Agency and Imagination in the Films of David Lynch

Agency and Imagination in the Films of David Lynch
Author: James D. Reid
Publisher: Rowman & Littlefield
Total Pages: 281
Release: 2019-12-13
Genre: Philosophy
ISBN: 1498555942

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Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker’s work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch’s films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch’s penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch’s work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.

Weirdsville USA

Weirdsville USA
Author: Paul A. Woods
Publisher: Plexus Publishing
Total Pages: 230
Release: 2000
Genre: Biography & Autobiography
ISBN:

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In his wildly varied career, David Lynch has experienced cult adulation, mainstream success, virtual rejection by the film industry, and a renaissance in which he created a style that can only be called Weird Americana. Weirdsville U.S.A. charts Lynch s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive."

David Lynch

David Lynch
Author: Colin Odell
Publisher: Oldacastle Books
Total Pages: 213
Release: 2007-10-28
Genre: Performing Arts
ISBN: 1842433822

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Internationally renowned, David Lynch is America's premier purveyor of the surreal; an artist whose work in cinema and television has exposed the world to his highly personalized view of society. Examining Lynch's entire body of work—from the cult surrealism of his debut feature Eraserhead to his latest mystery Inland Empire—this book considers the themes, motifs, and stories behind his incredible works. In Lynch's world the mundane and the fantastical collide, often with terrifying consequences. It is a place where the abnormal is normal, the respectable becomes sinister, where innocence is lost, redemption gained at a terrible price, and where there's always music in the air. From the deserts of a distant world to an ordinary backyard, at the breakneck speed of Lost Highway or the sedate determination of The Straight Story, readers will experience amateur sleuths, messiahs, giants and dwarves, chanteuses, psychopaths, cherry pie, and damn fine coffee.

Room to Dream

Room to Dream
Author: David Lynch
Publisher: Random House Trade Paperbacks
Total Pages: 594
Release: 2019-06-11
Genre: Biography & Autobiography
ISBN: 039958921X

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NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family “Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists. With insights into . . . Eraserhead The Elephant Man Dune Blue Velvet Wild at Heart Twin Peaks Twin Peaks: Fire Walk with Me Lost Highway The Straight Story Mulholland Drive INLAND EMPIRE Twin Peaks: The Return Praise for Room to Dream “A memorable portrait of one of cinema’s great auteurs . . . provides a remarkable insight into [David] Lynch’s intense commitment to the ‘art life.’ ”—The Guardian “This is the best book by and about a movie director since Elia Kazan’s A Life (1988) and Michael Powell’s A Life in Movies (1986). But Room to Dream is more enchanting or appealing than those classics. . . . What makes this book endearing is its chatty, calm account of how genius in America can be a matter-of-fact defiance of reality that won’t alarm your dog or save mankind. It’s the only way to dream in so disturbed a country.”—San Francisco Chronicle

Identity construction in David Lynch's Blue Velvet and Mulholland Drive

Identity construction in David Lynch's Blue Velvet and Mulholland Drive
Author: Ina Brauckhoff
Publisher: GRIN Verlag
Total Pages: 19
Release: 2008-06-11
Genre: Performing Arts
ISBN: 3638060411

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Seminar paper from the year 2008 in the subject Film Science, grade: 1,2, University of Modena e Reggio Emilia (Università degli studi di Modena e Reggio Emilia - Facoltà di Lettere e Filosofia), course: Border Crossings: Constructing Personal and Social Identity in Film, language: English, abstract: In the two selected David Lynch movies a shared motif becomes apparent: the question of identity. Therefore I define border crossing as the crossing of a psychological border within a person making possible to live out different (part-) identities. Jeffrey in Blue Velvet as well as Betty/Diane in Mulholland Drive have two different identities, i.e. they are presented to us in two different roles, a psychological border crossing takes place. In either case the concepts of identity and identity construction which were current at the date of the movies’ origin are represented. Framing these concepts in relation to the time they were made it becomes clear that we are dealing with innovative groundbreaking ideas. Thus I compare the films relating to how they express identity construction and the therewith combined border crossing. Hereupon I will relate this analysis to the history of identity to make clear in which sense the dealing with the identity discourse is innovative in both of the films. Finally I will discuss the question if the presented border crossings are still border crossings today or if they have already become habits. To find an answer I will classify the movies within the film history and explain how the film socialization determines the spectators’ readings. I suggest that both films despite all their differences actually tell the same story, only that there are sixteen years of (film-) history between them causing the different ways of narrating. A second border crossing becomes apparent, a border crossing between the two films.

