An Art Philosopher's Cabinet
Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 466 |
Release | : 1915 |
Genre | : Aesthetics |
ISBN | : |
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Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 466 |
Release | : 1915 |
Genre | : Aesthetics |
ISBN | : |
Author | : Ethan W. Lasser |
Publisher | : Yale University Press |
Total Pages | : 313 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 030022592X |
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The Hunterian, University of Glasgow, Scotland, in 2018."
Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 466 |
Release | : 1915 |
Genre | : Aesthetics |
ISBN | : |
Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 403 |
Release | : 1923 |
Genre | : |
ISBN | : |
Author | : George Lansing RAYMOND |
Publisher | : |
Total Pages | : |
Release | : 1925* |
Genre | : |
ISBN | : |
Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 403 |
Release | : 1921 |
Genre | : |
ISBN | : |
Author | : George Lansing Raymond |
Publisher | : Palala Press |
Total Pages | : |
Release | : 2016-05-25 |
Genre | : |
ISBN | : 9781359685384 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : George Lansing Raymond |
Publisher | : |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Aesthetics |
ISBN | : |
Author | : Anonumems |
Publisher | : Wentworth Press |
Total Pages | : 462 |
Release | : 2019-03-11 |
Genre | : History |
ISBN | : 9780530837031 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : BRILL |
Total Pages | : 292 |
Release | : 2013-06-17 |
Genre | : History |
ISBN | : 9004252975 |
Cabinets of Experimental Philosophy in Eighteenth-Century Europe is an ambitious contribution to the growing interest in how science came to engage the attention of a public outside the academic and professional spheres and how collections of instruments played a formative role in this development. Collections of physical instruments for research and demonstration appeared throughout Europe in the eighteenth century and the coverage of the book is correspondingly broad. While collections in different cultural and geographical locations had much in common, there were significant local modifications. The essays in this book illustrate how science, sometimes thought to be monolithic and universal, can maintain core intellectual characteristics and practical techniques while adapting to particular sites and circumstances. Contributors include: Jim Bennett, Sofia Talas, Huib J. Zuidervaart, Hans Hooijmaijers, Ad Maas, Tiemen Cocquyt, Inga Elmqvist Söderlund, Paola Bertucci, Marta C. Lourenço, David Felismino, Ivano Dal Prete, Ewa Wyka, Martin Weiss, and Paolo Brenni.