British Cinema Past And Present
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Author | : Justine Ashby |
Publisher | : Psychology Press |
Total Pages | : 410 |
Release | : 2000 |
Genre | : Motion pictures |
ISBN | : 0415220629 |
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British Cinema brings together leading international scholars to investigate the rich diversity of Britain's film production, and explore the different cultural traditions which have shaped Britain's national identity onscreen.
Author | : Justine Ashby |
Publisher | : Routledge |
Total Pages | : 410 |
Release | : 2013-05-13 |
Genre | : Performing Arts |
ISBN | : 1135125155 |
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British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Author | : Robert Murphy |
Publisher | : |
Total Pages | : 360 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Claire Monk |
Publisher | : Routledge |
Total Pages | : 284 |
Release | : 2015-01-28 |
Genre | : Performing Arts |
ISBN | : 1136366490 |
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Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
Author | : Sarah Street |
Publisher | : Routledge |
Total Pages | : 295 |
Release | : 2009-06-02 |
Genre | : Performing Arts |
ISBN | : 113525334X |
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The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
Author | : Robert Murphy |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Motion picture industry |
ISBN | : |
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Author | : I.Q. Hunter |
Publisher | : Taylor & Francis |
Total Pages | : 473 |
Release | : 2017-01-12 |
Genre | : History |
ISBN | : 1315392178 |
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This book offers a comprehensive and revisionist overview of British cinema as, on the one hand, a commercial entertainment industry and, on the other, a series of institutions centred on economics, funding and relations to government.
Author | : Ian Christie |
Publisher | : University of Chicago Press |
Total Pages | : 355 |
Release | : 2019-12-09 |
Genre | : History |
ISBN | : 022661011X |
Download Robert Paul and the Origins of British Cinema Book in PDF, Epub and Kindle
The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
Author | : James Chapman |
Publisher | : Bloomsbury Publishing |
Total Pages | : 417 |
Release | : 2005-09-23 |
Genre | : History |
ISBN | : 0857715577 |
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This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Author | : Ernest Betts |
Publisher | : Taylor & Francis |
Total Pages | : 374 |
Release | : 2023-10-13 |
Genre | : Performing Arts |
ISBN | : 1003810144 |
Download The Film Business Book in PDF, Epub and Kindle
First published in 1973 The Film Business makes a factual survey of British films from their beginnings in 1896 to 1972. Ernest Betts offers character studies of men who have built the film industry and made it what it is. He examines the financial and political background and shows how, while intending to encourage film production, it has often had exactly the opposite effect and inhibited its free development. Betts also attacks the manner in which the American film industry has taken over the British film industry and points to the failure of successive governments to save it from repeated crises and losses. Through these fluctuations the author keeps a firm eye on the film itself and brings the judgement of film critics past and present to bear on British cinema, as it moves uncertainly and not without its triumphs into the 1970s. This is an interesting read for students and scholars of film studies, British film history and British cinema.