Blackwood's Edinburgh Magazine, No. 345, July 1844
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Author | : Various |
Publisher | : Litres |
Total Pages | : 398 |
Release | : 2021-01-18 |
Genre | : Education |
ISBN | : 5041431051 |
Author | : Various |
Publisher | : Pinnacle Press |
Total Pages | : 270 |
Release | : 2017-05-26 |
Genre | : Literary Collections |
ISBN | : 9781374952423 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Release | : 2004 |
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Total Pages | : 216 |
Release | : 1973 |
Genre | : Archaeology |
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Author | : Karen L. Kilcup |
Publisher | : University of Michigan Press |
Total Pages | : 426 |
Release | : 2019-10-25 |
Genre | : Literary Criticism |
ISBN | : 0472126016 |
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author | : David Blaazer |
Publisher | : Oxford University Press |
Total Pages | : 346 |
Release | : 2023-07-06 |
Genre | : Business & Economics |
ISBN | : 0192887025 |
In Forging Nations, Blaazer studies the relationships between money, power, and nationality in England, Scotland, and Ireland from the first attempts to unify their currencies following the Union of the Crowns in 1603 to the aftermath of the Global Financial Crisis. Through successive crises spanning four centuries, Forging Nations examines critical struggles over monetary power between the state and its creditors, and within and between nations during the long, multifaceted process of creating the United Kingdom as a monetary as well as a political union. It shows how and why centuries of monetary dysfunction and conflict eventually gave way to the era of the sterling gold standard, when elite and popular beliefs about money converged around a set of almost unassailable monetary dogmas that transcended differences of nationality, party, and class. Sustained by a mixture of historical myths and imperial hubris, this consensus effortlessly reinforced the authority and served the interests of the monetary elite, even after its economic foundations had collapsed under the pressure of war and international competition. The book concludes by showing how the end of the UK's global hegemony and the prospect of Scottish independence have resuscitated historical differences between England, Ireland, and Scotland in attitudes to currency's role in defining national identity, while the Global Financial Crisis has revived forgotten debates over the nature of money and monetary power.
Author | : Yin Yuan |
Publisher | : Rutgers University Press |
Total Pages | : 174 |
Release | : 2023-06-16 |
Genre | : Literary Criticism |
ISBN | : 1684484685 |
What, exactly, did tea, sugar, and opium mean in eighteenth- and nineteenth-century Britain? Alimentary Orientalism reassesses the politics of Orientalist representation by examining the contentious debates surrounding these exotic, recently popularized, and literally consumable things. It suggests that the interwoven discourses sparked by these commodities transformed the period’s literary Orientalism and created surprisingly self-reflexive ways through which British writers encountered and imagined cultural otherness. Tracing exotic ingestion as a motif across a range of authors and genres, this book considers how, why, and whither writers used scenes of eating, drinking, and smoking to diagnose and interrogate their own solipsistic constructions of the Orient. As national and cultural boundaries became increasingly porous, such self-reflexive inquiries into the nature and role of otherness provided an unexpected avenue for British imperial subjectivity to emerge and coalesce.
Author | : David G. Barrie |
Publisher | : Routledge |
Total Pages | : 586 |
Release | : 2016-04-22 |
Genre | : History |
ISBN | : 1317079264 |
Taking the form of two companion volumes, Police Courts in Nineteenth-Century Scotland represents the first major investigation into the administration, experience, impact and representation of summary justice in Scottish towns, c.1800 to 1892. Each volume explores diverse, but complementary, themes relating to judicial practices, relationships, experiences and discourses through the lens of the same subject matter: the police court. Volume 1, with the subtitle Magistrates, Media and the Masses, provides an institutional, social and cultural history of the establishment, development and practice of police courts. It explores their rise, purpose and internal workings, and how justice was administered and experienced by those who attended them in a variety of roles. Special attention is given to examining how courtroom discourse was represented in print culture, the role of the media in providing a discursive commentary on summary justice, and the ways in which magistrates and the police engaged in a law and order dialogue with the press. Throughout, consideration is given to uncovering the relationship between magistrates, the courts, the police and the wider community, and to charting the implications of the rise of summary justice and the ’police-man’ state for the urban masses (as evidenced through prosecution, conviction and punishment patterns). Volume 2, with the subtitle Boundaries, Behaviours and Bodies, explores, through themed case studies, how police courts shaped conceptual, spatial, temporal and commercial boundaries by regulating every-day activities, pastimes and cultures.
Author | : Walter Edwards Houghton |
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Total Pages | : 1228 |
Release | : 1966 |
Genre | : English periodicals |
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