Casta Painting

Casta Painting
Author: Ilona Katzew
Publisher: Yale University Press
Total Pages: 262
Release: 2005-06-21
Genre: Art
ISBN: 9780300109719

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Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.

Imagining Identity in New Spain

Imagining Identity in New Spain
Author: Magali M. Carrera
Publisher: University of Texas Press
Total Pages: 302
Release: 2010-01-01
Genre: Art
ISBN: 0292782756

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Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.

New World Orders

New World Orders
Author: Ilona Katzew
Publisher: America's Society Art Gallery
Total Pages: 164
Release: 1996
Genre: Art
ISBN:

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Exquisite Slaves

Exquisite Slaves
Author: Tamara J. Walker
Publisher: Cambridge University Press
Total Pages: 243
Release: 2017-07-03
Genre: History
ISBN: 1316033554

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In Exquisite Slaves, Tamara J. Walker examines how slaves used elegant clothing as a language for expressing attitudes about gender and status in the wealthy urban center of eighteenth- and nineteenth-century Lima, Peru. Drawing on traditional historical research methods, visual studies, feminist theory, and material culture scholarship, Walker argues that clothing was an emblem of not only the reach but also the limits of slaveholders' power and racial domination. Even as it acknowledges the significant limits imposed on slaves' access to elegant clothing, Exquisite Slaves also showcases the insistence and ingenuity with which slaves dressed to convey their own sense of humanity and dignity. Building on other scholars' work on slaves' agency and subjectivity in examining how they made use of myriad legal discourses and forums, Exquisite Slaves argues for the importance of understanding the body itself as a site of claims-making.

Painted in Mexico, 1700-1790

Painted in Mexico, 1700-1790
Author: Jaime Cuadriello
Publisher: Prestel
Total Pages: 0
Release: 2017
Genre: ART
ISBN: 9783791356778

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"Painted in Mexico: Pinxit Mexici, 1700-1790 is part of Pacific Standard Time: LA/LA, a far- reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018. Published in conjunction with exhibition. Exhibition Itinerary: Fomento Cultural Banamex, Mexico City June 28-October 15, 2017 Los Angeles County Museum of Art November 19, 2017-March 18, 2018 Metropolitan Museum of Art, New York April 24-July 22, 2018"--Provided by publisher.

Before Mestizaje

Before Mestizaje
Author: Ben Vinson III
Publisher: Cambridge University Press
Total Pages: 317
Release: 2018
Genre: History
ISBN: 1107026431

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This book deepens our understanding of race and the implications of racial mixture by examining the history of caste in colonial Mexico.

Museum of the Americas

Museum of the Americas
Author: J. Michael Martinez
Publisher: Penguin
Total Pages: 114
Release: 2018-10-02
Genre: Poetry
ISBN: 0143133446

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Longlisted for the 2018 National Book Award in Poetry Winner of the National Poetry Series Competition, selected by Cornelius Eady--an exploration in verse of imperial appropriation and Mexican American cultural identity "Marvelous, argumentative, and curiosity-provoking" --The New York Times Book Review The poems in J. Michael Martinez's third collection of poetry circle around how the perceived body comes to be coded with the trans-historical consequences of an imperial narrative. Engaging beautiful and otherworldly Mexican casta paintings, morbid photographic postcards depicting the bodies of dead Mexicans, the strange journey of the wood and cork leg of General Santa Anna, and Martinez's own family lineage, Museum of the Americas gives accounts of migrant bodies caught beneath, and fashioned under, a racializing aesthetic gaze. Martinez questions how "knowledge" of the body is organized through visual perception of that body, hypothesizing the corporeal as a repository of the human situation, a nexus of culture. Museum of the Americas' poetic revives and repurposes the persecuted ethnic body from the appropriations that render it an art object and, therefore, diposable.

Representations of Women in Casta Paintings of Colonial Mexico

Representations of Women in Casta Paintings of Colonial Mexico
Author: Lacie Ellen Glover
Publisher:
Total Pages: 0
Release: 2013
Genre:
ISBN:

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Representations of Women in Casta Paintings of Colonial Mexico explores the power relations between men and women represented in casta paintings of the eighteenth century. I provide an overview of the genre of casta painting and its relation to the sistema de castas, the social arrangement based on lineages intended to sustain the power of the Spanish elite. I examine how casta scenes reinforce the authority of the Spanish male. The social construction of gender, separate spheres of men and women, and the notion of "true womanhood" are recurrent themes. I argue that casta scenes reinforced the expected norms of female behavior. Social codes of conduct varied by class, and I argue that elite, white women are portrayed as ideal women in contrast to mixed-race women. By focusing on gender, this thesis provides a new perspective on this genre, enriching our knowledge of the life experiences of women in colonial Mexico.

The Disappearing Mestizo

The Disappearing Mestizo
Author: Joanne Rappaport
Publisher: Duke University Press
Total Pages: 303
Release: 2014-04-04
Genre: History
ISBN: 0822376857

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Much of the scholarship on difference in colonial Spanish America has been based on the "racial" categorizations of indigeneity, Africanness, and the eighteenth-century Mexican castas system. Adopting an alternative approach to the question of difference, Joanne Rappaport examines what it meant to be mestizo (of mixed parentage) in the early colonial era. She draws on lively vignettes culled from the sixteenth- and seventeenth-century archives of the New Kingdom of Granada (modern-day Colombia) to show that individuals classified as "mixed" were not members of coherent sociological groups. Rather, they slipped in and out of the mestizo category. Sometimes they were identified as mestizos, sometimes as Indians or Spaniards. In other instances, they identified themselves by attributes such as their status, the language that they spoke, or the place where they lived. The Disappearing Mestizo suggests that processes of identification in early colonial Spanish America were fluid and rooted in an epistemology entirely distinct from modern racial discourses.

Géneros de Gente in Early Colonial Mexico

Géneros de Gente in Early Colonial Mexico
Author: Robert C. Schwaller
Publisher: University of Oklahoma Press
Total Pages: 363
Release: 2016-10-20
Genre: History
ISBN: 0806157356

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On December 19, 1554, the members of Tenochtitlan’s indigenous cabildo, or city council, petitioned Emperor Charles V of Spain for administrative changes “to save us from any Spaniard, mestizo, black, or mulato afflicting us in the marketplace, on the roads, in the canal, or in our homes.” Within thirty years of the conquest, the presence of these groups in New Spain was large enough to threaten the social, economic, and cultural order of the indigenous elite. In Géneros de Gente in Early Colonial Mexico, an ambitious rereading of colonial history, Robert C. Schwaller proposes using the Spanish term géneros de gente (types or categories of people) as part of a more nuanced perspective on what these categories of difference meant and how they evolved. His work revises our understanding of racial hierarchy in Mexico, the repercussions of which reach into the present. Schwaller traces the connections between medieval Iberian ideas of difference and the unique societies forged in the Americas. He analyzes the ideological and legal development of géneros de gente into a system that began to resemble modern notions of race. He then examines the lives of early colonial mestizos and mulatos to show how individuals of mixed ancestry experienced the colonial order. By pairing an analysis of legal codes with a social history of mixed-race individuals, his work reveals the disjunction between the establishment of a common colonial language of what would become race and the ability of the colonial Spanish state to enforce such distinctions. Even as the colonial order established a system of governance that entrenched racial differences, colonial subjects continued to mediate their racial identities through social networks, cultural affinities, occupation, and residence. Presenting a more complex picture of the ways difference came to be defined in colonial Mexico, this book exposes important tensions within Spanish colonialism and the developing social order. It affords a significant new view of the development and social experience of race—in early colonial Mexico and afterward.