The Films of David Lynch

The Films of David Lynch
Author: John Alexander
Publisher: Charles Letts (London)
Total Pages: 224
Release: 1993
Genre: Performing Arts
ISBN:

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Identity Construction in David Lynch's Blue Velvet and Mulholland Drive

Identity Construction in David Lynch's Blue Velvet and Mulholland Drive
Author: Ina Brauckhoff
Publisher: GRIN Verlag
Total Pages: 41
Release: 2008-06
Genre: Performing Arts
ISBN: 3638950425

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Seminar paper from the year 2008 in the subject Film Science, grade: 1,2, University of Modena e Reggio Emilia (Universit degli studi di Modena e Reggio Emilia - Facolt di Lettere e Filosofia), course: Border Crossings: Constructing Personal and Social Identity in Film, 13 entries in the bibliography, language: English, abstract: In the two selected David Lynch movies a shared motif becomes apparent: the question of identity. Therefore I define border crossing as the crossing of a psychological border within a person making possible to live out different (part-) identities. Jeffrey in Blue Velvet as well as Betty/Diane in Mulholland Drive have two different identities, i.e. they are presented to us in two different roles, a psychological border crossing takes place. In either case the concepts of identity and identity construction which were current at the date of the movies' origin are represented. Framing these concepts in relation to the time they were made it becomes clear that we are dealing with innovative groundbreaking ideas. Thus I compare the films relating to how they express identity construction and the therewith combined border crossing. Hereupon I will relate this analysis to the history of identity to make clear in which sense the dealing with the identity discourse is innovative in both of the films. Finally I will discuss the question if the presented border crossings are still border crossings today or if they have already become habits. To find an answer I will classify the movies within the film history and explain how the film socialization determines the spectators' readings. I suggest that both films despite all their differences actually tell the same story, only that there are sixteen years of (film-) history between them causing the different ways of narrating. A second border crossing becomes apparent, a border crossing between the two films.

David Lynch in Theory

David Lynch in Theory
Author: François-Xavier Gleyzon
Publisher:
Total Pages: 193
Release: 2010
Genre: Performing Arts
ISBN: 9788073083175

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Lynch on Lynch

Lynch on Lynch
Author: Chris Rodley
Publisher: Farrar, Straus and Giroux
Total Pages: 336
Release: 2005-03-01
Genre: Performing Arts
ISBN: 9780571220182

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David Lynch erupted onto the cinema landscape in 1977 with Eraserhead, establishing himself as one of the most original and imaginative directors at work in contemporary cinema. Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling storylines. In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.

David Lynch's American Dreamscape

David Lynch's American Dreamscape
Author: Mike Miley
Publisher:
Total Pages: 0
Release: 2025
Genre: Motion pictures and literature
ISBN:

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"David Lynch's Intertextual Cinema expands the interpretive horizons of David Lynch's filmography by addressing the questions: How are Lynch's films as much a part of literary tradition as the cinematic tradition? How can his films be read as songs? This book positions his work as a compendium of popular literary and musical cultures, including David Foster Wallace and Nine Inch Nails who have successfully grafted Lynch's cinematic sensibility onto their own projects; a site through which these texts interact with other texts; and a channel through which the subconscious of American life finds its way into full and unaltered view"--