Assyrian Palace Sculptures

Assyrian Palace Sculptures
Author: Paul Collins
Publisher: British Museum Press
Total Pages: 154
Release: 2008
Genre: Architecture
ISBN:

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"Commissioned by powerful kings between the ninth and seventh centuries BC, when the small kingdom of Assyria in northern Iraq expanded through conquest to dominate the area from Egypt to Iran, the carved images are imperssive and eloquent witnesses to their remarkable achievements. Paul Collins expresses the historical context of the sculptures and surveys the artistic traditions in which they are rooted."--BOOK JACKET.

Assyrian Sculpture

Assyrian Sculpture
Author: British Museum
Publisher:
Total Pages: 100
Release: 1999
Genre: Art
ISBN:

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For almost three centuries, until 612 B.C., the small kingdom of Assyria dominated the Middle East, its empire at one point extending from Iran to Egypt. The story of those years--the triumphs of the Assyrian kings in war and peace, their exploits in the hunting field, and the gods who watched over them--were recorded in stone on the walls of a succession of royal palaces. These sculptures, offering eyewitness views of a long-lost civilization, were not rediscovered until the nineteenth century. The finest collection, transported with great difficulty to Europe, is now preserved at the British Museum. This book describes how the sculptures were found and what they meant to those who created them. It is both a richly illustrated history of Assyrian sculpture in general and a guide to the outstanding collections of the British Museum. For this Second Edition of Assyrian Sculpture, in a new format, the author has updated the text and bibliography.

Assyrian Reliefs and Ivories in the Metropolitan Museum of Art

Assyrian Reliefs and Ivories in the Metropolitan Museum of Art
Author: Vaughn Emerson Crawford
Publisher: Metropolitan Museum of Art
Total Pages: 50
Release: 1980
Genre: Calah (Extinct city)
ISBN: 0870992600

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The Metropolitan Museum of Art houses monumental, majestic, and important works of art from the ancient world. In particular, a group of Assyrian sculptures from the Northwest Palace at Nimrud, which was constructed during the reign of Assurnasirpal II (883-859 B.C.), is remarkable both for its artistic excellence and for its technical skill. Excavated at Nimrud in the mid-nineteenth century by Sir Austen Henry Layard, an English archaeologist, the majority of these impressive, larger-than-life-size reliefs and sculptures came to the Metropolitan Museum in 1932 as gifts of John D. Rockefeller, Jr., one of the Museum's most generous supporters. Other Assyrian pieces were gifts to the Museum in 1917 from J. Pierpont Morgan, another major figure in the Metropolitan's history. An earlier donor, Benjamin Brewster, began the Museum's collection of Assyrian reliefs with a gift in 1884. In 1968, prior to the beginning of construction on the Lila Acheson Wallace Galleries of Egyptian Art, most of the Ancient Near Eastern works were placed in storage. Now, as the first stage in the reinstallation of permanent galleries for the Department of Ancient Near Eastern Art, the Assyrian sculptures may again be enjoyed in a gallery setting that reflects their original placement in the Northwest Palace at Nimrud.

Assyrian Reliefs from the Palace of Ashurnasirpal II

Assyrian Reliefs from the Palace of Ashurnasirpal II
Author: Ada Cohen
Publisher: UPNE
Total Pages: 326
Release: 2010
Genre: Art
ISBN: 1584658177

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An insider's look at the iconography and history of Assyrian reliefs and the West's fascination with these ancient monuments

Assyrian Sculptures in the British Museum

Assyrian Sculptures in the British Museum
Author: British Museum. Department of Egyptian and Assyrian Antiquities
Publisher:
Total Pages: 246
Release: 1914
Genre: Art, Assyrian
ISBN:

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From Nineveh to New York

From Nineveh to New York
Author: John Malcolm Russell
Publisher: Yale University Press
Total Pages: 244
Release: 1997-01-01
Genre: Social Science
ISBN: 9780300064599

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The strange story of the Assyrian Reliefs in the Metropolitan Museum and the Hidden Masterpiece at Canford School. This volume includes previously unpublished photographs, illustrations from rare nineteenth century sources, and passages from the diary of Lady Charlotte Guest (cousin of Austen Henry Layard).

Assyria to Iberia at the Dawn of the Classical Age

Assyria to Iberia at the Dawn of the Classical Age
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
Total Pages: 452
Release: 2014-09-15
Genre: Art
ISBN: 0300208081

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Bringing together the research of internationally renowned scholars, Assyria to Iberia at the Dawn of the Classical Age contributes significantly to our understanding of the epoch-making artistic and cultural exchanges that took place across the Near East and Mediterranean in the early first millennium B.C. This was the world of Odysseus, in which seafaring Phoenician merchants charted new nautical trade routes and established prosperous trading posts and colonies on the shores of three continents; of kings Midas and Croesus, legendary for their wealth; and of the Hebrew Bible, whose stories are brought vividly to life by archaeological discoveries. Objects drawn from collections in the Middle East, Europe, North Africa, and the United States, reproduced here in sumptuous detail, reflect the cultural encounters of diverse populations interacting through trade, travel, and migration as well as war and displacement. Together, they tell a compelling story of the origins and development of Western artistic traditions that trace their roots to the ancient Near East and across the Mediterranean world. Among the masterpieces brought together in this volume are stone reliefs that adorned the majestic palaces of ancient Assyria; expertly crafted Phonecian and Syrian bronzes and worked ivories that were stored in the treasuries of Assyria and deposited in tombs and sanctuaries in regions far to the west; and lavish personal adornments and other luxury goods, some imported and others inspired by Near Eastern craftsmanship. Accompanying texts by leading scholars position each object in cultural and historical context, weaving a narrative of crisis and conquest, worship and warfare, and epic and empire that spans both continents and millennia. Writing another chapter in the story begun in Art of the First Cities (2003) and Beyond Babylon (2008), Assyria to Iberia offers a comprehensive overview of art, diplomacy, and cultural exchange in an age of imperial and mercantile expansion in the ancient Near East and across the Mediterranean in the first millennium B.C.—the dawn of the Classical age.