Download A Trail Of Fire For Political Cinema full books in PDF, epub, and Kindle. Read online free A Trail Of Fire For Political Cinema ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Javier Campo |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : |
| ISBN | : 9781783209187 |
| Author | : Javier Campo |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Documentary films |
| ISBN | : 9781783209163 |
Cover -- Half Title -- Title -- Copyright -- Contents -- Introduction: The Place of The Hour of the Furnaces in World Cinema (and in the Political World) -- Chapter 1: To Invent Our Revolution: An Aesthetic-Political Analysis of The Hour of the Furnaces -- Chapter 2: Fanon and The Hour of the Furnaces -- Chapter 3: A Look from Literature on Fernando Solanas and Octavio Getino's The Hour of the Furnaces -- Chapter 4: Popular Music and Political Militancy in The Hour of the Furnaces -- Chapter 5: The Hour of the Furnaces' Sexualized History -- Chapter 6: The Hour of the Furnaces, May 68, and the Pesaro International Film Festival -- Chapter 7: Tracing the Winding Road of The Hour of the Furnaces in the First World -- Chapter 8: Trails of Ink: An Approximation to the Historiography on The Hour of the Furnaces -- Chapter 9: The Dialogue between The Hour of the Furnaces and the Tradition of Argentine Documentary -- Chapter 10: Solanas' Recent Documentaries -- Chapter 11: Experimenting with TV: The Hour of the Furnaces at the Crossroads of Cinematic Experimentalism and Video Art -- Chapter 12: The Hour of the Furnaces as an Essay Film -- Afterthoughts on The Hour of the Furnaces -- Contributors -- Back Cover.
| Author | : Masha Salazkina |
| Publisher | : Univ of California Press |
| Total Pages | : 388 |
| Release | : 2023-06-13 |
| Genre | : Performing Arts |
| ISBN | : 0520393759 |
"World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"--
| Author | : Ewa Mazierska |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 303 |
| Release | : 2020-09-17 |
| Genre | : Performing Arts |
| ISBN | : 1501348280 |
Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.
| Author | : Annette Kuhn |
| Publisher | : Oxford University Press |
| Total Pages | : 576 |
| Release | : 2020-04-28 |
| Genre | : Performing Arts |
| ISBN | : 0192568043 |
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
| Author | : M. O'Shaughnessy |
| Publisher | : |
| Total Pages | : 0 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Pisters Patricia Pisters |
| Publisher | : Edinburgh University Press |
| Total Pages | : 349 |
| Release | : 2020-08-18 |
| Genre | : Performing Arts |
| ISBN | : 1474466982 |
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
| Author | : Oliver Stone |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 676 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : 9781557831279 |
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
| Author | : Jan Stocklassa |
| Publisher | : AmazonCrossing |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : TRUE CRIME |
| ISBN | : 9781542092937 |
"Previously published as Stieg Larssons arkiv: nyckeln till Palmemordet by Bokfabriken in Sweden in 2018. Translated from the Swedish by Tara F. Chance. First published in English by Amazon Crossing in 2019"--Title page verso.
| Author | : William Mazzarella |
| Publisher | : Duke University Press |
| Total Pages | : 297 |
| Release | : 2013-02-25 |
| Genre | : Social Science |
| ISBN | : 0822397323 |
In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
