Albatya Galbatya

Albatya Galbatya
Author: Ratnakar Matkari
Publisher:
Total Pages:
Release:
Genre:
ISBN: 9788171851645

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Pareekshan

Pareekshan
Author:
Publisher:
Total Pages: 304
Release: 1972
Genre: Motion pictures
ISBN:

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Children's Literature in India

Children's Literature in India
Author: Navin Menon
Publisher:
Total Pages: 480
Release: 1999
Genre: Children
ISBN:

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Contributed articles.

Seagull Theatre Quarterly

Seagull Theatre Quarterly
Author:
Publisher:
Total Pages: 818
Release: 1994
Genre: Theater
ISBN:

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Darkness

Darkness
Author: Ratnakar Matkari
Publisher: Harper Collins
Total Pages: 228
Release: 2019-10-25
Genre: Fiction
ISBN: 9353573343

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A boy who can predict the exact date a person will die... An elderly woman who knows that death is close, but learns how to cheat it... A child with a dangerous friend who happens to be invisible... A ghost who can't stop reliving his suicide over and over again...People you'll wish you never have to meet, and stories you'll never forget.Skilfully translated into English for the very first time, these chilling tales from master storyteller Ratnakar Matkari are bound to keep readers of all ages up at night.With every page you turn, you'll be looking over your shoulder to make sure no one's there.Look again. Maybe there is!

Nimma Shimma Rakshas

Nimma Shimma Rakshas
Author: Ratnakar Matkari
Publisher:
Total Pages:
Release:
Genre:
ISBN: 9788171850471

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Jana Sanskriti

Jana Sanskriti
Author: Sanjoy Ganguly
Publisher: Routledge
Total Pages: 343
Release: 2010-04-28
Genre: Drama
ISBN: 1136978631

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Jana Sanskriti Centre for the Theatre of the Oppressed, based in West Bengal, is probably the largest and longest lasting Forum Theatre operation in the world. It was considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil. This book is a unique first-hand account - by the group's artistic director Sanjoy Ganguly - of Jana Sanskriti's growth and development since its founding in 1985, which has resulted in a national Forum Theatre network throughout India. Ganguly describes the plays, people and places that have formed this unique operation and discusses its contribution to the wider themes espoused by Forum Theatre. Ganguly charts and reflects on the practice of theatre as politics, developing an intriguing and persuasive case for Forum Theatre and its role in provoking responsible action. His combination of anecdotal insight and lucid discussion of Boal’s practice offers a vision of far-reaching transformation in politics and civil society.