Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher: Manchester University Press
Total Pages: 194
Release: 2004
Genre: Literary Collections
ISBN: 9780719071973

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Antonio and Mellida was the first play by John Marston performed by the newly-revived Paul's Company in 1599. Marston sought to display a variety of talents--comic, tragic, satiric and historical--advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernized format.

Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher:
Total Pages: 188
Release: 1921
Genre:
ISBN:

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Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher:
Total Pages:
Release: 1965
Genre:
ISBN:

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Antonio and Mellida and Antonios Revenge, 1602 (1922)

Antonio and Mellida and Antonios Revenge, 1602 (1922)
Author: Principal Lecturer School of Law John Marston
Publisher: Literary Licensing, LLC
Total Pages: 172
Release: 2014-08-07
Genre:
ISBN: 9781498139168

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This Is A New Release Of The Original 1922 Edition.

Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher:
Total Pages: 120
Release: 1965
Genre: Drama
ISBN:

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The play is a romantic comedy, which charts the "comic crosses of true love" faced by Antonio, son of the good Duke Andrugio, and Mellida, daughter of the wicked Duke Piero.

Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher:
Total Pages:
Release: 1602
Genre:
ISBN:

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Antonio's Revenge

Antonio's Revenge
Author: John Marston
Publisher: Manchester University Press
Total Pages: 196
Release: 1999-09-11
Genre: Drama
ISBN: 9780719057038

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This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.

Antonio and Mellida

Antonio and Mellida
Author: John Marston
Publisher:
Total Pages: 80
Release: 2017-11-24
Genre:
ISBN: 9781981153619

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Antonio and Mellida is a late Elizabethan play written by the satirist John Marston, usually dated to c. 1599.The play was entered into the Stationers' Register on 24 October 1601, and first published in quarto in 1602 by the booksellers Matthew Lownes and Thomas Fisher. The title page of the first quarto states that the play was acted by the Children of Paul's, one of the companies of boy actors popular at the time. It was followed by a sequel, Antonio's Revenge, which was written by Marston in 1600.The play is a romantic comedy, which charts the "comic crosses of true love" faced by Antonio, son of the good Duke Andrugio, and Mellida, daughter of the wicked Duke Piero. Structurally, the plot is quite conventional, but the tone is unusual: Marston undercuts the emotion of the story of the separated lovers by introducing moments of extreme farce and burlesque, satirising and parodying romantic comedy conventions. The play also employs a metatheatrical induction, in which the boy actors are seen, apparently in propria persona, discussing the roles they are about to play and the way in which their parts should be performed.

John Marston - Antonio & Mellida

John Marston - Antonio & Mellida
Author: JOHN MARSTON.
Publisher: Stage Door
Total Pages: 70
Release: 2019-06-13
Genre:
ISBN: 9781787804869

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John Marston was born to John and Maria Marston née Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire. Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities. His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court. In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602. However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5. In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia. Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned. On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire. He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.