Autograph Letters Signed from W.W. Greg, London and Sussex, to Various People

Autograph Letters Signed from W.W. Greg, London and Sussex, to Various People
Author:
Publisher:
Total Pages:
Release: 1907
Genre:
ISBN:

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Correspondents: [Joseph Quincy] Adams, [Frederick Gard] Fleay, [Sir Edmund William] Gosse and [Thomas James] Wise. Letter (1) to Adams compares readings in a photostat copy of A midsummer night's dream [at the Folger Library] to those in other copies. Letter (6) to Fleay refers to Collier and the Henslowe diary, and it is followed by Fleay's draft reply. Letters (7-8) to Gosse and Wise discuss the Massinger quartos.

Autograph Letter Signed from W.W. Greg, Sussex, to Joseph Quincy Adams

Autograph Letter Signed from W.W. Greg, Sussex, to Joseph Quincy Adams
Author:
Publisher:
Total Pages: 2
Release: 1940
Genre:
ISBN:

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The first volume of Greg's A bibliography of the English printed drama to the restoration is out and he would be happy to send an extra copy to the library in recognition of all the help he has received from Adams and his staff. Sent from Jolly[coli?], Pagham, near Bognor, Sussex.

Autograph and Typed Letters Signed to Sir Walter Wilson Greg from Various Correspondents

Autograph and Typed Letters Signed to Sir Walter Wilson Greg from Various Correspondents
Author: Folger Shakespeare Library
Publisher:
Total Pages:
Release: 1936
Genre:
ISBN:

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(1) and (2) are typed letters signed from Joseph Q. Adams, on letterhead of the Folger Shakespeare Library, Washington, D.C. (1) is dated April 16, 1936 and (2) is dated May 11, 1936. Both letters concern a Henry Peacham manuscript of portions of Titus Andronicus and the possibility of a Collier forgery; (3) Autograph letter signed from E.K. Chambers, Eynsham, and dated May 17, 1936. Regarding letters and signs in a proof which he thinks it would be convenient for Greg to have; (4) Typed letter signed from Graham Pollard of Birrell & Garnett, London, dated 21 July 1937. Concerns an error Greg pointed out in Pollard's paper; (5) Autograph letter (incomplete) from James G. McManaway on letterhead of the Folger Shakespeare Library dated 26 March 1940. Discusses Massinger's The Picture and copies of Gosse and Lefferts; with a typescript leaf listing typographical errors in a copy of Massinger's The Picture and one leaf containing a copy of a signature of Christofer Marley, witness to the will of Katherine Benchkin, from John Bakeless's Christopher Marlowe, Howard University Press, 1942, vol. 1, p. 208, pasted on a larger leaf; (6) Typed letter signed from Giles E. Dawson, Folger Shakespeare Library, dated 7 June 1952. Concerning " a brief note to Bowers ... in which I asked his opinion of your footnote on my little paper on the printing of Troilus"; (7) Typed letter signed from James G. McManaway, Folger Shakespeare Library, dated March 30, 1953. He writes that the Oxinden MS, no. 750.1 is here and Greg may have a photostat of the list.

Prices of Clothing

Prices of Clothing
Author: John M. Curran
Publisher:
Total Pages: 24
Release: 1919
Genre: Clothing and dress
ISBN:

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The Perfect London Walk

The Perfect London Walk
Author: Daniel Curley
Publisher: Andrews McMeel Publishing
Total Pages: 0
Release: 1986-01-01
Genre: Performing Arts
ISBN: 9780836279290

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Describes a walking tour in London, off the beaten path, and shares observations on British customs and history, and points of interest along the way.

The Restoration of Engravings, Drawings, Books, and Other Works on Paper

The Restoration of Engravings, Drawings, Books, and Other Works on Paper
Author: Max Schweidler
Publisher: Getty Publications
Total Pages: 320
Release: 2006
Genre: Books
ISBN: 9780892368358

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Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati