Abraham Van Dijck (1635-1680)
Author | : David de Witt |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : |
ISBN | : |
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Author | : David de Witt |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : |
ISBN | : |
Author | : David De Witt |
Publisher | : Waanders |
Total Pages | : 320 |
Release | : 2019-12 |
Genre | : Art, Dutch |
ISBN | : 9789462583313 |
"In the years around 1651, Rembrandt's pupils carefully followed him in the transition to his later style. This style was characterized by concentration, inner emotions, impasto techniques and restrained dynamics. Around the same time, the young Abraham van Dijck arrived in Dordrecht for his studies. He soon mastered the emotional power of Rembrandt's new style, while at the same time developing a gentle alternative: separately from his master he explored the incantation of the inner life through daring experiments in light and technique. fellow students Nicolaes Maes, Jacobus Leveck and Cornelis Bisschop, he returned to Dordrecht for a short and fruitful period in which he painted and drew. But in the end he again could not resist the lure of Amsterdam, although his special character did not exactly fit within the new fashion that there reigned — just as his master had fared. ”Abraham of Di jck. 1635-1680 'is the first comprehensive monographic study of Van Dijck's exceptional achievements in drawing and painting and his distinctive contribution to the art of his time'.--Translation provided by cataloger via Google Translate.
Author | : Amy Golahny |
Publisher | : Amsterdam University Press |
Total Pages | : 498 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9789053569337 |
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
Author | : Walter A. Liedtke |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 1109 |
Release | : 2007 |
Genre | : Painters |
ISBN | : 1588392732 |
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Author | : Jonathan Bikker |
Publisher | : Yale University Press |
Total Pages | : 244 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 0300105819 |
"The book draws on extensive research to revise what has been known about Drost's life, his stylistically diverse oeuvre, and his influences. The artist's training and his relationship to Rembrandt and other artists in the Rembrandt circle are examined, as is his Venetian period and the relation of his style to that of German-born painter Johann Carl Loth. Drost emerges as one of Rembrandt's most talented imitators and, despite his very short career, an artist with a variety of faces."--BOOK JACKET.
Author | : Michaela Watrelot |
Publisher | : Taylor & Francis |
Total Pages | : 338 |
Release | : 2023-12-19 |
Genre | : Art |
ISBN | : 1003825400 |
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author | : Hubertus von Sonnenburg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 435 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0870997548 |
Author | : Esmée Quodbach |
Publisher | : Metropolitan Museum of Art New York |
Total Pages | : 76 |
Release | : 2007 |
Genre | : Architecture |
ISBN | : |
"The Metropolitan Museum is home to the finest collection of Dutch art outside of Europe--including 20 works by Rembrandt himself--and all 228 of these masterpieces are displayed together for the first time in this major special exhibition. The exhibition, which coincides with the publication of the first catalogue of the collection, celebrates Rembrandt's 400th birthday. On view is a rich array of works dating mostly between 1600 and 1700--landscapes, genre pictures, still lifes, marine views, portraiture, and historical and biblical paintings--by Rembrandt and other celebrated Dutch masters such as Frans Hals, Johannes Vermeer, Gerard ter Borch, Pieter de Hooch, Jacob van Ruisdael, and Aelbert Cuyp. Broadly outlining how the collection was formed, the exhibition reflects the taste for Dutch art in America and among New York's great collectors of the past two centuries--"Metropolitan Museum of Art web site, viewed May 5, 2010
Author | : David De Witt |
Publisher | : School of Policy Studies Queen's University |
Total Pages | : 352 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
The Bader Collection stands among the great private collections of its kind in the world. For the past 40 years Dr. Alfred Bader of Milwaukee has donated works to the Agnes Etherington Art Centre at his Canadian alma mater, Queens University, where the entire Bader Collection will be housed . This extraordinary collection demonstrates a rich interplay of interests and insights, at the same time drawing back the curtain on the motivations and principles behind these remarkable acquisitions, whose history dates back to 1950. This scholarly publication presents 200 Dutch and Flemish Baroque paintings that form the collections focus. Exhaustively researched, the richly illustrated entries present each painting in detail. An introductory essay explores the life of this remarkable collector and the motivations that drive his pursuit of the art of the Age of Rembrandt with such passion and insight.
Author | : Marina Sergeevna Senenko |
Publisher | : |
Total Pages | : 514 |
Release | : 2009 |
Genre | : Painting |
ISBN | : |
Catalogue raisonné.