Collingwood and the Crisis of Western Civilisation

Collingwood and the Crisis of Western Civilisation
Author: Richard Murphy
Publisher: Andrews UK Limited
Total Pages: 368
Release: 2012-02-23
Genre: Philosophy
ISBN: 1845404076

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This book argues that R.G. Collingwood's philosophy is best understood as a diagnosis of and response to a crisis of Western civilisation. The various and complementary aspects of the crisis of civilisation are explored and Collingwood is demonstrated to be working in the traditions of Romanticism and ‘historicism'. On these subjects, the theories of Collingwood and Ortega y Gasset are contrasted with those of Nietzsche and Weber.

The Dialectics of Aesthetic Agency

The Dialectics of Aesthetic Agency
Author: Ayon Maharaj
Publisher: A&C Black
Total Pages: 241
Release: 2013-02-28
Genre: Philosophy
ISBN: 1441140840

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This study examines how key figures in the German aesthetic tradition — Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno — attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of "aesthetic agency"— art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.

Dialectic, Or, The Art of Doing Philosophy

Dialectic, Or, The Art of Doing Philosophy
Author: Friedrich Schleiermacher
Publisher: Oxford University Press, USA
Total Pages: 124
Release: 1996
Genre: Language Arts & Disciplines
ISBN: 9780788502934

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This is the first English translation of Schleiermacher's Dialectic, the first of his eight forays into the foundations of thinking that aims at knowing. This text, representing Schleiermacher's succinct preparatory notes for his 1811 lectures, offers a remarkably apt introduction to his thought at the onset of the modern age. This study edition features extensive notes and commentary by the translator, and indexes of names and places, subjects and concepts.

Art, Origins, Otherness

Art, Origins, Otherness
Author: William Desmond
Publisher: State University of New York Press
Total Pages: 319
Release: 2012-02-01
Genre: Philosophy
ISBN: 0791486680

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Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and the sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining.

Art, Metaphysics and Dialectic

Art, Metaphysics and Dialectic
Author: Richard Murphy
Publisher:
Total Pages: 0
Release: 2006
Genre: Philosophers
ISBN:

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The Art of Reconciliation

The Art of Reconciliation
Author: D. Petersson
Publisher: Springer
Total Pages: 331
Release: 2013-05-14
Genre: Art
ISBN: 1137029943

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Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

Art's Claim to Truth

Art's Claim to Truth
Author: Gianni Vattimo
Publisher: Columbia University Press
Total Pages: 216
Release: 2010-04-26
Genre: Philosophy
ISBN: 0231138512

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Following Heidegger's interpretation of the history of philosophy, Gianni Vattimo outlines the existential ontological conditions of aesthetics, paying particular attention to the works of Kandinsky, which reaffirm the ontological implications of art. Vattimo then builds on Hans-Georg Gadamer's theory of aesthetics and provides an alternative to a rationalistic-positivistic criticism of art. This is the heart of Vattimo's argument, and with it he demonstrates how hermeneutical philosophy reaffirms art's ontological status and makes clear the importance of hermeneutics for aesthetic studies. In a final section, Vattimo articulates the consequences of reclaiming the ontological status of aesthetics without its metaphysical implications, holding Aristotle's concept of beauty responsible for the dissolution of metaphysics itself.

Myth, Metaphysics and Dialectic in Plato's Statesman

Myth, Metaphysics and Dialectic in Plato's Statesman
Author: David A. White
Publisher: Routledge
Total Pages: 288
Release: 2016-04-29
Genre: History
ISBN: 1317090853

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Plato's dialogue The Statesman has often been found structurally puzzling by commentators because of its apparent diffuseness and disjointed transitions. In this book David White interprets the dialogue in ways which account for this problematic structure, and which also connect the primary themes of the dialogue with two subsequent dialogues The Philebus and The Laws. The central interpretive focus of the book is the extended myth, sometimes called the 'myth of the reversed cosmos'. As a result of this interpretative approach, White argues that The Statesman can be recognized (a) as both internally coherent and also profound in implication-the myth is crucial in both regards - and (b) as integrally related to the concerns of Plato's later dialogues.

The Dialectic of Essence

The Dialectic of Essence
Author: Allan Silverman
Publisher: Princeton University Press
Total Pages: 408
Release: 2009-02-09
Genre: Philosophy
ISBN: 1400825342

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The Dialectic of Essence offers a systematic new account of Plato's metaphysics. Allan Silverman argues that the best way to make sense of the metaphysics as a whole is to examine carefully what Plato says about ousia (essence) from the Meno through the middle period dialogues, the Phaedo and the Republic, and into several late dialogues including the Parmenides, the Sophist, the Philebus, and the Timaeus. This book focuses on three fundamental facets of the metaphysics: the theory of Forms; the nature of particulars; and Plato's understanding of the nature of metaphysical inquiry. Silverman seeks to show how Plato conceives of "Being" as a unique way in which an essence is related to a Form. Conversely, partaking ("having") is the way in which a material particular is related to its properties: Particulars, thus, in an important sense lack essence. Additionally, the author closely analyzes Plato's idea that the relation between Forms and particulars is mediated by form-copies. Even when some late dialogues provide a richer account of particulars, Silverman maintains that particulars are still denied essence. Indeed, with the Timaeus's introduction of the receptacle, there are no particulars of the traditional variety. This book cogently demonstrates that when we understand that Plato's concern with essence lies at the root of his metaphysics, we are better equipped to find our way through the labyrinth of his dialogues and to better appreciate how they form a coherent theory.

Surface and Depth

Surface and Depth
Author: Richard Shusterman
Publisher: Cornell University Press
Total Pages: 308
Release: 2002
Genre: Art
ISBN: 9780801486838

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A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision?In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture--from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization.