Brooklyn Art School Notes
Author | : Clark S. Marlor |
Publisher | : |
Total Pages | : 30 |
Release | : 1978 |
Genre | : Art schools |
ISBN | : |
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Author | : Clark S. Marlor |
Publisher | : |
Total Pages | : 30 |
Release | : 1978 |
Genre | : Art schools |
ISBN | : |
Author | : International Foundation Manifesta |
Publisher | : |
Total Pages | : 104 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
An anthology of essays and interviews by artists, curators, theorists and educators: Mai Abu ElDahab, Babak Afrassiabi, Julie Ault, Martin Beck, Liam Gillick, Boris Groys, Olaf Metzel, Haris Pellapaisiotis, Tobias Rehberger, Walid Sadek, Nasrin Tabatabai, Jan Verwoert, Anton Vidokle and Florian Waldvogel on the topic of art education.
Author | : BROOKLYN (The) Art Association |
Publisher | : |
Total Pages | : 4 |
Release | : 1890 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 850 |
Release | : 1875 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : Primary Information |
Total Pages | : |
Release | : 2020-10-20 |
Genre | : Art |
ISBN | : 9781734489750 |
A prescient document of art-industry and museum critique from Black artists and writers, now in facsimile A collection of essays edited by artist and organizer Tom Lloyd and first published in 1971, Black Art Notes was a critical response to the Contemporary Black Artists in America exhibition at the Whitney Museum, but grew into a "concrete affirmation of Black Art philosophy as interpreted by eight Black artists," as Lloyd notes in the introduction. This facsimile edition features writings by Lloyd, Amiri Baraka, Melvin Dixon, Jeff Donaldson, Ray Elkins, Babatunde Folayemi, and Francis & Val Gray Ward. These artists position the Black Arts Movement outside of white, Western frameworks and articulate the movement as one created by and existing for Black people. Their essays outline the racism of the art world, condemning the attempts of museums and other white cultural institutions to tokenize, whitewash and neutralize Black art, and offer solutions through self-determination and immediate political reform. While the publication was created to respond to a particular moment, the systemic problems that it addresses remain pervasive, making these critiques both timely and urgent.
Author | : Brooklyn Art School |
Publisher | : |
Total Pages | : 4 |
Release | : 1895 |
Genre | : Art schools |
ISBN | : |
Author | : Brooklyn Art School |
Publisher | : |
Total Pages | : 16 |
Release | : 1898 |
Genre | : Art schools |
ISBN | : |
Author | : Buffalo Fine Arts Academy |
Publisher | : |
Total Pages | : 20 |
Release | : 1908 |
Genre | : Art |
ISBN | : |
Author | : Noah Davis |
Publisher | : David Zwirner Books |
Total Pages | : 88 |
Release | : 2020-09-01 |
Genre | : Art |
ISBN | : 1644230372 |
Providing a crucial record of the painter Noah Davis’s extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators. Despite his exceedingly premature death at the age of 32, Davis’s paintings have deeply influenced the rise of figurative and representational painting in the twenty-first century. Davis’s emotionally charged work places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, and Luc Tuymans. This catalogue is born of the unique relationship between Davis and Helen Molesworth, whom Davis entrusted to be the curator of his work. It is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to The Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Together with color illustrations and archival photographs, the book features heartfelt testimonials that unfold in the intimate yet expansive spirit of studio visits with people close to him.