Auditory Models of Music Research
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Author | : Marc Leman |
Publisher | : |
Total Pages | : 102 |
Release | : 1994 |
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Author | : Mari Riess Jones |
Publisher | : Springer Science & Business Media |
Total Pages | : 273 |
Release | : 2010-08-17 |
Genre | : Medical |
ISBN | : 1441961143 |
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Author | : Klaus Friedrichs |
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Total Pages | : |
Release | : 2016 |
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Author | : Pietro Polotti |
Publisher | : Logos Verlag Berlin GmbH |
Total Pages | : 487 |
Release | : 2008 |
Genre | : Computers |
ISBN | : 383251600X |
Since the 1950s, Sound and Music Computing (SMC) research has had a profound impact on the development of culture and technology in our post-industrial society. SMC research approaches the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling, representing and producing sound and music using computational approaches. This book, by describing the state of the art in SMC research, gives hints of future developments, whose general purpose will be to bridge the semantic gap, the hiatus that currently separates sound from sense and sense from sound.
Author | : Arthur N. Popper |
Publisher | : Springer Science & Business Media |
Total Pages | : 668 |
Release | : 2014-03-22 |
Genre | : Medical |
ISBN | : 1461491029 |
Perspectives on Auditory Research celebrates the last two decades of the Springer Handbook in Auditory Research. Contributions from the leading experts in the field examine the progress made in auditory research over the past twenty years, as well as the major questions for the future.
Author | : Peter Q. Pfordresher |
Publisher | : Academic Press |
Total Pages | : 248 |
Release | : 2019-01-15 |
Genre | : Psychology |
ISBN | : 0128094885 |
Sound and Action in Music Performance addresses how auditory feedback influences the planning and execution of our movements. Focusing specifically on auditory feedback in music, including instrumental and vocal production, the book also gives substantial coverage to its role in speech. Both of these behaviors are the primary means by which people communicate their thoughts and feelings through the auditory modality, with auditory feedback being critical in each case. The book proposes that the role of auditory feedback emerges from the broader theme of coordination as our brain coordinates planned actions with concurrent perceptual events, including auditory feedback and other intrusive sounds. Critically reviewing the existing literature and proposing hypotheses for future research, this book tackles a topic that has intrigued researchers for decades. Covers the role of feedback in event sequencing Details how motor systems influence the use of auditory feedback Tackles neural mechanisms for feedback processing Characterizes hierarchical representations and synchronization Addresses perception/action associations and the role of internal models of production Discusses how learning influences the use of auditory feedback Considers the role of feedback in music and speech production deficits
Author | : Marc Leman |
Publisher | : Springer Science & Business Media |
Total Pages | : 240 |
Release | : 2012-12-06 |
Genre | : Science |
ISBN | : 3642852130 |
Music is an important domain of application for schema theory. The perceptual structures for pitch and timbre have been mapped via schemata, with results that have contributed to a better understanding of music perception. Yet we still need to know how a schema comes into existence, or how it functions in a particular perception task. This book provides a foundation for the understanding of the emergence and functionality of schemata by means of computer-based simulations of tone center perception. It is about how memory structures self-organize and how they use contextual information to guide perception.
Author | : Diana Deutsch |
Publisher | : Academic Press |
Total Pages | : 784 |
Release | : 2012-10-29 |
Genre | : Psychology |
ISBN | : 0123814618 |
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. Encompasses the way the brain perceives, remembers, creates, and performs music Contributions from the top international researchers in perception and cognition of music Designed for use as a textbook for advanced courses in psychology of music
Author | : Albert S. Bregman |
Publisher | : MIT Press |
Total Pages | : 800 |
Release | : 1994-09-29 |
Genre | : Psychology |
ISBN | : 9780262521956 |
Auditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling.