Art and the German Bourgeoisie

Art and the German Bourgeoisie
Author: Carolyn Helen Kay
Publisher: University of Toronto Press
Total Pages: 208
Release: 2002-01-01
Genre: Art
ISBN: 9780802009227

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In this new study of art in fin-de-siècle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg. Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture.

The German Bourgeoisie (Routledge Revivals)

The German Bourgeoisie (Routledge Revivals)
Author: David Blackbourn
Publisher: Routledge
Total Pages: 342
Release: 2014-06-17
Genre: History
ISBN: 1317696123

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First published in 1991, this collection of original studies by British, German and American historians examines the whole range of modern German bourgeoisie groups, including professional, mercantile, industrial and financial bourgeoisie, and the bourgeois family. Drawing on original research, the book focuses on the historical evidence as counterpoint to the well-known literary accounts of the German bourgeoisie. It also discusses bourgeois values as manifested in the cult of local roots and in the widespread practice of duelling. Edited by two of the most respected scholars in the field, this important reissue will be of value to any students of modern German and European history.

German Cities and Bourgeois Modernism, 1890-1924

German Cities and Bourgeois Modernism, 1890-1924
Author: Maiken Umbach
Publisher: OUP Oxford
Total Pages: 272
Release: 2009-06-25
Genre: History
ISBN: 0191570893

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This is a study of a distinctive brand of modernism that first emerged in late nineteenth-century Germany and remained influential throughout the inter-war years and beyond. Its supporters saw themselves as a new elite, ideally placed to tackle the many challenges facing the young and rapidly industrializing German nation-state. They defined themselves as bourgeois, and acted as self-appointed champions of a modern consciousness. Focusing on figures such as Hermann Muthesius, Fritz Schumacher, and Karl-Ernst Osthaus, and the activities of the Deutscher Werkbund and other networks of bourgeois designers, writers, and 'experts', this book shows how bourgeois modernism shaped the infrastructure of social and political life in early twentieth-century Germany. Bourgeois modernism exercised its power not so much in the realm of ideas, but by transforming the physical environment of German cities, from domestic interiors, via consumer objects, to urban and regional planning. Drawing on a detailed analysis of key material sites of bourgeois modernism, and interpreting them in conjunction with written sources, this study offers new insights into the history of the bourgeois mindset and its operations in the private and public realms. Thematic chapters examine leitmotifs such as the sense of locality and place, the sense of history and time, and the sense of nature and culture. Yet for all its self-conscious progressivism, German bourgeois modernism was not an inevitable precursor of neo-liberal global capitalism. It remained a hotly contested historical construct, which was constantly re-defined in different geographical and political settings.

Art in Bourgeois Society, 1790-1850

Art in Bourgeois Society, 1790-1850
Author: Andrew Hemingway
Publisher: Cambridge University Press
Total Pages: 386
Release: 1998-06-25
Genre: Art
ISBN: 9780521551823

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This collection reasserts the importance of class analysis to a critical art history by studying artistic practices in the key phase of bourgeois history from 1790-1850. A group of specialist scholars examine related developments in Britain, France, Germany, and the United States. Themes covered include exhibitions, art criticism, patronage, taste, and the political resonances of specific artworks. Each section of the book has an introduction sketching bourgeois class formation in the society concerned, and reviewing the historical literature about it.

The Necessity of Art

The Necessity of Art
Author: Ernst Fischer
Publisher: Verso Books
Total Pages: 293
Release: 2020-05-05
Genre: Art
ISBN: 1789600995

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"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.

Ernest Meissonier

Ernest Meissonier
Author: Constance Cain Hungerford
Publisher:
Total Pages: 276
Release: 1999
Genre: Art
ISBN: 9780521632409

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This study documents the career of mainstream nineteenth-century artist, Ernst Meissonier.

The Art of Civilization

The Art of Civilization
Author: Didier Maleuvre
Publisher: Springer
Total Pages: 322
Release: 2016-06-22
Genre: Social Science
ISBN: 1349948691

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Didier Maleuvre argues that works of art in Western societies from Ancient Greece to the interconnected worlds of the Digital Age have served to rationalize and normalize an engagement with bourgeois civilization and the city. Maleuvre details that the history of art itself is the history civilization, giving rise to the particular aesthetics and critical attitudes of respective moments and movements in changing civilizations in a dialogical mode. Building a visual cultural account of shifting forms of culture, power, and subjectivity, Maleuvre illustrates how art gave a pattern and a language to the model of social authority rather than simply functioning as a reflective one. Through a broad cultural study of the relationship between humanity, art, and the culture of civilization, Maleuvre introduces a new set of paradigms that critique and affirm the relationship between humanity and art, arguing for it as an engine of social reproduction that transforms how culture is inhabited.

The Philosophy of Art of Karl Marx

The Philosophy of Art of Karl Marx
Author: Mikhail Aleksandrovich Lifshit︠s︡
Publisher:
Total Pages: 144
Release: 1973
Genre: Philosophy
ISBN:

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Some Call it Kitsch: Masterpieces of Bourgeois Realism

Some Call it Kitsch: Masterpieces of Bourgeois Realism
Author: Aleksa Čelebonović
Publisher: ABRAMS
Total Pages: 208
Release: 1974
Genre: Art
ISBN:

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Some Call it Kitsch revives the delightful and evocative art our parents and grandparents cherished. These Victorian and Edwardian masterworks were the pride of great museums around the world, and a lightly disguised source of erotic stimulation to their viewers. But after the victory of Impressionism over Academic painting and the rise of "modern" art, these eloquent narrative depicting historical events, mythological scenes, religious tableaux, adn erotic landscapes gradually sank into total disfavor and were relegated to dusty storage bins and dismissed as Kitsch - the epitome of oversentimentality, pretentiousness, and bad taste. Today these paintings are once again taken seriously for their imaginative content and technical brilliance as well as for their nostalgic and often sensual charm. Prices are skyrocketing and exhibitions draw large and enthusiastic crows. Some Call It Kitsch is the first full-scale exploration of Bourgeois Realist painting in terms of present-day critical standards. Among the artists represented are Alma-Tadema (Greek and Roman scenes of splendor and debauchery), Tissot (upper-middle-class high life), Lord Leighton (icily Classical but thoroughly erotic nudes), and Boldini (portraits of Edwardian aesthetes and titled beauties). The author, Aleksa C̆elebonović, is Yogoslavia's leading book publisher and a distinguished art historian. Writing with great perception and wit, he brings to life a group of fascinating painters, some well known today, others forgotten for more than a century. French, German, Italian, English, Hungarian, Polish, Russian, and American artists are represented, the majority for the first time in full color. A valuable feature of the volume is a section devoted to brief biographies of the artists. -- from dust jacket.