British Film Music and Film Musicals

British Film Music and Film Musicals
Author: K. Donnelly
Publisher: Springer
Total Pages: 230
Release: 2007-08-16
Genre: Performing Arts
ISBN: 0230597742

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In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.

British Film Music

British Film Music
Author: Paul Mazey
Publisher: Springer Nature
Total Pages: 213
Release: 2020-01-03
Genre: Performing Arts
ISBN: 303033550X

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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.

The Spectre of Sound

The Spectre of Sound
Author: Kevin Donnelly
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2019-07-25
Genre: Music
ISBN: 1839020628

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This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music dealing not only with traditional orchestral film music, but also looks at film music's colonisation of television, and discusses pop music in relation to films, and the historical dimensions to ability to possess audiences that have so many important cultural and aesthetic effects. It challenges the dominant but limited conception of film music as restricted to film by looking at its use in television and influence in the world of pop music and the traditional restriction of analysis to 'valued' film music, either from 'name' composers' or from the 'golden era' of Classical Hollywood. Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film- this is an original study which expands the range of writing on the subject.

Cheer Up!

Cheer Up!
Author: Adrian Wright
Publisher: Boydell & Brewer
Total Pages: 392
Release: 2020
Genre: Musical films
ISBN: 1783274999

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Who will remember 'Our Gracie' waving goodbye; Jack Buchanan constantly bumping into Elsie Randolph; Bobby Howes celebrating the invention of the Belisha Beacon, doing a cat duet with Wylie Watson and giving ideas to Rene Ray about ham sandwiches; John Wood and Claire Luce climbing the steps of the lighthouse and breathing on windows in Over She Goes, these accompanied by some of the most deft British and American composers of their time, their work lighter and freer than air. We catch those airs still, breathing on windows and wondering what became of it all. Book jacket.

The Rough Guide to Film Musicals

The Rough Guide to Film Musicals
Author: David Parkinson
Publisher: Penguin
Total Pages: 340
Release: 2007-08-01
Genre: Travel
ISBN: 0756647126

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The perfect companion to cinema's most spectacular genre, The Rough Guide to Film Musicals reveals how an escapist entertainment became Hollywood's most ingenious art form. From such enduring classics as Singin' In The Rain and West Side Story to recent successes like Evita and Chicago, this book reviews 50 essential musicals, including several forgotten gems. There are profiles of musical icons such as Fred Astaire, Judy Garland and George Gershwin and details of musicals from around the world. Complete with a list of the best soundtracks, websites and books for further reading, this Rough Guide takes a behind the scenes look at this magical movie genre.

British Film Music

British Film Music
Author: John Huntley
Publisher:
Total Pages: 0
Release: 1972
Genre:
ISBN:

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The British Musical Film

The British Musical Film
Author: John Mundy
Publisher:
Total Pages: 292
Release: 2007-07-15
Genre: Music
ISBN:

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The British Musical Film is the first book to examine this neglected area of British cinema as it developed from the early so-called 'silent' period to the present. Offering a comprehensive survey of musical films across the decades, it also includes detailed critical analysis of individual films, The Red Shoes and Oliver! among them, and the creative personnel who worked on them.

International Film Musical

International Film Musical
Author: Corey K Creekmur
Publisher: Edinburgh University Press
Total Pages: 291
Release: 2013-01-11
Genre: Performing Arts
ISBN: 0748654305

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A unique study of the film musical, a global cinema tradition.

Film Music

Film Music
Author: Kevin J. Donnelly
Publisher: Edinburgh University Press
Total Pages: 223
Release: 2001-07-10
Genre: Motion picture music
ISBN: 1474467814

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Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.

Magical Musical Tour

Magical Musical Tour
Author: Kevin J. Donnelly
Publisher: Bloomsbury Publishing USA
Total Pages: 217
Release: 2015-10-22
Genre: Performing Arts
ISBN: 1628927143

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Winner of the Southwest Popular and American Culture Association's 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.