A Philosophical Enquiry Into The Origin Of Our Ideas Of The Sublime And Beautiful By E Burke
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Author | : Edmund Burke |
Publisher | : |
Total Pages | : 366 |
Release | : 1759 |
Genre | : |
ISBN | : |
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Author | : Edmund Burke |
Publisher | : Courier Corporation |
Total Pages | : 159 |
Release | : 2008-01-01 |
Genre | : Philosophy |
ISBN | : 0486461661 |
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This eloquent 1757 treatise on aesthetics explores how interactions with the physical world affect the formulation of ideals related to beauty and art. Edmund Burke's landmark study not only proved tremendously influential on the development of aesthetic theory, but also offered the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. The beautiful, according to Burke, comprises that which is well formed and aesthetically pleasing. The sublime, on the other hand, possesses the power to compel and destroy. This distinction bears a noteworthy historical relevance, since the popular preference for the sublime rather than the beautiful indicates the transition from the Neoclassical to the Romantic era. Burke's dissertation is both a precursor of his later political writings and one of the first major works in European literature to explore the concept of the sublime—a topic as fascinating to eighteenth-century thinkers as it is to modern philosophers and critics.
Author | : Edmund Burke |
Publisher | : |
Total Pages | : 232 |
Release | : 1803 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Edmund Burke |
Publisher | : Oxford Paperbacks |
Total Pages | : 210 |
Release | : 1990-06-07 |
Genre | : Philosophy |
ISBN | : 0191605654 |
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An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia. However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today. This is the only available edition of the work.
Author | : Edmund Burke |
Publisher | : |
Total Pages | : 372 |
Release | : 1787 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Edmund Burke |
Publisher | : |
Total Pages | : 316 |
Release | : 1792 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Edmund Burke |
Publisher | : |
Total Pages | : 144 |
Release | : 2018-03-05 |
Genre | : |
ISBN | : 9781986213622 |
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Burke proposes that beauty stimulates love, but that the sublime excites horror. While beauty relaxes, the sublime brings tension. The feeling that something is sublime is triggered by extremes - vastness, extreme height, difficulty, darkness or excessive light. When discussing infinity, Burke uses the phrase 'delightful horror' to describe the 'truest test of the sublime'. Delight for Burke is the removal of pain. When we realise that horror portrayed in the arts is fictional, this allows us to experience pleasure. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise on aesthetics written by Edmund Burke
Author | : Edmund Burke |
Publisher | : |
Total Pages | : 216 |
Release | : 1833 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Edmund Burke |
Publisher | : |
Total Pages | : 144 |
Release | : 2018-02-05 |
Genre | : |
ISBN | : 9781985098626 |
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. It attracted the attention of prominent thinkers ... It includes several other additions by. Edmund Burke, such as: 1. Novelty. 2. Pain and Pleasure. 3. The Difference Between the Removal of Pain, and. Positive Pleasure. 4. Of Delight and Pleasure...
Author | : Edmund Burke |
Publisher | : |
Total Pages | : 421 |
Release | : 1963 |
Genre | : Irland |
ISBN | : |
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