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| Author | : Philippe Rouet |
| Publisher | : Oxford Monographs on Classical Archaeology |
| Total Pages | : 202 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780198152729 |
By showing how both interpretations have gained support in the more recent past, this work aims to provide a better understanding of the issues involved in the study of pottery today."--BOOK JACKET.
| Author | : Kenneth D. S. Lapatin |
| Publisher | : Getty Publications |
| Total Pages | : 260 |
| Release | : 2008 |
| Genre | : Pottery |
| ISBN | : 9780892369010 |
The papers in this volume derive from the proceedings of an international symposium held at the J. Paul Getty Museum at the Getty Villa in June 2006 in connection with the exhibition The Colors of Clay: Special Techniques in Athenian Vases. The themes of the exhibition--vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's techniques, as well as examples with added clay and gilding, and sculpted vases and additions--are the touchstones for the essays. More than twenty papers by renowned scholars are grouped under such general rubrics as Social Contexts for Athenian Vases in Special Techniques; Conservation, Analysis, and Experimentation; Artists, Workshops, and Production; and Markets and Exchange.
| Author | : Stefania Mignani |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 1996 |
| Genre | : |
| ISBN | : |
| Author | : Tom Rasmussen |
| Publisher | : Cambridge University Press |
| Total Pages | : 210 |
| Release | : 1991-07-26 |
| Genre | : Art |
| ISBN | : 9780521376792 |
An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.
| Author | : T. H. Carpenter |
| Publisher | : Cambridge University Press |
| Total Pages | : 371 |
| Release | : 2014-08-28 |
| Genre | : Art |
| ISBN | : 1107041864 |
This book makes recent scholarship on the Italic people of fourth-century BC Apulia available to English-speaking audiences.
| Author | : Ann Steiner |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2008-12-15 |
| Genre | : Art |
| ISBN | : 9780521732352 |
Repetition and symmetry are the fundamental aesthetic principles underlying the shape and decoration of ancient Athenian vases. This book is the first comprehensive study of the role of repetition beyond its aesthetic value, and as part of a code that conveys meaning to the viewer. Relying on the theoretical background provided through information theory and narratology, Ann Steiner uncovers the different kinds of meaning that painters created through the use of repetition. Using the reading of painted verbal inscriptions as a springboard, she demonstrates how repetition of imagery in multiple fields of a vase can create narration, paradigm, exploration of perceptual and ideological point of view, and parody. Steiner shows how the results of repetition on Archaic Athenian vases reiterate the activities of the elite symposion and the broader cultural values of the elite Athenians. She provides an entirely new way to read ancient Athenian vases.
| Author | : Lisa Nevett |
| Publisher | : University of Michigan Press |
| Total Pages | : 339 |
| Release | : 2017-03-06 |
| Genre | : Social Science |
| ISBN | : 0472122533 |
In the modern world, objects and buildings speak eloquently about their creators. Status, gender identity, and cultural affiliations are just a few characteristics we can often infer about such material culture. But can we make similar deductions about the inhabitants of the first millennium BCE Greek world? Theoretical Approaches to the Archaeology of Ancient Greece offers a series of case studies exploring how a theoretical approach to the archaeology of this area provides insight into aspects of ancient society. An introductory section exploring the emergence and growth of theoretical approaches is followed by examinations of the potential insights these approaches provide. The authors probe some of the meanings attached to ancient objects, townscapes, and cemeteries, for those who created, and used, or inhabited them. The range of contexts stretches from the early Greek communities during the eighth and seventh centuries BCE, through Athens between the eighth and fifth centuries BCE, and on into present day Turkey and the Levant during the third and second centuries BCE. The authors examine a range of practices, from the creation of individual items such as ceramic vessels and figurines, through to the construction of civic buildings, monuments, and cemeteries. At the same time they interrogate a range of spheres, from craft production, through civic and religious practices, to funerary ritual.
| Author | : L. D. Caskey |
| Publisher | : CreateSpace |
| Total Pages | : 248 |
| Release | : 2015-08-15 |
| Genre | : |
| ISBN | : 9781516912131 |
Dr. Caskey states: "It is not published as an argument for or against the theory that the Attic potters consciously used the systems of proportion discovered by Mr. Hambidge, nor as an argument for or against the theory that a work of art designed according to these systems is 'better' than one designed according to another system, or according to no system at all. Its aim is to present in as complete and accurate and intelligible a form as possible the evidence furnished by the whole collection of Attic pottery in the Museum of Fine Arts." In the preface he explains his own position as follows: "(1) That coincidences are in so many cases so accurate, simple and logical that I find it less difficult to believe them due, in part at least, to conscious design, than to instinctive obedience to a mysterious aesthetic law, or to mere accident. (2) The proportion obtained by dividing a line in extreme and mean ratio, which plays an important part in Euclidean geometry, has for ages been recognized as an ever-recurring phenomenon in artistic design. It has been called by various names-divine proportion, golden section, ratio of Phidias, and the like; and it has been studied in many ways. By considering it as an area, rather than a division of line, and by emphasizing its relation to the rectangle, Mr. Hambidge has immensely simplified the problem of investigating its significance." The evidence in this book, so painstakingly compiled, together with the material previously published by Mr. Hambidge, seems to be rather more than argument. One is inclined to accept it as proof and in view of it, discard the use of "theory" in connection with Mr. Hambidge's studies and substitute the word "fact." It seems certain that no human mind (and no one will argue that the Greeks had superhuman minds, in spite of their wonderful achievements) could so co-ordinate a design without the use of some method. And when the analyses of so many pieces fit so accurately to the principles described by Mr. Hambidge and used by Dr. Caskey, there remains little room for doubting that these pieces were designed in accordance with these same principles. The book has 185 large line plates, each showing the geometric scheme of one of the vases in the Museum. The exact measurements of all these examples are given in millimetres. The plates are arranged according to types. These examples are also tabulated in the Introductory Text with smaller illustrations and in groups of those having similar over-all ratios. They are used in connection with a clear and concise explanation of the various rectangles of Dynamic Symmetry, giving methods of constructing and subdividing these rectangles. -American Architect and Architecture, Vol. 122 [1922]
| Author | : John Oakley |
| Publisher | : Oxbow Books |
| Total Pages | : 313 |
| Release | : 2014-08-31 |
| Genre | : History |
| ISBN | : 1782976663 |
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.
| Author | : Elizabeth Moignard |
| Publisher | : I.B. Tauris |
| Total Pages | : 200 |
| Release | : 2015-10-30 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9781780761411 |
The great 6th-century BCE Attic potter-painter Exekias is acclaimed as the most accomplished exponent of late 'black-figure' art. His vases, vessels, bowls and amphorae are reproduced on postcards and in other media all over the world. Despite his importance in the history of art and archaeology, little has been written about Exekias in his own right. Elizabeth Moignard, a leading historian of classical art, here corrects that neglect by addressing her subject as more than just a painter. She positions Exekias as a remarkable but nevertheless grounded and receptive man of his age, working in an Athens that was sensitive to Homeric literature and drawing on that great corpus of poetry to explore its own emerging concepts of honour, heroism, leadership and military tradition. Discussing a range of ceramic pieces, Moignard illustrates their impact and meaning, deconstructing iconic images like the suicide of Ajax; the voyage of Dionysus surrounded by dolphins; and the killing by Achilles of the Amazon queen Penthesilea. This book is the most complete introduction to its subject to be published in English.
