An Introduction to Russian Music
Author | : Montagu Montagu-Nathan |
Publisher | : London : C. Palmer & Hayward |
Total Pages | : 82 |
Release | : 1916 |
Genre | : Composers |
ISBN | : |
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Author | : Montagu Montagu-Nathan |
Publisher | : London : C. Palmer & Hayward |
Total Pages | : 82 |
Release | : 1916 |
Genre | : Composers |
ISBN | : |
Author | : M 1877-1958 Montagu-Nathan |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781021407566 |
This informative guide offers a comprehensive overview of the rich and diverse world of Russian music, from classical to folk to contemporary. Drawing on a wide range of sources and examples, the author explores the historical, cultural, and aesthetic dimensions of Russian musical traditions and their interactions with global trends. Whether you are a musician, a student of Russian culture, or simply a music lover, this book will deepen your appreciation of the fascinating and often overlooked realm of Russian music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Montagu Montagu-Nathan |
Publisher | : |
Total Pages | : 71 |
Release | : 2001-01-01 |
Genre | : Music |
ISBN | : 9780722251430 |
Author | : M 1877-1958 Montagu-Nathan |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781019579046 |
This informative guide offers a comprehensive overview of the rich and diverse world of Russian music, from classical to folk to contemporary. Drawing on a wide range of sources and examples, the author explores the historical, cultural, and aesthetic dimensions of Russian musical traditions and their interactions with global trends. Whether you are a musician, a student of Russian culture, or simply a music lover, this book will deepen your appreciation of the fascinating and often overlooked realm of Russian music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Richard Taruskin |
Publisher | : Univ of California Press |
Total Pages | : 416 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0520268067 |
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Author | : Arthur Pougin |
Publisher | : |
Total Pages | : 360 |
Release | : 1915 |
Genre | : Composers |
ISBN | : |
Author | : Francis Maes |
Publisher | : Univ of California Press |
Total Pages | : 468 |
Release | : 2006-02-20 |
Genre | : Music |
ISBN | : 0520248252 |
Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
Author | : M. 1877-1958 Montagu-Nathan |
Publisher | : Nabu Press |
Total Pages | : 80 |
Release | : 2013-11 |
Genre | : |
ISBN | : 9781293236970 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : Maes/Pomerans |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : MUSIC |
ISBN | : 9780520354951 |
Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
Author | : Amy Nelson |
Publisher | : Penn State Press |
Total Pages | : 350 |
Release | : 2010-02-24 |
Genre | : History |
ISBN | : 0271046198 |
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.