Anti-Communism and Popular Culture in Mid-Century America

Anti-Communism and Popular Culture in Mid-Century America
Author: Cyndy Hendershot
Publisher: McFarland
Total Pages: 184
Release: 2015-10-03
Genre: Social Science
ISBN: 0786483695

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Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had a definite and significant impact on all levels of American popular culture, from government propaganda films like Red Nightmare in Time magazine to Adventures of Rocky and Bullwinkle. This work examines representations of anti-communist sentiment in American popular culture from the early fifties through the mid-sixties. The discussion covers television programs, films, novels, journalism, maps, memoirs, and other works that presented anti-communist ideology to millions of Americans and influenced their thinking about these controversial issues. It also points out the different strands of anti-communist rhetoric, such as liberal and countersubversive ones, that dominated popular culture in different media, and tells a much more complicated story about producers' and consumers' ideas about communism through close study of the cultural artifacts of the Cold War. Instructors considering this book for use in a course may request an examination copy here.

Anti-Communism in Twentieth-Century America

Anti-Communism in Twentieth-Century America
Author: Larry Ceplair
Publisher: Bloomsbury Publishing USA
Total Pages: 385
Release: 2011-10-05
Genre: History
ISBN: 1440800480

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This compelling, critical analysis of anti-communism illustrates the variety of anti-Communist styles and agendas, thereby making a persuasive case that the "threat" of domestic communism in Cold War America was vastly overblown. In the United States today, communism is an ideology or political movement that barely registers in the consciousness of our nation. Yet merely half a century ago, "communist" was a buzzword that every citizen in our nation was aware of—a term that connoted "traitor" and almost certainly a characterization that most Americans were afraid of. Anti-Communism in Twentieth-Century America: A Critical History provides a panoramic perspective of the types of anti-communists in the United States between 1919 and the collapse of the Soviet Union. It explains the causes and exceptional nature of anti-communism in the United States, and divides it into eight discrete categories. This title then thoroughly examines the words and deeds of the various anti-Communists in each of these categories during the three "Red Scares" in the past century. The work concludes with an unapologetic assessment of domestic anti-communism. This book allows readers to more fully comprehend what the anti-communists meant with their rhetoric, and grasp their impact on the United States during the 20th century and beyond—for example, how anti-communism has reappeared as anti-terrorism.

Anti-Communism in Twentieth-Century America

Anti-Communism in Twentieth-Century America
Author: Larry Ceplair
Publisher: Bloomsbury Publishing USA
Total Pages: 519
Release: 2011-10-05
Genre: History
ISBN:

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This compelling, critical analysis of anti-communism illustrates the variety of anti-Communist styles and agendas, thereby making a persuasive case that the "threat" of domestic communism in Cold War America was vastly overblown. In the United States today, communism is an ideology or political movement that barely registers in the consciousness of our nation. Yet merely half a century ago, "communist" was a buzzword that every citizen in our nation was aware of—a term that connoted "traitor" and almost certainly a characterization that most Americans were afraid of. Anti-Communism in Twentieth-Century America: A Critical History provides a panoramic perspective of the types of anti-communists in the United States between 1919 and the collapse of the Soviet Union. It explains the causes and exceptional nature of anti-communism in the United States, and divides it into eight discrete categories. This title then thoroughly examines the words and deeds of the various anti-Communists in each of these categories during the three "Red Scares" in the past century. The work concludes with an unapologetic assessment of domestic anti-communism. This book allows readers to more fully comprehend what the anti-communists meant with their rhetoric, and grasp their impact on the United States during the 20th century and beyond—for example, how anti-communism has reappeared as anti-terrorism.

Popular Culture and Political Change in Modern America

Popular Culture and Political Change in Modern America
Author: Ronald Edsforth
Publisher: State University of New York Press
Total Pages: 236
Release: 1991-10-25
Genre: Political Science
ISBN: 143840185X

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This book is a collection of essays dealing with the ways in which specific popular entertainment media, mass consumer products, and popular movements affect politics and political culture in the United States. It seeks to present a range of possibilities that reflect the dimensions of the current debate and practice in the field. Some of the contributions to this volume place popular culture media such as films, music, and books in a broad social context, and several articles deal with the historical roots of twentieth-century American popular culture. Popular culture is treated as categorically neither good nor bad, in either political or aesthetic terms. Instead, the essays reflect the editors' convictions that popular culture is simply too important to be ignored by those academics who treat politics and its history seriously. The collection also shows that studying popular or mass culture in a historical way illuminates a variety of possible relationships between popular culture and politics.

