Twenty-First Century American Playwrights

Twenty-First Century American Playwrights
Author: Christopher Bigsby
Publisher: Cambridge University Press
Total Pages: 235
Release: 2018
Genre: Biography & Autobiography
ISBN: 1108419585

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Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.

Performance in the Twenty-First Century

Performance in the Twenty-First Century
Author: Andy Lavender
Publisher: Routledge
Total Pages: 336
Release: 2016-05-26
Genre: Performing Arts
ISBN: 113646719X

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Performance in the Twenty-First Century: Theatres of Engagement addresses the reshaping of theatre and performance after postmodernism. Andy Lavender argues provocatively that after the ‘classic’ postmodern tropes of detachment, irony, and contingency, performance in the twenty-first century engages more overtly with meaning, politics and society. It involves a newly pronounced form of personal experience, often implicating the body and/or one’s sense of self. This volume examines a range of performance events, including work by both emergent and internationally significant companies and artists such as Rimini Protokoll, Blast Theory, dreamthinkspeak, Zecora Ura, Punchdrunk, Ontroerend Goed, Kris Verdonck, Dries Verhoeven, Rabih Mroué, Derren Brown and David Blaine. It also considers a wider range of cultural phenomena such as online social networking, sports events, installations, games-based work and theme parks, where principles of performance are in play. Performance in the Twenty-First Century is a compelling and provocative resource for anybody interested in discovering how performance theory can be applied to cutting-edge culture, and indeed the world around them.

Twenty-First Century Drama

Twenty-First Century Drama
Author: Siân Adiseshiah
Publisher: Springer
Total Pages: 349
Release: 2016-06-17
Genre: Performing Arts
ISBN: 1137484039

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Within this landmark collection, original voices from the field of drama provide rich analysis of a selection of the most exciting and remarkable plays and productions of the twenty-first century. But what makes the drama of the new millenium so distinctive? Which events, themes, shifts, and paradigms are marking its stages? Kaleidoscopic in scope, Twenty-First Century Drama: What Happens Now creates a broad, rigorously critical framework for approaching the drama of this period, including its forms, playwrights, companies, institutions, collaborative projects, and directors. The collection has a deliberately British bent, examining established playwrights – such as Churchill, Brenton, and Hare – alongside a new generation of writers – including Stephens, Prebble, Kirkwood, Bartlett, and Kelly. Simultaneously international in scope, it engages with significant new work from the US, Japan, India, Australia, and the Netherlands, to reflect a twenty-first century context that is fundamentally globalized. The volume’s central themes – the financial crisis, austerity, climate change, new forms of human being, migration, class, race and gender, cultural politics and issues of nationhood – are mediated through fresh, cutting-edge perspectives.

American Theatre in the Twenty-First Century

American Theatre in the Twenty-First Century
Author: Melanie Coffey
Publisher:
Total Pages: 212
Release: 2020-12-22
Genre:
ISBN: 9781953818324

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In Volume 1 of Future Publishing House Anthology Series, a collection of short plays and scenes are presented in an easily digestible format. This anthology provides ideas, insights, and styles of today's living playwrights.

The Ground on which I Stand

The Ground on which I Stand
Author: August Wilson
Publisher: Theatre Communications Grou
Total Pages: 54
Release: 2001
Genre: Biography & Autobiography
ISBN: 9781559361873

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August Wilson's radical and provocative call to arms.

The Cambridge Companion to American Theatre since 1945

The Cambridge Companion to American Theatre since 1945
Author: Julia Listengarten
Publisher: Cambridge University Press
Total Pages: 489
Release: 2021-09-09
Genre: Drama
ISBN: 1108570267

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The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.

A History of Asian American Theatre

A History of Asian American Theatre
Author: Esther Kim Lee
Publisher: Cambridge University Press
Total Pages: 219
Release: 2006-10-12
Genre: Drama
ISBN: 0521850517

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This book surveys the history of Asian American theatre from 1965 to 2005.

Remaking American Theater

Remaking American Theater
Author: Scott T. Cummings
Publisher: Cambridge University Press
Total Pages: 261
Release: 2006-08-17
Genre: Drama
ISBN: 0521818206

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The Cambridge Companion to African American Theatre

The Cambridge Companion to African American Theatre
Author: Harvey Young
Publisher: Cambridge University Press
Total Pages: 359
Release: 2023-05-31
Genre: Drama
ISBN: 1009359584

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This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

Audience as Performer

Audience as Performer
Author: Caroline Heim
Publisher: Routledge
Total Pages: 201
Release: 2015-07-30
Genre: Performing Arts
ISBN: 1317633555

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'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences? How have audiences’ roles changed throughout history? How do talkbacks and technology influence the audience’s role as critics? What influence does the audience have on the creation of community in theatre? How can the audience function as both consumer and co-creator? Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.