Revolution on the boulevard

Revolution on the boulevard
Author: Michèle M. Root-Bernstein
Publisher:
Total Pages: 902
Release: 1984
Genre:
ISBN:

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The Sentimental Theater of the French Revolution

The Sentimental Theater of the French Revolution
Author: Cecilia Feilla
Publisher: Routledge
Total Pages: 430
Release: 2016-03-03
Genre: Performing Arts
ISBN: 1317016297

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Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

Revolution on the Boulevard

Revolution on the Boulevard
Author: Michèle Marie Root-Bernstein
Publisher:
Total Pages: 902
Release: 1981
Genre:
ISBN:

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The Orient of the Boulevards

The Orient of the Boulevards
Author: Angela C. Pao
Publisher: University of Pennsylvania Press
Total Pages: 247
Release: 1998
Genre: Drama
ISBN: 0812234251

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The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East. As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas. Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality.

Theater, War and Revolution in Eighteenth-Century France and its Empire

Theater, War and Revolution in Eighteenth-Century France and its Empire
Author: Logan Connors
Publisher: Cambridge University Press
Total Pages: 267
Release: 2023-11-30
Genre: Drama
ISBN: 1009431218

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The first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation.

Popular Theatres of Nineteenth Century France

Popular Theatres of Nineteenth Century France
Author: John McCormick
Publisher: Routledge
Total Pages: 266
Release: 2003-09-02
Genre: Literary Criticism
ISBN: 1134880014

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This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.

The Rise of the Public in Enlightenment Europe

The Rise of the Public in Enlightenment Europe
Author: James Van Horn Melton
Publisher: Cambridge University Press
Total Pages: 302
Release: 2001-09-06
Genre: History
ISBN: 9780521469692

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James Melton examines the rise of the public in 18th-century Europe. A work of comparative synthesis focusing on England, France and the German-speaking territories, this a reassessment of what Habermas termed the bourgeois public sphere.

The Theatre of the French Revolution

The Theatre of the French Revolution
Author: Marvin Carlson
Publisher: Ithaca, N.Y : Cornell University Press
Total Pages: 366
Release: 1966
Genre: France
ISBN:

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Voltaire and the Theatre of the Eighteenth Century

Voltaire and the Theatre of the Eighteenth Century
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
Total Pages: 207
Release: 1998-10-28
Genre: Literary Criticism
ISBN: 0313029903

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Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.