America, Amerikkka

America, Amerikkka
Author: Rosemary Radford Ruether
Publisher: Routledge
Total Pages: 300
Release: 2014-12-05
Genre: Religion
ISBN: 1317491246

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America views itself as a nation inhabiting a "promised land" and enjoying a favoured relation with God. This view of unique election has been coupled with racial exclusivism and the marginalization of non-white citizens. America, Amerikkka traces the historical and ideological patterns behind America’s sense of itself. In its examination of America’s "chosenness", the book ranges across the doctrine of the "rights of man" in the 18th and 19th centuries, the role of America in the twentieth century as "global policeman", and the enforcement of neo-colonial relations over the "third world". The volume argues for a vision of global relations between peoples based on justice and mutuality, rather than hegemonic dominance.

Baby Boomers and Popular Culture

Baby Boomers and Popular Culture
Author: Brian Cogan
Publisher: Bloomsbury Publishing USA
Total Pages: 442
Release: 2014-11-25
Genre: Social Science
ISBN: 0313398879

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The Boomers are the generation that changed everything, from economics to politics to popular culture. This book examines the myriad ways and long-reaching consequences of the now fully "grown up" Baby Boomer generation on America. Once upon a time, the members of the Baby Boomer generation were young, idealistic, and hungry to change the world. And they did create sweeping, irreversible changes throughout American society—but probably not in the ways their younger selves imagined they would. Now that the Boomers are in their late-adult or retirement years, their tremendous legacy can clearly be perceived. In retrospect, the paths the members of this generation took to come to power—and how they came to terms with that power—are also apparent. This single-volume work supplies a broad yet detailed critical guide to the Boomer Generation, containing essays on key people, moments, and phenomena not only during the Boomers' 1960s heyday but also their extensive influences on American culture decades afterward. The contributors address key topics such as the rise of feminism; Civil Rights; the Vietnam War and the anti-war movement; the Beatles, the Grateful Dead, and rock 'n roll; gay rights; idealism, narcissism, and materialism; the influence of television on America, and vice versa; and the transition of Boomers from being "Yippies" to "Yuppies." This work is an ideal text for students in undergraduate or graduate courses in television studies, media studies, cultural studies, and American studies; and is highly appropriate as a supplemental text in literature, history, and philosophy surveys.

Pop Culture Goes to War

Pop Culture Goes to War
Author: Geoff Martin
Publisher: Lexington Books
Total Pages: 262
Release: 2010-07-24
Genre: History
ISBN: 0739146823

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Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of and opposition to militarism in American life. It provides a comprehensive overview of the role of toys, video games, music, television and movies in supporting contemporary militarism. Resistance to militarism is highlighted through the traditional mediums of music and movies, and increasingly through the arts, 'culture jamming,' and the satire of The Daily Show, The Onion, The Simpsons, The Colbert Report, and South Park.

Red Scared!

Red Scared!
Author: Michael Barson
Publisher: Chronicle Books
Total Pages: 172
Release: 2001-04
Genre: History
ISBN: 9780811828871

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"Red Scared! offers valuable lessons from the vault on how to identify Communists, media reports on the jolly side of Stalin, guidelines for bomb shelter chic, and much more. As they did in their other lively pop-culture histories, Teenage Confidential and Wedding Bell Blues, Michael Barson and Steven Heller once again bring the nearly forgotten details of American culture into full relief with Red Scared!"--BOOK JACKET.

Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960

Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960
Author: Nathan Vernon Madison
Publisher: McFarland
Total Pages: 241
Release: 2013-02-18
Genre: Literary Criticism
ISBN: 1476601364

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In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.

American Literature in Transition, 1940–1950

American Literature in Transition, 1940–1950
Author: Christopher Vials
Publisher: Cambridge University Press
Total Pages: 382
Release: 2017-12-28
Genre: Literary Criticism
ISBN: 1108548601

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In the aftermath of World War II, the United States emerged as the dominant imperial power, and in US popular memory, the Second World War is remembered more vividly than the American Revolution. American Literature in Transition, 1940–1950 provides crucial contexts for interpreting the literature of this period. Essays from scholars in literature, history, art history, ethnic studies, and American studies show how writers intervened in the global struggles of the decade: the Second World War, the Cold War, and emerging movements over racial justice, gender and sexuality, labor, and de-colonization. One recurrent motif is the centrality of the political impulse in art and culture. Artists and writers participated widely in left and liberal social movements that fundamentally transformed the terms of social life in the twentieth century, not by advocating specific legislation, but by changing underlying cultural values. This book addresses all the political impulses fueling art and literature at the time, as well as the development of new forms and media, from modernism and noir to radio and the paperback.