American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929

American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
Author: John T. Soister
Publisher: McFarland
Total Pages: 831
Release: 2014-01-10
Genre: Performing Arts
ISBN: 0786487909
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During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.

American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929

American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
Author: John T. Soister
Publisher: McFarland
Total Pages: 0
Release: 2012-06-29
Genre: Performing Arts
ISBN: 9780786435814
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During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.

Masks in Horror Cinema

Masks in Horror Cinema
Author: Alexandra Heller-Nicholas
Publisher: University of Wales Press
Total Pages: 285
Release: 2019-10-15
Genre: Performing Arts
ISBN: 1786834979
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Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema.

Neuroscience in Science Fiction Films

Neuroscience in Science Fiction Films
Author: Sharon Packer, M.D.
Publisher: McFarland
Total Pages: 298
Release: 2014-11-19
Genre: Performing Arts
ISBN: 1476618003
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As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.

Horror Film

Horror Film
Author: Laura Cremonini
Publisher: Self-Publish
Total Pages: 304
Release: 2020-03-24
Genre:
ISBN:
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This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. And, most important thing is free. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: History, 1890s–1900s, Trick Films, 1910s, 1920s, German Expressionism, Universal Classic Monsters 1920s, Other productions, 1930s, Universal Classic Monsters 1930s, Other productions, 1940s, 1950s, 1960s, 1970s–1980s, 1990s, 2000s, 2010s, 2020s, Subgenres: Action horror, Body horror, Comedy horror, Cyber horror, Folk horror, Found footage horror, Gothic horror, Holiday horror, Horror adventure, Horror drama, Horror thriller, Natural horror, Psychological horror, Science fiction horror, Slasher film, Splatter film, Superhero horror, Supernatural horror, Teen horror, Zombie films, Psychological effects of horror films, Neurocinematics - the subconscious effect of horror films on the audience, Different techniques employed by horror films on the audience, Physical effects of horror films on the audience, Influences, Influences on society, Influences internationally, Notes, Bibliography.

Horror Noire

Horror Noire
Author: Robin R. Means Coleman
Publisher: Taylor & Francis
Total Pages: 400
Release: 2022-11-01
Genre: Performing Arts
ISBN: 100077516X
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From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele’s films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta’s sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself. This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

Down from the Attic

Down from the Attic
Author: John T. Soister
Publisher: McFarland
Total Pages: 247
Release: 2016-06-23
Genre: Performing Arts
ISBN: 0786498315
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Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.

A Research Guide to Gothic Literature in English

A Research Guide to Gothic Literature in English
Author: Sherri L. Brown
Publisher: Rowman & Littlefield
Total Pages: 253
Release: 2018-03-15
Genre: Literary Criticism
ISBN: 1442277483
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The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.

Re-envisaging the First Age of Cinematic Horror, 1896-1934

Re-envisaging the First Age of Cinematic Horror, 1896-1934
Author: David Annwn Jones
Publisher: University of Wales Press
Total Pages: 266
Release: 2018-11-14
Genre: Performing Arts
ISBN: 1786833379
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• This study is an exciting and new look at and expansion of our sense of horror films. • Re-envisaging the First Age of Cinematic Horror covers horror films which have never been discussed before. • It includes an interesting and accessible discussions of Early and Silent Film.