Big Chief Harrison and the Mardi Gras Indians

Big Chief Harrison and the Mardi Gras Indians
Author: Al Kennedy
Publisher: Pelican Publishing
Total Pages: 400
Release: 2010-02-17
Genre: Biography & Autobiography
ISBN: 1455601179

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A biography of the life, work, and legacy of a pivotal figure in New Orleans cultural history. Based on more than seventy interviews with the subject and his close friends and family, this biography delves deep into the life of Donald Harrison—a waiter, performer, mentor to musicians, philosopher, devoted family man, and, most notably, the Big Chief of the Guardians of the Flame, a Mardi Gras Indian tribe. The firsthand accounts and anecdotes from those who knew him offer insight into the electrifying existence of a man who enriched the culture of New Orleans, took pride in his African American heritage, and advocated education throughout the city. Beneath a vibrant costume of colorful feathers and intricate beading stood a man of conviction who possessed a great intellect and intense pride. Harrison grew up during the Great Depression and faced discrimination throughout his life but refused to bow down to oppression. Through determination and an insatiable eagerness to learn, he found solace in philosophy, jazz, and art and spiritual meaning in the Mardi Gras Indian tradition. He shared his ideals and discoveries with his family, whom he protected fiercely, until he took his last breath in 1998. Harrison’s wife, children, and grandchildren continue to carry his legacy by furthering literacy programs for New Orleans’ youth. From Harrison’s birth in 1933 to his desire to become a Mardi Gras Indian to the moment he met his beloved wife, author Al Kennedy shares Harrison’s significant life experiences. He allows Big Chief Donald to take center stage and explain—in his own words—the mysterious world of the Mardi Gras Indians, their customs, and beliefs. Rare personal photographs from family albums depict the Big Chief with his family, parading through the streets on Carnival Day, and performing the timeless rituals of the Mardi Gras Indians of New Orleans. This well-researched biography presents a side of the Big Chief the public did not see, revealing the rebellious spirit of a man who demanded respect, guarded his family, and guided his tribe with utmost pride. Praise for Big Chief Harrison and the Mardi Gras Indians “Enormously enjoyable, richly informative, and deeply moving. . . . To meet the Harrisons is to encounter an America you can't help but fall in love with and be inspired by forever, while gaining a glimpse into the powerful and meaningful tradition of the Mardi Gras Indians in New Orleans. It's a story of strength, passion, survival, and resistance. It’s a story for today.” —Jonathan Demme, Academy Award–winning director “Building on his impressive knowledge of New Orleans culture, Al Kennedy delivers a masterpiece of artistic biography. The world needs to know about Big Chief Donald Harrison, Sr. Al Kennedy tells his full story in this wonderful book. . . . A powerful read.” —Robert Farris Thompson, Col. John Trumbull Professor, History of Art; Master of Timothy Dwight College, Yale University; and author, Tango: The Art History of Love, Face of the Gods, and Aesthetic of the Cool

Chief of Chiefs

Chief of Chiefs
Author: Al Kennedy
Publisher: Arcadia Publishing
Total Pages: 189
Release: 2018-01-02
Genre: Social Science
ISBN: 1455623806

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The inspiring true story of one of New Orleans’s most beloved citizens, whose remarkable life spanned most of the twentieth century. From his birth in 1915, Robert Nathaniel Lee faced hardship and discrimination. But the man who would one day be known as Big Chief Robbe always found a way to do what he believed in?even if that meant using his fists to beat back bullies. When he saw the Mardi Gras Indians for the first time, he knew that he was going to be one of them, part of the long tradition of song and dance processions held in ceremonial attire that enliven Fat Tuesday year after year. Joining the Mardi Gras Indian community at only ten, he quickly became known for his stunning sewing and singing abilities. By the end of his life in 2001, he had been the Big Chief of four different tribes—the first and only person to be named “chief of chiefs” by the Mardi Gras Indian Council—given a lecture at Yale University, and become a role model for generations of New Orleans black youth. In this book, Al Kennedy, author of Big Chief Harrison and the Mardi Gras Indians, enhances the story of Chief Robbe’s life with extensive detail and interviews from their personal relationship, creating a biography that reflects the rich history and personality of New Orleans.

Mardi Gras Indians

Mardi Gras Indians
Author: Nikesha Williams
Publisher: LSU Press
Total Pages: 161
Release: 2022-10-05
Genre: History
ISBN: 0807179132

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Mardi Gras Indians explores how sacred and secular expressions of Carnival throughout the African diaspora came together in a gumbo-sized melting pot to birth one of the most unique traditions celebrating African culture, Indigenous peoples, and Black Americans. Williams ties together the fragments of the ancient traditions with the expressed experiences of the contemporary. From the sangamentos of the Kongolese and the calumets of the various tribes of the lower Mississippi River valley to one-on-one interviews with today’s Black masking tribe members, this book highlights the spirit of resistance and rebellion upon which this culture was built.

