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| Author | : Adam Nayman |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017-06-13 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9781941629321 |
The first study of cult and genre British filmmaker Ben Wheatley.
| Author | : J. G. Ballard |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 209 |
| Release | : 2012-03-05 |
| Genre | : Fiction |
| ISBN | : 0871404737 |
"Harsh and ingenious! High Rise is an intense and vivid bestiary, which lingers unsettlingly in the mind." —Martin Amis, New Statesman When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on “enemy” floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.
| Author | : Henry Louis Gates, Jr. |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 102 |
| Release | : 2010-10 |
| Genre | : Literary Criticism |
| ISBN | : 1458715302 |
In 1773, the slave Phillis Wheatley literally wrote her way to freedom. The first person of African descent to publish a book of poems in English, she was emancipated by her owners in recognition of her literary achievement. For a time, Wheatley was the most famous black woman in the West. But Thomas Jefferson, unlike his contemporaries Ben Franklin and George Washington, refused to acknowledge her gifts as a writer a repudiation that eventually inspired generations of black writers to build an extraordinary body of literature in their efforts to prove him wrong. In The Trials of Phillis Wheatley, Henry Louis Gates Jr. explores the pivotal roles that Wheatley and Jefferson played in shaping the black literary tradition. Writing with all the lyricism and critical skill that place him at the forefront of American letters, Gates brings to life the characters, debates, and controversy that surrounded Wheatley in her day and ours.
| Author | : Catherine Wheatley |
| Publisher | : Berghahn Books |
| Total Pages | : 232 |
| Release | : 2009-01-01 |
| Genre | : Performing Arts |
| ISBN | : 085745546X |
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke’s eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke’s ‘ethical cinema’ and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke’s films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
| Author | : Rob Faure Walker |
| Publisher | : Policy Press |
| Total Pages | : 190 |
| Release | : 2024-09-17 |
| Genre | : Philosophy |
| ISBN | : 152924367X |
Love is fundamental to the flourishing of society and nature. However, the competition of the market economy has resulted in a fractured and traumatized modern world. Revisiting philosophical developments and countercultures since the Enlightenment, this book offers a ‘loving critique’. It shows how learning to love better is the key to releasing ourselves from the alienating grip of the market. The utopian template presented draws on archaeology, the witch trials, hippies, Hinduism, Buddhism, quantum mechanics and psychedelics to describe how we can build a more loving society that can survive and flourish through the ecological, ethical, economic and existential crises that we all now face.
| Author | : Venetia Hawkes |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 301 |
| Release | : 2024-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1839025514 |
From the early stages of script writing to the final cut, We Have Some Notes... provides a detailed overview of the script editing and development process, emphasising the impact of critical feedback, or 'notes', in the creation of successful films and television shows. Through interviews with leading industry practitioners, including Lynne Ramsay, Russell T Davies, Sally Wainwright, Edgar Wright, Lone Scherfig, Ben Wheatley and Simon Beaufoy, Venetia Hawkes explores the writer, director and note-giver relationship. The interviewees discuss the most productive and harmonious ways to give and receive feedback, and the role notes play in a fruitful creative process. Respected 'note-givers', such as Tessa Ross, Eva Yates and Pippa Harris, provide advice on nurturing successful development relationships. Inter-chapter sections pose key questions, such as "What's one thing never to do if you're giving notes?" and "How do you deal with rejection or critical notes?" Providing illuminating, practical guidance on ways of working successfully with notes, for both writers and directors. With its wealth of first-hand reflections, expert advice, and historical context, We Have Some Notes... is a vital read for students, industry professionals, and anyone interested in the making of acclaimed films and television series.
| Author | : Andrew Graves |
| Publisher | : Liverpool University Press |
| Total Pages | : 105 |
| Release | : 2021-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1800857705 |
Prevenge (2016) is an entertainingly dark 21st-century horror movie detailing the serial killing journey of heavily pregnant Ruth. It’s a cleverly crafted narrative full of stark social commentary, traversing the delicate line between comedy and tragedy by fusing together a kitchen sink approach with a supernatural revenge plot. This book, as part of the Devil’s Advocates series, examines how the film deconstructs the slasher mythology and the sexism therein, and upends stereotypical representations of the ‘weak’ woman and ‘delicate’ mother. With new exclusive input from writer, director and star Alice Lowe, the text also looks at the production’s inception and development, assesses its debts to cult British cinema, and inspects its umbilical connections to Rosemary’s Baby, Alien, Village of the Damned and many other ‘Monstrous Child’ silver screen features.
| Author | : Jason Wood |
| Publisher | : Faber & Faber |
| Total Pages | : 291 |
| Release | : 2015-08-18 |
| Genre | : Performing Arts |
| ISBN | : 0571315178 |
Over the past year the success of British films at international film festivals - as well as the numerous awards bestowed on 12 Years a Slave - have demonstrated that British cinema has undergone a genuine renaissance that has caused new voices to emerge. At the same time, directors whose work has enthralled over the past five years have also continued to develop and expand their visions. The boundaries of British film-making are being redefined. Beginning with a preface exploring some of the factors that have led to this fertile environment, New British Cinema features in-depth interviews with the film-making voices at the vanguard of this new wave. Figures such as Clio Barnard, Richard Ayoade, Steve McQueen, Jonathan Glazer, Carol Morley, Yann Demange, Peter Strickland and Ben Wheatley provide a valuable insight into their work and working methods.
| Author | : Howard David Ingham |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 2018-07-08 |
| Genre | : Horror films |
| ISBN | : 9781722748814 |
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
| Author | : Adam Scovell |
| Publisher | : Liverpool University Press |
| Total Pages | : 223 |
| Release | : 2017-10-24 |
| Genre | : Performing Arts |
| ISBN | : 1800347030 |
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
