts in the Library of the India Office: no. 859. B. Poetry: nos. 860-2148. C. The sciences, mental, moral, and physical: nos. 2149-2817. D. Parsee literature: nos. 2818-2827. Additional mss.: nos. 2828-2988. Appendix: nos. 2989-3003. v. 2. Preface. Additional Persian mss. Conspectus of the manuscripts. Index
Author: India Office Library
Publisher:
Total Pages: 860
Release: 1903
Genre: Manuscripts
ISBN:

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Catalogue of the Persian Manuscripts in the Library of the Hungarian Academy of Sciences

Catalogue of the Persian Manuscripts in the Library of the Hungarian Academy of Sciences
Author: Benedek Péri
Publisher: BRILL
Total Pages: 405
Release: 2018-05-29
Genre: History
ISBN: 9004368396

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The Library of the Hungarian Academy of Sciences was established in 1826. Its collection of Persian manuscripts is the most comprehensive set of its kind in Hungary. The volumes were produced in four major cultural centres of the Persianate world, the Ottoman Empire, Iran, Central Asia and India during a span of time that extends from the 14th to the 19th century. Collected mainly by enthusiastic private collectors and acknowledged scholars the manuscripts have preserved several unique texts or otherwise interesting copies of well-known works. Though the bulk of the collection has been part of Library holdings for almost a century, the present volume is the first one to describe these manuscripts in a detailed and systematic way.

A Catalogue of the Collection of Persian Manuscripts, Including Also Some Turkish and Arabic; Presented to the Metropolitan Museum of Art, New York, B

A Catalogue of the Collection of Persian Manuscripts, Including Also Some Turkish and Arabic; Presented to the Metropolitan Museum of Art, New York, B
Author: Metropolitan Museum Of Art
Publisher: Theclassics.Us
Total Pages: 52
Release: 2013-09
Genre:
ISBN: 9781230281346

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... NIZAMI (II40-I203 A.D.) Ni?aml, the famous romantic poet of Persia, was born at the city of Ganjah, which corresponds to the modern Elizabetpol in Transcaucasia, and was the author of five long poetic works, each a masterpiece in the domain of the romantic epopee. The composition of these poems covered a period of more than thirty years, or approximately 1165-1198 A.d., and the collection is commonly grouped under the designation of Khamsah, 'Quintet, ' or Panj Ganj, 'Five Treasures.' Some idea of the nature of these poems may be gleaned from their titles and the subjects treated. (1) Makhzan al-Asrar, 'Treasure of Mysteries' (about 2300 couplets), a mystical poem rather than a romance, but brightened by numerous anecdotes poetically told. 3 (2) Khusrau and Shirin (about 7000 couplets), one of the bestknown romantic Persian poems, telling the story of the Sasanian King Khusrau Parwiz II (ruled 590-628 A.d.) and his love for the fair Shirin, together with the tragic fate of Shirin's devoted admirer, Farhad, the heroic artist-sculptor. (3) LaUa and Majnun, sometimes called the Persian Romeo and Juliet, a pathetic and romantic story (in some 4500 couplets) of the ideal love existing between the distraught Majnun and the beauteous Beduin maid, Laila, their union being finally brought about in Paradise. (4) Hast Paikar, or Bahrdm-ndmah, 'The Seven Effigies, ' or' The Story of Bahram and the Seven Princesses, ' a poetic composition (in some 5000 couplets), describing the adventures of the Sasanian King Bahram Gur (ruled 420-438 A.d.), who discovered by chance on the walls of his palace the portraits of seven princesses, each the most beautiful daughter of a different ruler of the world. These he subsequently marries, and he visits them on seven

Bookseller's catalogues

Bookseller's catalogues
Author: Howell and co
Publisher:
Total Pages: 134
Release: 1827
Genre:
ISBN:

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Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto

Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto
Author: Eleazar Birnbaum
Publisher: BRILL
Total Pages: 234
Release: 2019-06-17
Genre: History
ISBN: 9004389679

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Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto contains many early copies, some from the 6th A.H. /12thh C.E. century onwards. While descriptions are arranged by subject, author and title indexes are provided, as well as photographs of pages of some notable manuscripts.

Library Catalog

Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Total Pages: 1060
Release: 1960
Genre: Art
ISBN:

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Private Collectors of Islamic Art in Late Nineteenth-Century London

Private Collectors of Islamic Art in Late Nineteenth-Century London
Author: Isabelle Gadoin
Publisher: Routledge
Total Pages: 232
Release: 2021-09-09
Genre: Art
ISBN: 1000437000

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This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.