The Art of Engraving

The Art of Engraving
Author: James B. Meek
Publisher:
Total Pages: 196
Release: 1973
Genre:
ISBN:

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William Blake and the Art of Engraving

William Blake and the Art of Engraving
Author: Mei-Ying Sung
Publisher: Routledge
Total Pages: 231
Release: 2015-10-06
Genre: Art
ISBN: 1317314263

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Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.

Wood Engraving

Wood Engraving
Author: Barry Moser
Publisher: David R. Godine Publisher
Total Pages: 122
Release: 2006
Genre: Relief printing
ISBN: 9781567922790

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" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.

The Art and Practice of Etching

The Art and Practice of Etching
Author: Henry Thomas Alken
Publisher:
Total Pages: 92
Release: 1849
Genre: Etching
ISBN:

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Engraving Metals

Engraving Metals
Author: Paul Nooncree Hasluck
Publisher:
Total Pages: 166
Release: 1912
Genre: Metal-engraving
ISBN:

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Etching, Engraving and Other Intaglio Printmaking Techniques

Etching, Engraving and Other Intaglio Printmaking Techniques
Author: Ruth Leaf
Publisher: Courier Corporation
Total Pages: 242
Release: 2012-07-12
Genre: Art
ISBN: 0486139247

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Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.

Etching and Engraving

Etching and Engraving
Author: John Buckland Wright
Publisher: Courier Corporation
Total Pages: 258
Release: 1973-01-01
Genre: Art
ISBN: 0486228886

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This practical course covers line engraving, drypoint, and the tonal variations of mezzotint and stipple; etching and the tonal variations of soft ground, aquatint, and sugar aquatint; relief prints and deep etch; and woodcut, linocut, and wood engraving. Constantly referencing the 156 illustrations reproduced throughout, the author achieves a fine balance between technique and theory.

Engraving the Savage

Engraving the Savage
Author: Michael Gaudio
Publisher: U of Minnesota Press
Total Pages: 235
Release: 2008
Genre: Art
ISBN: 0816648468

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In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

Word as Image

Word as Image
Author: Jason C. Kuo
Publisher: University of Washington Press
Total Pages: 114
Release: 1992
Genre: Antiques & Collectibles
ISBN:

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A catalogue and accompaniment to an exhibition at the China House Gallery, New York City, October to December 1992, which focused on Chinese seal as works of art related to calligraphy, rather than to their role in authenticating paintings. The pieces range from the 3rd (at least) century B.C. to the 1950s. Annotation copyright Book News, Inc. Port

The Art Process and Technique of Natural Stone Engraving

The Art Process and Technique of Natural Stone Engraving
Author: Rayzist Photo Mask Willis
Publisher: Independently Published
Total Pages: 226
Release: 2019-03-26
Genre:
ISBN: 9781090968227

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Everything you need to know about entering the exciting and lucrative field of Natural Stone Engraving. Using the sandblasting method, Randi Hodges walks you through everything you need to know about the art and the markets for Natural Stone Engraving.