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| Author | : Vasiliki V. Mavroska |
| Publisher | : |
| Total Pages | : 730 |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
| Author | : Sarah Jean Venorsky |
| Publisher | : |
| Total Pages | : 168 |
| Release | : 2016 |
| Genre | : Art, Medieval |
| ISBN | : |
Throughout history, the story of Adam and Eve and the lost land of Eden has played a major role in the West on attitudes towards gender, sexuality, temptation and deceit. Visual spectacles of Adam and Eve could be found in nearly every cathedral by the 15th and 16th centuries across western Europe. The events from Genesis 1-3 were displayed within several illuminated manuscripts of the Middle Ages and even commissioned narratives for personal art during the latter half of the Renaissance. The works discussed in this thesis span from mosaics, painting, sculpture, and relief, to woodcuts and engravings. The artists and works mentioned have been examined and appropriated to the conventions and exegeses of the early Church fathers as well as the viewpoints of several western theologians. Through careful analysis, this study focuses on the detail, placement, and activeness of Adam, Eve, God and the evil serpent found within the images discussed. By taking a closer look at these powerful images from the Middle Ages and the Renaissance, the attitudes of the Church, patron and artist can be observed and interpreted
| Author | : Laura Messina-Argenton |
| Publisher | : Springer Nature |
| Total Pages | : 413 |
| Release | : 2023-02-14 |
| Genre | : Psychology |
| ISBN | : 3031136624 |
How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers researchers, graduates, advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.
| Author | : Penny Howell Jolly |
| Publisher | : Univ of California Press |
| Total Pages | : 224 |
| Release | : 2023-12-22 |
| Genre | : Art |
| ISBN | : 0520318226 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
| Author | : Azzan Yadin-Israel |
| Publisher | : University of Chicago Press |
| Total Pages | : 202 |
| Release | : 2024-03-08 |
| Genre | : Art |
| ISBN | : 0226833453 |
A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 604 |
| Release | : 1997 |
| Genre | : Art, Byzantine |
| ISBN | : 0870997777 |
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : John Beckwith |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
This volume bring together John Beckwith's papers on medieval and Byzantine art. They focus on those subjects which the author made his own, Coptic and Byzantine "textiles, Western European and Constantinopolitan ivory carving, and Byzantine metalwork. A final section includes a number of studies on cultural diffusion, from Islam and Byzantium to Western Europe, in the early Middle Ages.
| Author | : Leslie D. Ross |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 318 |
| Release | : 1996-11-14 |
| Genre | : Art |
| ISBN | : 0313033161 |
Designed as a quick-reference source to the topics, symbols, themes, and stories most frequently found in early Christian, western medieval, and Byzantine art, this work describes topics that include names and narratives drawn from the Bible and apocrypha, the lives of saints, and numerous other textual sources. Authors whose works were frequently illustrated or who were influential on the visual arts are treated, as are selected art historical terms and events of significance for the arts. Cross-references alert readers to alternate titles and related topics, and the majority of entries cite a pictorial example. These are keyed to standard texts for easy viewing access. The dictionary begins with Aaron and ends with Zoomorphic Decoration. This dictionary focuses on the medieval period and the distinctive ways in which the subjects and symbols referenced in the work evolved and developed during the Middle Ages, resulting in a unique overview of the evolution, development, popularity, and transformations that took place in medieval artistic iconography. The introduction provides chronological, thematic, and bibliographic surveys to supplement the 500 individual entries; the bibliography directs the readers to more detailed studies. The work also includes names and topics not always found in art reference sources, for example, authors whose works were frequently illustrated, or who were influential on the visual arts, and historical events of significance for the arts.
| Author | : Charles Reginald Dodwell |
| Publisher | : Yale University Press |
| Total Pages | : 484 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780300064933 |
Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual messages; the colorful Mozarabic art of Spain, which had added vigor through its interaction with the barbaric Visigoths; and the art of Italy, influenced by the styles of Byzantium and the West. Dodwell concludes with an examination of the universal Romanesque style of the twelfth century that extended from the Scandinavian countries in the north to Jerusalem in the south. His book--which includes the first exhaustive discussion of the painters and craftsmen of the time, incorporates the latest research, and is filled with new ideas about the relations among the arts, history, and theology of the period--will be an invaluable resource for both art historians and students of the Middle Ages.
| Author | : Shulamit Laderman |
| Publisher | : BRILL |
| Total Pages | : 394 |
| Release | : 2013-05-30 |
| Genre | : Religion |
| ISBN | : 9004252193 |
Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
