Anatomical and Mechanical Lectures Upon Dancing. Wherein Rules and Institutions for That Art Are Laid Down and Demonstrated. as They Were Read at the Academy in Chancery Lane. by John Weaver,

Anatomical and Mechanical Lectures Upon Dancing. Wherein Rules and Institutions for That Art Are Laid Down and Demonstrated. as They Were Read at the Academy in Chancery Lane. by John Weaver,
Author: John Weaver
Publisher: Gale Ecco, Print Editions
Total Pages: 170
Release: 2018-04-18
Genre:
ISBN: 9781379488873

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T116366 With "A list of the dancing masters subscribers [sic] to this undertaking." London: printed for J. Brotherton, and W. Meadows; J. Graves; and W. Chetwood, 1721. xii,156p.; 8°

Anatomical and Mechanical Lectures Upon Dancing

Anatomical and Mechanical Lectures Upon Dancing
Author: John Weaver
Publisher:
Total Pages: 186
Release: 1721
Genre: Anatomy
ISBN:

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"The lectures were read to the leading members of the dance community at an academy in Chancery lane, in 1721, as part of Weaver's efforts to create an accurate system for the teaching of dance in England, based on the logical notion that dance begins with the analysis of natural, unforced and unaffected movement of the human body"--Bookseller's description

The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800

The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800
Author: George Watson
Publisher: Cambridge University Press
Total Pages: 1698
Release: 1971-07-02
Genre: Language Arts & Disciplines
ISBN: 9780521079341

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More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Sound Judgment

Sound Judgment
Author: Richard Leppert
Publisher: Taylor & Francis
Total Pages: 401
Release: 2023-05-31
Genre: Law
ISBN: 1000949397

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The essays in Sound Judgment span the full career of Richard Leppert, from his earliest to work that appears here for the first time, on subjects drawn from early modernity to the present concerning music both popular and classical, European and North American. Noted for his path-breaking interdisciplinary scholarship on music and visual culture, the collection includes key essays on music's visualization in art practices in virtually all visual media, including film. The fourteen essays comprising this volume demonstrate Leppert's many contributions to critical musicology, particularly in the areas of aesthetics as well as social and intellectual history, all of it grounded in a heterodox body of critical and cultural theory, with the work of Theodor W. Adorno particularly noteworthy. The collection is preceded by an introduction in which Leppert traces his intellectual development, defined in large part by the social, cultural, and political upheavals of the 1960s and their aftermath both in the academy and in society at large.