A Review of "the Art of Colonization"
Author | : William Swainson |
Publisher | : |
Total Pages | : 94 |
Release | : 1987 |
Genre | : History |
ISBN | : |
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Author | : William Swainson |
Publisher | : |
Total Pages | : 94 |
Release | : 1987 |
Genre | : History |
ISBN | : |
Author | : Marinella Lentis |
Publisher | : U of Nebraska Press |
Total Pages | : 449 |
Release | : 2017-08-01 |
Genre | : Social Science |
ISBN | : 0803255446 |
"An examination of government-controlled schools' use of art education as a process for assimilating American Indian children at the turn of the twentieth century."--Provided by publisher.
Author | : Alice Procter |
Publisher | : Cassell |
Total Pages | : 288 |
Release | : 2020-03-19 |
Genre | : Political Science |
ISBN | : 1788402219 |
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
Author | : Gauvin A. Bailey |
Publisher | : Phaidon Press Limited |
Total Pages | : 452 |
Release | : 2005-02 |
Genre | : Architecture |
ISBN | : |
A lively survey of a critical period of Latin American art.
Author | : Edward Gibbon Wakefield |
Publisher | : |
Total Pages | : 0 |
Release | : 1849 |
Genre | : Colonization |
ISBN | : |
Author | : Edward Gibbon Wakefield |
Publisher | : London : J.W. Parker |
Total Pages | : 544 |
Release | : 1849 |
Genre | : Colonization |
ISBN | : |
"The colonist ([is] Wakefield himself) ... dictated to A. Allom in 100 days ... when plans for the Canterbury settlement were gathering momentum ... today it is chiefly of interest as much for the autobiographical passages as for the oft-repeated theoretical concepts. Includes in appendix Charles Buller's April 1843 speech in the House of Commons on systemic colonisation and a letter to Sir Benjamin Hawes, Under-Secretary of State for the Colonies, by four leading colonists protesting at Grey's interpretation of the New Zealand Government Act of 1846"--Bagnall.
Author | : Max Liboiron |
Publisher | : Duke University Press |
Total Pages | : 134 |
Release | : 2021-03-29 |
Genre | : Social Science |
ISBN | : 1478021446 |
In Pollution Is Colonialism Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)—an anticolonial science laboratory in Newfoundland, Canada—to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
Author | : Hamid Irbouh |
Publisher | : Bloomsbury Publishing |
Total Pages | : 296 |
Release | : 2013-03-25 |
Genre | : History |
ISBN | : 0857725157 |
In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.
Author | : Edward Gibbon Wakefield |
Publisher | : |
Total Pages | : 510 |
Release | : 1849 |
Genre | : Colonization |
ISBN | : |
Author | : Brad Evans |
Publisher | : Bloomsbury Publishing |
Total Pages | : 256 |
Release | : 2017-01-15 |
Genre | : Philosophy |
ISBN | : 1783602406 |
While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.