Abstract Music, Vol. 4
Author | : Alexey Ecko |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Electronic music |
ISBN | : |
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Author | : Alexey Ecko |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Electronic music |
ISBN | : |
Author | : Clement Greenberg |
Publisher | : University of Chicago Press |
Total Pages | : 358 |
Release | : 1986 |
Genre | : Architecture |
ISBN | : 0226306240 |
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author | : BrianE. Power |
Publisher | : Routledge |
Total Pages | : 315 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351540459 |
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
Author | : A. Peter Brown |
Publisher | : Indiana University Press |
Total Pages | : 1026 |
Release | : 2024-03-29 |
Genre | : Music |
ISBN | : 0253072115 |
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.
Author | : Kohei Arai |
Publisher | : Springer Nature |
Total Pages | : 511 |
Release | : 2023-12-14 |
Genre | : Technology & Engineering |
ISBN | : 3031474481 |
This book is a collection of thoroughly well-researched studies presented at the Eighth Future Technologies Conference. This annual conference aims to seek submissions from the wide arena of studies like Computing, Communication, Machine Vision, Artificial Intelligence, Ambient Intelligence, Security, and e-Learning. With an impressive 490 paper submissions, FTC emerged as a hybrid event of unparalleled success, where visionary minds explored groundbreaking solutions to the most pressing challenges across diverse fields. These groundbreaking findings open a window for vital conversation on information technologies in our community especially to foster future collaboration with one another. We hope that the readers find this book interesting and inspiring and render their enthusiastic support toward it.
Author | : Mary Jane Haemig |
Publisher | : Fortress Press |
Total Pages | : 560 |
Release | : 2016-08-01 |
Genre | : Religion |
ISBN | : 1451465106 |
Volume 4 of The Annotated Luther series presents an array of Luther’s writings related to pastoral work. Luther’s famous Invocavit Sermons and other selected sermons show a forthright and lively preacher. Hymn texts reveal Luther’s grasp of hymnody as a tool for conveying and expressing faith. His Small Catechism as well as several pieces on prayer, including his Personal Prayer Book and A Simple Way to Pray, show his engagement in the basic task of teaching the faith. Luther’s prefaces to his own writings contain personal reflections on his reforming work. Also in this volume are his commentary on The Magnificat, selected letters, and shorter pieces that display his pastoral responses to particular situations: Sermon on Preparing to Die, Whether One May Flee from a Deadly Plague, and Comfort for Women Who Have Had a Miscarriage. Each volume in The Annotated Luther series contains new introductions, annotations, illustrations, and notes to help shed light on Luther’s context and interpret his writings for today. The translations of Luther’s writings include updates of Luther’s Works, American Edition or entirely new translations of Luther’s German or Latin writings.
Author | : Krešimir Purgar |
Publisher | : Routledge |
Total Pages | : 246 |
Release | : 2020-06-15 |
Genre | : Art |
ISBN | : 0429557574 |
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author | : American Composers Alliance |
Publisher | : |
Total Pages | : 140 |
Release | : 1958 |
Genre | : Composers |
ISBN | : |
Author | : Dj Noor |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Electronic music |
ISBN | : |