New Orleans Remix

New Orleans Remix
Author: Jack Sullivan
Publisher: Univ. Press of Mississippi
Total Pages: 249
Release: 2017-10-05
Genre: Music
ISBN: 1496815270

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Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Jazz – Certificate of Merit (2018) Since the 1990s, New Orleans has been experiencing its greatest musical renaissance since Louis Armstrong. Brass band, funk, hip hop, Mardi Gras Indian, zydeco, and other styles are rocking the city in new neighborhood bars far from the Bourbon Street tourist scene. Even “neotraditional” jazz players have emerged in startling numbers, making the old sound new for a younger generation. In this book, Jack Sullivan shines the light on superb artists little known to the general public—Leroy Jones, Shamarr Allen, Kermit Ruffins, Topsy Chapman, Aurora Nealand, the Brass-A-Holics. He introduces as well a surge of female, Asian, and other previously marginalized groups that are making the vibe more inclusive than ever. New Orleans Remix covers artists who have broken into the national spotlight—the Rebirth Brass Band, Trombone Shorty, Jon Batiste—and many creators who are still little known. Based on dozens of interviews and archival documents, this book delivers their perspectives on how they view their present in relation to a vital past. The city of New Orleans has always held fiercely to the old even as it invented the new, a secret of its dynamic success. Marching tunes mingled with jazz, traditional jazz with bebop, Mardi Gras Indian percussion with funk, all producing wonderfully bewildering yet viable fusions. This book identifies the unique catalytic power of the city itself. Why did New Orleans spawn America's greatest vernacular music, and why does its musical fire still burn so fiercely, long after the great jazz eruptions in Chicago, Kansas City, and others declined? How does a tradition remain intensely creative for generations? How has the huge influx of immigrants to New Orleans, especially since Hurricane Katrina, contributed to the city's current musical harmony? This book seeks answers through the ideas of working musicians who represent very different sensibilities in voices often as eloquent as their music.

Mardi Gras Indians

Mardi Gras Indians
Author: Michael Smith
Publisher: Pelican Publishing
Total Pages: 164
Release: 1905
Genre: Social Science
ISBN: 9781455608386

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A sociological study of the African American carnival revelers in New Orleans who dress in Native American-influenced costumes. One of the most dazzling elements of the Mardi Gras celebrations, the Mardi Gras Indians receive the attention and respect of carnival-goers for their elaborately beaded costumes and entertaining dances. But what few realize about the groups is that the parading is more than just for show. Costuming, dancing, and all the rituals of these groups are acts of cultural preservation that date back more than a century. In this book, author Michael P. Smith addresses the sociological issues surrounding the mislabeled and rarely understood Maroon groups now known as “Mardi Gras Indians.” His textual analysis of the culture examines its African origins and how the participants help to develop the African American cultural identity. He looks at how some African Americans resisted efforts to suppress traditions that are re-emerging in modern society. Researched and documented by generations of oral and written history, this work clearly outlines the mistaken identification of the Mardi Gras Indians as just an entertainment element of the carnival season. It also shows the vital role this traditional culture plays in the community, much as the black Spiritual Churches do, in preserving an authentic base for the unique cultural heritage of blacks in New Orleans. This work illustrates how the Mardi Gras Indians are a part of the New Orleans second-line tradition. A dynamic element of this book is the collection of more than one hundred color photos. These prints capture the striking beauty of spectacles with a purpose far greater than entertaining. Combined with authoritative text by Smith, the visual images round out this examination of the roots of the Mardi Gras Indians and current practices of the whole range of African American cultural societies and parading groups in the Crescent City.

No I Won't Bow Down on That Dirty Ground

No I Won't Bow Down on That Dirty Ground
Author: Maurice M Martinez
Publisher:
Total Pages: 186
Release: 2021-03-31
Genre:
ISBN: 9781655811142

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This book was written by the creator of the first definitive, award-winning documentary film on the Mardi Gras Indians: "The Black Indian of New Orleans" (1976). This historical novel allows students to experience the history of the Black Indians through its main character Samba Prudeaux. The reader will experience a firsthand account of slavery including hardships, a slave revolt, and the Seminole underground railroad to Mexico. Preserved in the traditions of the Black Indians of New Orleans, and passed through its elders to Dr. Maurice Martinez, this book also presents the evolution of the culture.

The Sanguinarian Id

The Sanguinarian Id
Author: L. M. Labat
Publisher: Night to Dawn Magazine & Books
Total Pages: 250
Release: 2016-01-03
Genre: Fiction
ISBN: 9781937769444

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She's been beaten, stabbed, poisoned, and shot, but Hael refuses to die. In her pursuit for vengeance and her origin, the dhampir Hael hunts down the madman responsible for her fateful transformation. As this half-vampire juggernauts her way through a world at war, Hael battles hordes of Nazi soldiers and struggles to maintain her sanity. However, while Hael gathers knowledge on how to trap and kill her target, her adversary's network is expanding at an exponential rate; his sick obsession with Hael grows deeper. Will she have her revenge? Will she find her origin? Or, will she crumble beneath her own insidious bloodlust?

A Life in Jazz

A Life in Jazz
Author: Danny Barker
Publisher: Springer
Total Pages: 247
Release: 2016-07-27
Genre: Music
ISBN: 1349099368

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As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,

Mardi Gras Indians

Mardi Gras Indians
Author: Nikesha Williams
Publisher: LSU Press
Total Pages: 135
Release: 2022-10-05
Genre: Social Science
ISBN: 0807179124

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Mardi Gras Indians explores how sacred and secular expressions of Carnival throughout the African diaspora came together in a gumbo-sized melting pot to birth one of the most unique traditions celebrating African culture, Indigenous peoples, and Black Americans. Williams ties together the fragments of the ancient traditions with the expressed experiences of the contemporary. From the sangamentos of the Kongolese and the calumets of the various tribes of the lower Mississippi River valley to one-on-one interviews with today’s Black masking tribe members, this book highlights the spirit of resistance and rebellion upon which this culture was built.

That Old Black Magic

That Old Black Magic
Author: Tom Clavin
Publisher: Chicago Review Press
Total Pages: 246
Release: 2010
Genre: Biography & Autobiography
ISBN: 1569768137

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Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.