Aristotle, On the Art of Poetry

Aristotle, On the Art of Poetry
Author: Aristotle
Publisher: Oxford University Press
Total Pages: 106
Release: 1920
Genre: Literary Collections
ISBN:

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The Art of Poetry

The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
Total Pages: 82
Release: 2017-03-07
Genre:
ISBN: 9781544217574

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In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."

Aristotle, On the Art of Poetry

Aristotle, On the Art of Poetry
Author: Aristotle
Publisher: Oxford University Press
Total Pages: 100
Release: 1920
Genre: Literary Collections
ISBN:

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The Art of Poetry

The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher:
Total Pages: 148
Release: 1920
Genre: Aesthetics
ISBN:

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The Lost Second Book of Aristotle's "Poetics"

The Lost Second Book of Aristotle's
Author: Walter Watson
Publisher: University of Chicago Press
Total Pages: 317
Release: 2012-06-27
Genre: Literary Criticism
ISBN: 0226875083

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Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".

Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics
Author: Averroës
Publisher:
Total Pages: 192
Release: 2000
Genre: Language Arts & Disciplines
ISBN:

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Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.

Ontology and the Art of Tragedy

Ontology and the Art of Tragedy
Author: Martha Husain
Publisher: State University of New York Press
Total Pages: 163
Release: 2012-02-01
Genre: Philosophy
ISBN: 0791489795

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Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.

Aristotle's Poetics

Aristotle's Poetics
Author: Stephen Halliwell
Publisher: University of Chicago Press
Total Pages: 388
Release: 1998-12
Genre: Literary Criticism
ISBN: 9780226313948

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In this, the fullest, sustained interpretation of Aristotle's Poetics available in English, Stephen Halliwell demonstrates that the Poetics, despite its laconic brevity, is a coherent statement of a challenging theory of poetic art, and it hints towards a theory of mimetic art in general. Assessing this theory against the background of earlier Greek views on poetry and art, particularly Plato's, Halliwell goes further than any previous author in setting Aristotle's ideas in the wider context of his philosophical system. The core of the book is a fresh appraisal of Aristotle's view of tragic drama, in which Halliwell contends that at the heart of the Poetics lies a philosophical urge to instill a secularized understanding of Greek tragedy. "Essential reading not only for all serious students of the Poetics . . . but also for those—the great majority—who have prudently fought shy of it altogether."—B. R. Rees, Classical Review "A splendid work of scholarship and analysis . . . a brilliant interpretation."—Alexander Nehamas, Times Literary Supplement

Aristotle's Poetics

Aristotle's Poetics
Author: Aristotle
Publisher: Macmillan
Total Pages: 130
Release: 1961
Genre: Language Arts & Disciplines
ISBN: 0809005271

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Introduced by Francis Fergusson, the Poetics, written in the fourth century B.C., is still an essential study of the art of drama, indeed the most fundamental one we have. It has been used by both playwrights and theorists of many periods, and interpreted, in the course of its two thousand years of life, in various ways. The literature which has accumulated around it is, as Mr. Fergusson points out, "full of disputes so erudite that the nonspecialist can only look on in respectful silence." But the Poetics itself is still with us, in all its suggestiveness, for the modern reader to make use of in his turn and for his own purposes. Francis Fergusson's lucid, informative, and entertaining Introduction will prove invaluable to anyone who wishes to understand and appreciate the Poetics. Using Sophocles' Oedipus Rex, as Aristotle did, to illustrate his analysis, Mr. Fergusson pints out that Aristotle did not lay down strict rules, as is often thought: "The Poetics," he says, "is much more like a cookbook than it is like a textbook of elementary engineering." Read in this way, it is an essential guide not only to Sophoclean tragedy, but to the work of so modern a playwright as Bertolt Brecht, who considered his own "epic drama" the first non-Aristotelian form.