American Record Labels and Companies

American Record Labels and Companies
Author: Allan Sutton
Publisher: Denver, Colo. : Mainspring Press
Total Pages: 448
Release: 2000
Genre: Business & Economics
ISBN:

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The American Record Label Book

The American Record Label Book
Author: Brian Rust
Publisher: Da Capo Press, Incorporated
Total Pages: 344
Release: 1984-01-21
Genre: Antiques & Collectibles
ISBN:

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American Record Companies and Producers, 1888-1950

American Record Companies and Producers, 1888-1950
Author: Allan Sutton
Publisher:
Total Pages: 760
Release: 2018
Genre:
ISBN: 9780997333336

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An encyclopedia of all American producers of sound recordings for the commercial market, from the start of the recording industry in the 1880s to the beginning of the LP era in the early 1950s. Includes more than 1,200 detailed entries, introductory history of the recording industry, company genealogical charts, glossary, extensive source citations, and label and subject indexes. Allan Sutton is the author of numerous award-winnig books on early recordings, and recipient of the Association for Recorded Sound Collections' 2013 Lifetime Achievement Award.

Little Labels--big Sound

Little Labels--big Sound
Author: Rick Kennedy
Publisher: Indiana University Press
Total Pages: 236
Release: 1999
Genre: Popular music
ISBN: 9780253335487

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* Stories from the lean early days of American popular music * Ten visionaries who altered the course of popular music * Close-up portraits of risk-taking label owners who often gambled their careers and livelihoods to release music they believed in

ARLD

ARLD
Author: Galen Gart
Publisher: Milford, N.H. : Big Nickel Publications
Total Pages: 276
Release: 1989
Genre: Music
ISBN:

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"This directory is designed as an aid to music researchers requiring a guide to the commercial recording industry in the United Stated during the period of 1940 through 1959"--Introduction.

The A-Z of Record Labels

The A-Z of Record Labels
Author: Brian Southall
Publisher: Sanctuary Publishing
Total Pages: 324
Release: 2003
Genre: Music
ISBN:

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Since the earliest music companies began at the end of the 19th century, many record labels have come and gone, been taken over or merged. Some have been owned by retailers, DJs, agents or managers, others by artists or vast media, electronics and film companies. From A&M Records, to Motown, to ZTT, The A-Z of Record Labels explores the colourful history of one of the most important aspects of popular music. recording it. From classical to soul, jazz to rock, folk to rap, every record label has its own successes, its own agenda and its own story. Those stories are collected here in The A-Z Of Record Labels, offering an insight into one of the most important parts in the history of popular music.

Music Industry Directory 2020

Music Industry Directory 2020
Author: J. Paul Dyson
Publisher: JP&A Dyson
Total Pages: 694
Release:
Genre: Reference
ISBN:

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This indispensable directory is a must-have for anyone wanting to make it in the music industry. It gives you: • Hundreds of record labels • Hundreds of music managers • Indexes by genre, so you can quickly find all the right listings • Access to overseas markets It also provides free access to the entire current databases online, including over 2,000 record labels, and over 1,300 managers, with dozens of new and updated listings every month. Your free subscription can be taken out at any time until 2021, and comes packed with all the following features: Advanced search features Save searches and save time – set up to 15 search parameters specific to your work, save them, and then access the search results with a single click whenever you log in. You can even save multiple different searches if you have different types of work you are looking to place. Add personal notes to listings, visible only to you and fully searchable – helping you to organise your actions. Set reminders on listings to notify you when to submit your work, when to follow up, when to expect a reply, or any other custom action. Track which listings you’ve viewed and when, to help you organise your search – any listings which have changed since you last viewed them will be highlighted for your attention. Daily email updates As a subscriber you will be able to take advantage of our email alert service, meaning you can specify your particular interests and we’ll send you automatic email updates when we change or add a listing that matches them. So if you’re interested in labels dealing in hard rock in the United States you can have us send you emails with the latest updates about them – keeping you up to date without even having to log in. User feedback Our databases include a user feedback feature that allows our subscribers to leave feedback on each listing – giving you not only the chance to have your say about the markets you contact, but giving a unique artist’s perspective on the listings. Save on copyright protection fees If you’re sending your work away to record labels and managers you should first consider protecting your copyright. As a subscriber to MusicSocket you can do this through our site and save 10% on the copyright registration fees normally payable for protecting your work internationally through the Intellectual Property Rights Office (https://www.CopyrightRegistrationService.com).

