Benito Perez Galdos
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Misericordia
Author | : Benito Perez Galdos |
Publisher | : Andesite Press |
Total Pages | : 410 |
Release | : 2017-08-19 |
Genre | : Business & Economics |
ISBN | : 9781375597876 |
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Benito Perez Galdos and Creativ
Author | : Pattison |
Publisher | : U of Minnesota Press |
Total Pages | : 146 |
Release | : 1999 |
Genre | : |
ISBN | : 9780816600984 |
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Our Friend Manso
Author | : Benito Pérez Galdós |
Publisher | : Columbia University Press |
Total Pages | : 284 |
Release | : 1987 |
Genre | : Fiction |
ISBN | : 9780231064040 |
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Maximo Manso, the narrator, gradually realizes that the characters in his story no longer have any use for him.
Galdos and the Art of the European Novel
Author | : Stephen Gilman |
Publisher | : Princeton University Press |
Total Pages | : 425 |
Release | : 2014-07-14 |
Genre | : Literary Criticism |
ISBN | : 1400855217 |
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Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Galdos
Author | : Jo Labanyi |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2014-01-14 |
Genre | : Literary Criticism |
ISBN | : 1317896505 |
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Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
La Novela En El Tranvia
Author | : Benito Perez Galdos |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 32 |
Release | : 2017-10-30 |
Genre | : |
ISBN | : 9781979261302 |
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Es una obra cuyo argumento se crea mediante los desvaríos rutinarios y las travesuras mentales por parte del narrador. A lo largo de la obra nos cuenta una larga y tortuosa serie de sucesos que pasaron al narrador mientras hacía un recado un día normal en Madrid. Estos sucesos, consiguen formar una historia inteligible y acogedora para el narrador que los cuenta. Pero más importante que esto es el hecho de que dentro de la obra, no existe un argumento en si, es decir en la realidad del narrador, sino la apariencia de uno en los extremos de su curiosidad y confusión. La novela del tranvía destaca por su originalidad en el desarrollo de la trama, que capta al lector hasta el final. La historia comenzó por un relato de verdad que le contó al narrador un conocido suyo, Dionisio Cascajares de la Vallina, quien era un hombre entremetido y amigo de todo el mundo. Aunque no le interesaba mucho la historia, que trataba de una condesa y su mayordomo, escuchó hasta que Cascajares tuvo que bajarse del coche. Después que pasó un tiempo el narrador notó en un trozo de periódico que servía como envoltorio para los libros que llevaba los nombres de unos tanto personajes, estando entre éstos una condesa y otros más que, por increíble suerte, parecían ser los mismos del relato recién contado de Cascajares. Aunque no le interesó la primera vez, la segunda le provocó bastante interés y leyó hasta donde se había desgarrado la página, fijándose en todos los detalles, el más notable de estos siendo el copiar la letra de la Condesa en una carta cuyo destino todavía no se reveló por el estado del periódico usado