Art Since 1900

Art Since 1900
Author: Hal Foster
Publisher:
Total Pages: 0
Release: 2016
Genre: Art
ISBN: 9780500239537

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Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art. It provides the most comprehensive critical history of art in the twentieth and twenty-first centuries ever published. With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This third edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art. The book's flexible structure and extensive cross-referencing enable readers to plot their own course through the century and to follow any one of the many narratives that unfold, be it the history of a medium such as painting, the development of art in a particular country, the influence of a movement such as Surrealism, or the emergence of a stylistic or conceptual body of work such as abstraction or minimalism. Illustrating the text are reproductions of almost eight hundred of the canonical (and anti-canonical) works of the century. A five-part introduction sets out the methodologies that govern the discipline of art history, informing and enhancing the reader's understanding of its practice today. Two roundtable discussions consider some of the questions raised by the preceding decades and look ahead to the future. Background information on key events, places and people is provided in boxes throughout, while a glossary, full bibliography and list of websites add to the reference value of this outstanding volume. Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.

Artistic Values After 1900

Artistic Values After 1900
Author: Amir masoud Oveissian
Publisher:
Total Pages:
Release: 2019
Genre:
ISBN:

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This memoire is a study on three processes, creation, presentation and representation of artistic values, and compares their early stage of strategic production, which is supposedly based on artist's intention, infrastructural changes and type of market, with their late stage of consumption, which is mostly involved with a market training that adjusts population's knowledge, habits, and attitudes. The corpus of the research is divided into three parts: 1) theoretical background. 2) Archetypes of highbrow arts associated to infrastructural changes. 3) Archetypes of lowbrow arts associated to consumer's attitude, knowledge, and habits. The first part reviews the historic evolution of some of the fundamental theories of the four fields, econo-politics, market, marketing and political ethics and their hierarchical effects on the western society from the mid-eighteenth century to present. The second part uses those theories to identify milestones in front art and explains different strategic production patterns in the western art world. The third part models the formation of consumer's knowledge and attitude based on some existing theories of psychology and observes the trend and pace of public's attitude change in today's market. We compare the third part with the second to show that highbrow and lowbrow arts have mutual impact over each other: highbrow arts actively inspire lowbrow arts; while, lowbrow arts passively change consumer's knowledge and attitude about highbrow arts.

American Art to 1900

American Art to 1900
Author: Sarah Burns
Publisher: Univ of California Press
Total Pages: 1100
Release: 2009-03-31
Genre: Art
ISBN: 0520257561

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American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.

Art in France, 1900-1940

Art in France, 1900-1940
Author: Christopher Green
Publisher: Yale University Press
Total Pages: 352
Release: 2000-01-01
Genre: Art
ISBN: 9780300099089

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This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.

Childe Hassam, American Impressionist

Childe Hassam, American Impressionist
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
Total Pages: 441
Release: 2004
Genre: Impressionism
ISBN: 1588391191

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"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.

World Civilizations: 1450 to present

World Civilizations: 1450 to present
Author: Peter N. Stearns
Publisher: HarperCollins Publishers
Total Pages: 610
Release: 1992
Genre: History
ISBN:

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Art in Theory 1815-1900

Art in Theory 1815-1900
Author: Charles Harrison
Publisher: Wiley-Blackwell
Total Pages: 1128
Release: 1998-03-16
Genre: Art
ISBN:

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Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.

Concepts of Value in European Material Culture, 1500-1900

Concepts of Value in European Material Culture, 1500-1900
Author: Bert De Munck
Publisher: Routledge
Total Pages: 317
Release: 2016-03-09
Genre: History
ISBN: 1317162390

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In contemporary society it would seem self-evident that people allow the market to determine the values of products and services. For everything from a loaf of bread to a work of art to a simple haircut, value is expressed in monetary terms and seen as determined primarily by the 'objective' interplay between supply and demand. Yet this 'price-mechanism' is itself embedded in conventions and frames of reference which differed according to time, place and product type. Moreover, the dominance of the conventions of utility maximising and calculative homo economicus is a relatively new phenomenon, and one which directly correlates to the steady advent of capitalism in early modern Europe. This volume brings together scholars with expertise in a variety of related fields, including economic history, the history of consumption and material culture, art history, and the history of collecting, to explore changing concepts of value from the early modern period to the nineteenth century and present a new view on the advent of modern economic practices. Jointly, they fundamentally challenge traditional historical narratives about the rise of our contemporary market economy and consumer society.

The Economics of American Art

The Economics of American Art
Author: Robert B. Ekelund Jr.
Publisher: Oxford University Press
Total Pages: 385
Release: 2017-07-03
Genre: Business & Economics
ISBN: 019065791X

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The rapidly changing and evolving art market might appear to be chaotic to the casual observer, with new highs, potential lows, and tastes and fashions changing season to season. Economists, however, view the actions of buyers and sellers as constituting an identifiable market. They have, for some decades, studied such issues as artistic productivity and "death effects" on prices, investment returns, and on the basis of the behavior and estimated prices in auction markets. The Economics of American Art analyzes the most pervasive economic issues facing the art world, applied to the whole spectrum of American art. The book begins by looking at how a market for American art developed, how the politics of the post-war era shaped, at least in large part, the direction of American art, and how this legacy continues into contemporary art today. The book then tackles several salient, integral questions animating the American art world: Are age and "type" of artist (i.e. traditional or "innovative") related and, if so, how might they be related to productivity? Is investment in American art a remunerative endeavor compared to other investment possibilities? Do economic insights provide understanding of fakes, fraud and theft of art, particularly American art, and is it possible to prevent art crime? Is there is a boom (or a bust) in the market for contemporary American art as might be found in other markets? The ongoing evolution of American art is attended by a massive number of influences, and the economic concepts employed in this volume will complement other critical and important cultural studies of art. Both practical and accessible, The Economics of American Art will be essential for collectors, auction houses, American art experts of all kinds, museums, gallery owners and, not least, by economists with continuing scholarly interests in these matters.

New Histories of Art in the Global Postwar Era

New Histories of Art in the Global Postwar Era
Author: Flavia Frigeri
Publisher: Taylor & Francis
Total Pages: 269
Release: 2021-03-24
Genre: Art
ISBN: 0429643756

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This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism. This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.