America and the American Record Business: A History

America and the American Record Business: A History
Author: Don Cusic
Publisher: Brackish Publishing
Total Pages: 1166
Release: 2018-07-05
Genre: Music
ISBN: 9780999053737

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America and the American Record Business chronicles the history of the music, the business and technology of the recording industry, set against a backdrop of American history.

Record Cultures

Record Cultures
Author: Kyle Barnett
Publisher:
Total Pages: 333
Release: 2020
Genre: Popular music
ISBN: 0472131036

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"The 1920s was a crucial decade for the recording industry. Large record companies existed, but across the nation there were dozens of small, independently owned and regionally-oriented labels like Black Swan, Champion, Paramount, Gennett, Starr, Okeh, and others which catered to specific genres and audiences that were at the time outside the commercial mainstream: jazz, "race records," "old time" or "hillbilly" music, local religious music traditions, and exotica from abroad that the metropolitan record companies did not-yet-see as profitable. Kyle Barnett's book seeks to tell the story of the first big wave of consolidation of the record industry, when larger labels began to take an interest in what the smaller labels were doing, the growing pains that resulted in mainstream companies having to adapt their culture to promoting artists from the margins-poor or working class "hillbillies," African-Americans-and how the coming of the Depression threatened to turn back the clock of the industry's growth. In hindsight, the evolution of the recording industry toward consolidation looks inevitable, but there is no good, synthetic history of this crucial period that gives due credit to the development of the industry, both commercially and culturally"--

Stacks of Wax

Stacks of Wax
Author: David Bottoms
Publisher:
Total Pages:
Release: 2020-09
Genre:
ISBN: 9780578724812

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When considering the tapestry of popular-music history that has emerged in the last 40 or so years - a chronicle that shows no signs of abating - there have been critical and enthusiastic studies of not just performers, or the cities in which they arose in any number, but also of the recorded legacy of such cities, i.e. its record labels. Cincinnati, for all its decades of accomplishment in the recorded-music arena, has been heretofore perhaps underserved. Apart from real-time newspaper articles of the 1940s-'70s, a number of fine books have appeared, each of which provides a further tantalizing look at the vast offerings of the Queen City and the Ohio River Valley. This book is the complete document of the subject at hand, and is intended as a bedrock upon which to construct a (hopefully ongoing) library of Cincinnati's record companies, a library that encompasses the aforementioned volumes as well as encourages new efforts from fresh pens. The subject, owing to the stunning breadth and depth of the city's industry and drive, is probably inexhaustible. The book - its targeted collectors and enthusiasts aside - also seeks to advance understanding two specific communities who were substantial parts of the cultural, political and musical milieu of Cincinnati (and indeed, great swaths of the Midwest): African-Americans and Appalachians. The contributions and excitement consistently delivered by these populations greatly enriched the styles and ever-shifting forms of American popular music, especially in the fecund Postwar era, and here the book intends to shed some new light on their conditions, treatment and influence both then and now. Finally, the book is a fond meditation upon a city with strengths and flaws, successes and failures, all of which can be found writ small in the record business of the 20th century. In our accelerating, fraying culture, the analog world of this story is not a lesser place - far from it. That world was one of grit, risk and often-sweet rewards. As it recedes ever further into the past, hopefully the story of its many and varied musical lights will remain engaging and inspiring.