Beethoven in America

Beethoven in America
Author: Michael Broyles
Publisher: Indiana University Press
Total Pages: 432
Release: 2011-10-27
Genre: Biography & Autobiography
ISBN: 0253357047

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Examines America's early reception to Beethoven, the use of his work and image in American music, movies, stage works, and other forms of popular culture, and related topics.

Beethoven Letters in America

Beethoven Letters in America
Author: Ludwig van Beethoven
Publisher: New York : The Beethoven association
Total Pages: 332
Release: 1927
Genre: Composers
ISBN:

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The North American Review

The North American Review
Author: Jared Sparks
Publisher:
Total Pages: 578
Release: 1841
Genre: American fiction
ISBN:

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Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.

The First Four Notes

The First Four Notes
Author: Matthew Guerrieri
Publisher: Vintage
Total Pages: 386
Release: 2014-03-04
Genre: Music
ISBN: 0804170193

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A TIME Magazine Top 10 Nonfiction Book of 2012 A New Yorker Best Book of the Year Los Angeles Magazine's #1 Music Book of the Year This revelatory book of music history examines what is perhaps the best known and most-popular symphony ever written—and its famous four-note opening. Reaching back before Beethoven’s time, Matthew Guerrieri uncovers premonitions of the opening notes in the rhythms of ancient Greek poetry and the music of the French Revolution. He discusses the Fifth’s impact when it premiered, tracing the artistic, philosophical, and political reverberations across Europe to China, Russia, and the United States, from Romanticism to ring tones, from propaganda to pop. This fascinating piece of musical detective work is a treat for music lovers of every stripe.

Beethoven and His World

Beethoven and His World
Author: H. P. Clive
Publisher: Oxford : Oxford University Press
Total Pages: 554
Release: 2001
Genre: Biography & Autobiography
ISBN: 9780198166726

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Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives,friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerabledocumentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might bepossible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.

Beethoven's Symphonies and J.S. Dwight

Beethoven's Symphonies and J.S. Dwight
Author: Ora Frishberg Saloman
Publisher: UPNE
Total Pages: 268
Release: 1995
Genre: Music
ISBN: 9781555532161

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John Sullivan Dwight (1813-1893), the first American critic of art music and the founder of Dwight's Journal of Music, set a new standard for musical criticism in the 1840s by fostering the American reception of Ludwig van Beethoven's then unfamiliar symphonies. Drawing upon extraordinary and painstaking research, Ora Frishberg Saloman details the progressive and influential musical vision of the young Dwight, offering a dramatic and long overdue corrective to the conservative image of the critic that has prevailed for most of this century.

The Life of Beethoven

The Life of Beethoven
Author: David Wyn Jones
Publisher: Cambridge University Press
Total Pages: 220
Release: 1998-11-19
Genre: Biography & Autobiography
ISBN: 9780521568784

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'My compositions bring me in a good deal ... I state my price and they pay.' Beethoven was an inspired composer but he was also a working musician with sound commercial sense. David Wyn Jones's account of Beethoven the man and composer reveals the life of a creative musician in Bonn and Vienna in the late eighteenth and early nineteenth centuries. While paying due regard to the image of Beethoven as one of the most single-minded composers in the history of music, this biography places his work in the context of the musical life of the period. Through an understanding of the changing nature of musical patronage, the private and public concert, the impact of the Napoleonic Wars on culture and society, and the increasing ambition of musical life in the period after the end of the wars, a varied and dynamic picture of Beethoven's musical career emerges.